Dancing Priest

Author and Novelist Glynn Young

Reviews

“John Fremont’s 100 Days” by Gregory Wolk

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The name John Fremont (1813-1890) evokes images of Manifest Destiny, exploration of the western United States, the first Republican candidate for President (18560, and the separation of California from Mexico. Less well-known is his very brief role in the American Civil War. 

For slightly more than three months in 1861, he was the commander of the U.S. Army’s Western Department, stretching from Illinois to the Rocky Mountains and headquartered in St. Louis. Those three months are now detailed in John Fremont’s 100 Days: Clashes and Convictions in Civil War Missouri by Gregory Wolk and published by the Missouri Historical Society.

John Fremonts 100 Days

Wolk has a gift. He meticulously documents the 100 days of Fremont’s office, but he tells it in a storytelling way. This isn’t some dry account of dates, names, and events, but a critical time in American history brought to life.

Fremont was appointed by President Lincoln, and almost from the beginning the man faced political opposition that only grew, particularly from the influential brothers Frank and Montgomery Blair, who had strong St. Louis ties and interests and their own preferences for military leadership in the region.

As Wolk points out, Fremont often didn’t help his own cause. He received his appointment while he was in Europe. He quickly returned to New York but waited there for the arrival of his wife Jessie and their children from California (via a rail crossing in the Panama isthmus. He likely waited far too long for a President and politicians who wanted quick action. 

Once he reached St. Louis, he faced a deteriorating military situation – secessionist unrest in the northeast and southeast parts of the state (Missouri was a border slave state with a governor who almost succeeded in moving Missouri into the Confederacy), the pro-Confederacy State Guard, and Confederate forces moving up from Arkansas. The Battle of Wilson’s Creek, south of Springfield, occurred in this period, a defeat for Union forces. Critics believed Fremont had authorized too little and too late. Wolk does not that it was this battle that likely gave birth to the profession of war correspondent, with a reporter publishing the story and being almost inundated with contract offers and competitors.

Gregory Wolk

Wolk includes vignettes about some of the key players, including Fremont’s wife, Jessie Benton Fremont, daughter of Thomas Hart Benton and a force in her own right. She took her husband’s defense directly to Lincoln (the meeting didn’t go well) and was his public relations manager (long before the term was invented), defender, and chronicler. Also noted is one of the early involvements in the war by an officer named Ulysses S. Grant.

Wolk is a retired attorney, previously general counsel of Three Rivers Systems, Inc., a St. Louis-based developer of academic management software. He has been executive director of Missouri’s Civil War Heritage Foundation, a program coordinator for the Missouri Humanities Council, and currently a member of the board of directors of the National US Grant Trail Association. He previously published Friend and Foe Alike: A Tour Guide of Missouri’s Civil War (2010), which describes the 237 Civil War sites in the state. He lives with his family in Webster Groves in suburban St. Louis.

In John Fremont’s 100 Days, Wolk tells a great story. Fremont emerges as a leader who made mostly political mistakes, who didn’t perceive the Administration forces growing against him. The book also conveys the sense of one of the key reasons the North appeared to be on the road to ultimate defeat – too many politicians trying to fight battles and second-guessing from the safety of their offices in Washington, D.C. 

Related:

Kirkwood’s Grant Historian – Webster-Kirkwood Times.

“A Month in Siena” by Hisham Matar

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Hisham Matar won the Pulitzer Prize for biography for The Return, the story of his search for his father, who’d been kidnapped and presumably killed by the Libyan government. His first novel, In the Country of Men, won several recognitions and awards. Virtually every book he writes wins awards, including the National Book Critics Circle Award for his novel, My Friends, in 2025.

There’s one exception, and it’s a gem of a story. 

In 2014 or 2015, Matar traveled to Siena, Italy, as something of a retreat or rest. He was still recovering from the intensity of writing The Return, not to mention the number of widespread accolades it received. Siena was meant to be a respite, and it was. He describes that respite in A Month in Siena, a non-fiction work about his own life, the churches in the town, and the artwork contained in those churches and the local museum. 

“I found something in Siena for which I am yet to have a description,” he writes, but for which I have been searching, and it came at a resonant juncture: the time between having completed a book and seeing it made public; but also at that strange meeting point of two contradictory events—the bright achievement of having finished a book and the dark maturation of the likelihood, inescapable now, that I will have to spend the rest of my days without even knowing what happened to my father, how or when he died or where his remains might be.”

His father had been a Libyan diplomat who became a dissident. The family was living in exile in Cairo when agents of the Qaffadi regime in Libya kidnapped his father, who disappeared inside Libya. 

Matar finds solace in art, and specifically, the art of the Sienese School, which flourished largely in the 13th and 14thcenturies. (The National Gallery in London hosted an exhibition this year on “Siena: The Rise of Painting.”) The writer visits churches for specific paintings and spends so much time at Siena’s art museums that museum guards come to see him as something of a fixture. He could sit for an hour or more, and it was often more, simply absorbing a particular painting. Some of the artists may be familiar, like Caravaggio; others are well known in the art world but perhaps less by the general public, like Ambrogio Lorenzetti and Michelangelo Pistoletto.

Hisham Matar

It’s a small book, about 130 pages, and it includes reproductions of the paintings Matar studied. It’s also a quiet book; Matar conveys the sense of retreat and rest he was seeking through his style, the words he uses, and the stories he tells.

In addition to his numerous literary recognitions, Matar divides his time between New York and London. He teaches literature at Barnard College, Columbia University.

A Month in Siena will likely instill a similar desire that Matar had – to walk the streets of this ancient walled city, meet its people, eat its food, and explore its churches and museums. But you especially want to sit and study its art. 

Top photograph: An aerial view of Siena by Patrick Schneider via Unsplash. Used with permission.

“Winston and the Windsors” by Andrew Morton

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In late October, we were back at the St. Louis County Library. We had previously attended the talk by mystery writer Elizabeth George; this time it was the British writer, Andrew Morton.

Morton became an almost-household name in Britain in the 1990s when he wrote not just “a” book but “the” book about Princess Diana – the one she agreed to do. Diana: Her True Story nearly toppled the British monarchy – or at least Diana’s revelations seriously damaged the institution. 

Morton has since written books about Monica Lewinsky, Madonna, David and Victoria Beckham, Tom Cruise, Angelina Jolie, and William and Catherine when they were still the duke and duchess of Cambridge. You might say he’s an A-List celebrity biographer.

But his more recent attention has turned from contemporary celebrities to those who are more historical. And that’s what we were there to hear him talk about –Winston and the Windsors: How Churchill Shaped a Royal Dynasty. 

This is a biographical work, but it’s not a biography of Winston Churchill, and it’s not a biography of the Windsor family. Instead, it’s the story of the relationship between Churchill and the royals. No one individual had more influence on the Windsors that Churchill did, with his career bookended by Queen Victoria and Queen Elizabeth II and four kings in between.

From early on, Churchill was seen as something of a loose cannon, but as least from Edward VI onward, the royals recognized that no one was more faithful to the idea of the British monarchy than Churchill. 

Edward VI liked him, even as Churchill could sometimes infuriate him/ George V started out frosty and remote, disdaining Churchill until he began to understand the man better. Edward VII, who gave up his throne, had hoped Churchill might have found a way for him to marry Wallis Simpson and keep the throne, but it never was accepted by the British establishment. (According to Morton during his talk, the royal family initially welcomes Walliss because the kept the Prince of Wales’s drinking under control.)

Considerable space in the book is devoted to what had to be the most important relationship Churchill had with the royals – that of George VI, unexpectedly thrust onto the throne by his brother’s abdication and the one who, with Churchill at his side, led Britain through the very dark days of World War II. Their friendship started off rather cool – George VI and his wife Elizabeth knew how close Churchill had been to Edward VII. But his steadfastness and devotion to the monarchy won them over.

Andrew Morton

It was that eventual closeness that led Churchill to adopt an almost fatherly role with Elizabeth II, when she became queen at 25 on the death of her father. And it was Churchill who traveled to Scotland to tell Elizabeth’s mother than she had to get over her grief and return to London: Elizabeth and the royal family needed her. That was likely the catalyst for her to become affectionately known as the “Queen Mum.” (An interesting side note: Morton says that Churchill played the decisive role in quashing the plan to rename the family “Mountbatten” upon Elizabeth’s succession to the throne.)

Winston and the Windsors is a well-done story of an important relationship that lasted, with all its ups and downs, for some 60 years. It’s fully grounded in historical records; Morton says he spent considerable time in the Churchill Archive at Cambridge University, the archives at Windsor Castle, and the archives at Blenheim Palace, where Churchill was born. That effort shows. So does Morton’s ability to take well-plowed ground and tell a story that’s fresh and fascinating.

Top photograph: Buckingham Palace.

“White Week and Other Stories” by Wojciech Chmielewski

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The Polish writer Wojciech Chmielewski isn’t exactly a household name in America, and for a very good reason. Up to now, none of his writing has been published in English. Wiseblood Books has changed that with the publication of White Week and Other Stories, translated by Katarzyna Bylow. 

Chmielewski is best known in Poland for his short stories, which have won awards in his home country. But he’s also an essayist, literary critic, and playwright for Polich Radio Theatre. This collection of stories, many previously published in Polish literary journals and anthologies. Re largely about Warsaw, a Warsaw that is there and the city that used to be. (Much of the city was destroyed during World War II and then rebuilt under communist rule.)

The stories are, in a word, haunting. The opening story is about the area near Grzybowski Square, with its church on one side and construction underway nearby. We see scenes of a marketplace, a boy selling strawberries (“Polish strawberries…all freesh”), an alleyway full of peonies, a group of drunken men arguing, a young woman waiting for someone, and the empty park with its playground. The story contains no named characters or dialogue; the character is the urban landscape itself. Slowly the reader comes to understand that this area was once part of the Warsaw Ghetto, which tens of thousands of Jews were confined before deportation to Auschwitz.

And so the stories go. Chmielewski will return to this theme of the Warsaw Ghetto, but along the way we’ll experience a religious procession (with a man dreaming about snakes), a woman working on her new novel (with some of the characters becoming parts of other stories), a man with an unfaithful wife who finds solace in eating dog food, a village that exists beneath the sand of a beach area, a man who pays a visit and seems to enjoy reading in a madhouse, conversations in a restaurant during a rainstorm, a saint awake in the dark, a young man in love with a girl whose face experiences allergic reactions, the title story about remembering a religious confirmation celebration, and others.

Like that opening story of the visible landscape not seeming to remember the history, all of the stories have that sense of “missing the context.” We’re there, but we don’t understand. We undertake our daily life, but we’re ignorant of what these streets and buildings have seen, what’s come before us, what has shaped this landscape just as it’s shaping us. 

Yes, haunting is the operative word for these stories.

Top photograph: A scene of Old Town Warsaw by Victor Malyushev via Unsplash. Used with permission.

Single Dads in Non-Fiction and Fiction 

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It was only coincidental. I read Joseph Luzzi’s In a Dark Wood: A Memoir (2015) and the next in my reading pile was Unconditional: A Novel by Stephen Kogon. Both books, one non-fiction and the other fiction, told the stories of young men suddenly finding themselves single fathers.

Luzzi is a professor of Italian and teaches at Bard College in New York. In 2007, just as his lecture class was about to begin, he noticed a security guard come into the room. The message was awful; Luzzi’s wife Katherine had been in an automobile accident and was seriously injured. Katherine was also eight-and-half months pregnant. The baby, a little girl, was delivered and survived.  Katherine didn’t.

And thus began a journey of grief, the loss of his wife, navigating funeral and death arrangements, caring for a newborn, and eventually dealing with lawsuits filed against Katherine’s estate and countersuits filed against the other driver. And that on top of trying to resume a “normal” life, as if life could ever be normal after that.

Luzzi turned to the poet Dante and his Divine Comedy. Like Virgil serves as Dante’s guide in the great poem, Dante served as Luzzi’s guide. He tells a moving, heartbreaking story, a man overwhelmed by loss and grief and with the responsibility of a child. If there is a hero in this story, Luzzi might be the first to admit it was his Italian mother, who essentially moves in to care for her granddaughter.

In addition to The Divine Comedy: A Biography, Luzzi has also published Romantic Europe and the Ghost of Italy (2008), A Cinema of Poetry: The Aesthetics of the Italian Art Film (2014), My Two Italies (2014), In a Dark Wood: What Dante Taught Me About Grief, Healing, and the Mysteries of Love (2015), and Botticelli’s Secret: The Lost Drawings and the Rediscovery of the Renaissance (2022). He received his Ph.D. degree from Yale University, and he teaches literature, film, and Italian Studies. He is also the founder of the Virtual Book Club, which focuses on the world’s great books and storytelling.

Writer and filmmaker Stephen Kogon has previously published a young adult novel and two children’s stories, and Unconditional is his first aimed at adult reader. It tells the story of Matthew Russell, a 35-year-old bachelor who is a photographer for the Arizona Cardinals in Phoenix. He’s attending the retirement part of his best friend (and football team member) Kenny when he receives the telephone call that changes his life. 

The Albuquerque police explain that Matthew’s estranged brother Paul and Paul’s girlfriend have been killed in an automobile crash. Apparent suicides, they’ve left behind a premature baby girl who’s in a hospital neonatal intensive care unit. The only note they left behind read “Please take care of the baby.”

And Matthew is the only person capable of doing that. Overwhelmed with loss, not to mention having to manage his brother’s death and funeral, he has to decide what to do with Allie, his new niece. What he decides is that he will take care of her, even if it means radically changing his life.

It’s a moving tory, sometimes borderline sentimental, but that’s of little account when you become engrossed with the story. Matthew surrenders his life to fatherhood, and that includes changing jobs and putting aside his relationship with his on-again, off-again girlfriend Monica. 

Kogon previously published Max Mooth, Cyber Sleuth and the Case of the Zombie Virus and two children’s stories, Squiglet the Ryming Piglet and Squiglet the Piglet Goes on a Nature Hike. His first film, Dance Baby Dance, was released in 2018. He’s also written screenplays, comedy sketches, and comic strips. 

Related:

Dante’s Divine Comedy: A Biography by Joseph Luzzi.

Top photograph by Illia Panasenko via Unsplash. Used with permission.

“A Słowy Dying Cause” by Elizabeth George

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It helped to have heard Elizabeth George speak in early October at the St. Louis County Library. She was doing a promotional tour for her new novel, and among many other things, she noted that Inspector Thomas Lynley would show up late in the story.

And Inspector Lynley does indeed show up rather late for story billed as “A Lynley Novel.” A Slowly Dying Cause, the twenty-first in the Inspector Lynley series, doesn’t even mention him until about page 120, and he and his detective sergeant, Barbara Havers, don’t really start assuming a significant role until about the middle of the book. 

The novel is 640 pages. The reader is well past the halfway point before Lynley learns there’s even a murder. Havers’ mother has died, and Lynley drags his DS with him when he has to go to Cornwall to attend to a leaking roof at the family estate. Lynley is an earl, even if he work for the Mtropolitan Police in London. He steps into the investigation almost accidentally, but once he’s there, no one doubts who’s really in charge.

It’s the local police who investigate the murder of a tin and pewter workshop named Michael Lobb. Potential suspects abound – the dead man’s ex-wife, whom he divorced to marry a woman abrely older than his own children; his children, both of whom need money; his brother, who owns 40 percent of the business and property it sits on; the young wife herself; the hired help, a man and his adult son; the hired man’s two daughters (one of whom is a former lover of Lynley in London); and the wife’s brother, who happened to be visiting from South Africa and opposed his sister’s marriage from the start.

Elizabeth George

The story is not a straight narrative. It includes the account of the murder investigation, interspersed by the story told by the dead man himself. Add to that the story of Lynley’s estate and its needed repairs. George writes mystery novels, yes, but she also writes novels that just happen to have a mystery as one of the story lines. 

I was 200 pages from the end when I realized exactly who the murderer would turn out to be, and more to the point, what the murderer’s motive was. Yet George is nothing if not an enthralling, compelling author; even when I knew (or guessed, correctly, as it turned out), I kept reading to see how it would all tie together. And George pulls it off. A Slowly Dying Cause is more of a novel than a mystery novel.

In addition to the Lynley novels, George writes a young adult series, set on the island in Washington State where she lives. She’s received numerous awards and recognitions for the Lynley novels, which have been adapted for television not once but twice, with the new Lynley series having started this year. 

Related:

Just One Evil Act by Elizabeth George.

An Evening with Elizabeth George.

Top photograph: Cornwall coast with tin mining tower by Danilo D’Agostino via Unsplash. Used with permission.