By Glynn Young In this fourth novel in the Dancing Priest series, Michael Kent-Hughes confronts a collapsing, scandal-wracked church and a collapsing city government. A trusted advisor finally confronts his own troubled past. Three teenagers ignite a reformation. And Sarah Kent-Hughes finds her long-disappeared mother and ministers to a dying soldier.
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“I didn’t get the feeling that I was reading a typical book. It was almost as if I were spying on these people’s lives. I was the insider into an amazing array of people and situations that had me at times happy and more often than I’d like to admit in tears. Young is not writing a behemoth novel for page or word count. He is telling a story.”




Six Reasons Why Authors Edit Their Manuscripts
Editing has been much on mind lately, and I’m learning that editing requires more of my time and focus than drafting the original manuscript. I’m working on the fifth, and final, novel in a five-book series. This one has taken more time to write; I’m aiming for something more ambitious than its …
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The End of ‘The Scarlet Letter’ – and Its Lasting Influence
We’ve come to the end of The Scarlet Letter, and it’s time to consider this journey we embarked upon almost three months ago. In 1876, George Parsons Lathrop (1851-1898) was editor of The Atlantic Monthly (and at 25 years old, no less). That year, he published A …
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Interview with Wombwell Rainbow
I was interviewed by Wombwell Rainbow, a U.K.-based site that features interviews with local, regional, national, and international writers. The discussion ranged from reading and writing poetry to work ethics, writing, and favorite authors. You can read the entire interview at Wombwell …

Writing as Editing, Editing as Writing
A friend and fellow writer asked me if I edited my writing as I wrote or after I finished a draft. My answer was yes. I do both. I edit as I write, over and over again, and I edit once the draft is “finished,” if that’s possible. The question provoked a deeper thought. Is it possible for me …

When the Story Emerges from the Words
I’ve been working on a story, and Michelangelo pops into my head. He has nothing to do with the story. And I’m not writing about art or sculpture on Italy or the Renaissance or anything related to those subjects. But something happens in the process of writing that story, and it has to do with …