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Author and Novelist Glynn Young

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Glynn Young

How Scott Adams Made Me a Hero

January 14, 2026 By Glynn Young Leave a Comment

In the fall of 1995, I was helping the company’s IT function plan for its annual conference in March. They needed a keynote dinner speaker, and they looked to me to see if it were at all possible to get Scott Adams, creator of the Dilbert comic.

It’s hard to understand now, but the Dilbert carton was growing in popularity, and Adams – himself a former IT person – was considered the patron saint of IT. He wasn’t as well known outside of the function, not yet, anyway. But he soon would be.

How I came to be on this committee is a story in and of itself. Earlier that year, I’d asked IT for help in setting up a company web site. I was told they couldn’t help, and by the way, the web was just a flash in the pan, because the future was – I am not making this up – Lotus Notes. So, I’d gone to an outside firm. 

Scott Adams in 2017

We were a week away from launch when the company hired a new VP of IT. At his first senior staff meeting, he had everyone introduce themselves and what areas they were responsible for. When they finished the roundtable, he asked, “Who’s in charge of web development?” No one said a word, until one person volunteered, “Well, there is this guy in PR.” 

I was descended upon by IT people suddenly anxious to help. I remember saying, “Please, just stay away. We’re ready to go live.” 

I mention that story because it’s a Dilbert cartoon if there ever was one. 

As a result, the new VP made sure I was on the planning team. And they were looking to me to see if we could get Scott Adams as the keynote dinner speaker. Everyone agreed it was a long shot.

In late October, I contacted his representative, who in turn passed me to a speaker’s bureau, which did call me back. He had had a cancellation for the time we were requesting in the spring, and he would do it. I couldn’t believe it; it had been relatively easy, and the fee was well within our budget. They faxed the contract, which I quickly signed and faxed back.

The people in IT were overjoyed. They thought I was some kind of magician, but it was really only a combination of circumstances. 

Then, on Nov. 9, 1995, Bill Watterson, the creator of Calvin and Hobbes, announced he would be discontinuing the comic strip at the end of the year. As newspapers everywhere looked for a replacement, the choice was obvious – Dilbert.

Scott Adams and Dilbert suddenly rocketed to household names. At first, I worried that they might cancel, but, no, it was full steam ahead.

We arranged for transportation from the airport to the hotel, and he said he would find his way to the convention center. Dinner was at 7, and he arrived at 6:15. I met in the lobby and introduced myself. I then took him into the dinner room, where servers were still setting up. He had requested an overhead projector, and he checked the equipment and the microphone.

At dinner, he sat with the Chief Financial Officer, who was over the IT function, the VP of IT, and several other senior executives who had apparently arranged to attend the dinner to hear him, including the company’s CEO.  I worried a bit about the CFO; he was a stern, dour figure, not known for having a sense of humor and often frowning at anything not connected to the business. I was sitting nearby in case of an emergency, and all seemed to go well.

As dessert was served, the chairman of the meeting introduced Scott. A senior IT manager, the man was literally bubbling with excitement. In the room were almost 500 people. 

The book he autographed for me

Scott’s presentation was “The Cartoon Strips That Didn’t Make It Past the Censor.” He showed the strips, telling the story associated with each one. I don’t think anyone on the room stopped laughing. The dour CFO was laughing so hard I thought he’d fall off his chair. When Scott finished, he was mobbed, and he spent at least an hour autographing Dilbert books people had brought to the speech. Including me, and you can see my personalized one above. (I still have the book.)

The CFO made a point of congratulating me for the arranging what he called “the best after-dinner speech I’ve ever heard.” 

I walked him back to his hotel. We talked about Dilbert, drawing cartoons, and the presentation. He said that when Bill Watterson made his announcement, he and his cats did a conga line to celebrate. I told him that his cartoon strip had manage to capture the idiocies of corporate life (and corporate life in the 1990s was saturated with idiocies). I also said that a few months ago, I had stuck a Dilbert cartoon on the door of my office, and it had become something of a shrine, with people sticking up their favorites on the door. (HR tolerated it. Barely.)

That was Scott’s genius: He captured corporate life as millions of us were living it.

People said afterward it was the highlight of the conference. Scott Adams was the perfect speaker, and a perfect gentleman. He was funny, and he knew how to use self-deprecating humor (the only safe kind). He struck me as someone who loved his work, and he was still somewhat bewildered by what seemed like instant fame. And as the years went by, he never lost it that sense of surprise and wonder.

And now he’s gone. The creator of Dilbert, the Boss, Catbert, Dogbert, and Ratbert belongs to the ages.

Related:

Dilbert Creator Scott Adams Dies at 68 – Fox News.

The Scott Adams School 01/13/26 – Scott’s final message.

How I Learned the Liberal Arts Were Important

January 7, 2026 By Glynn Young Leave a Comment

I can remember the first time I knew for sure that something had gone wrong with the liberal arts. I had suspected some things were awry in our own public school district. Teachers and administrators didn’t like parents asking even basic questions about curricula. “Our focus in on critical thinking,” one principal said, “not rote learning.” Included in rote learning were penmanship, learning historical facts, memorizing multiplication tables, phonics, and just about anything associated with traditional learning.

But it was when my oldest son’s sixth-grade English teacher sent a note home on some class activity that I knew. The note was filled with spelling and grammar mistakes. When I asked if spelling and grammar were still taught, I was given some vague reference to avoiding harming children’s self-esteem. 

We pulled the plug. We moved my oldest to a Catholic school (we weren’t Catholic). Seventh grade was a parental nightmare; we quickly learned that my son was, at best, a full year or more behind his new school classmates. That year was spent homeschooling him after he finished the school day, simply to get him up to par. And this wasn’t some high-achieving superstar Catholic school. It was basic education focused on the essentials. 

We started his younger brother started kindergarten at the same Catholic school. We were not about to repeat the experience of our oldest.

As parents, we were close to heartbroken. Our public school system was one of the highest-ranked systems in the state of Missouri. We both loved the liberal arts; my wife focused on history, and my love was English literature. I had gotten a master’s degree in liberal arts at Washington University in St. Louis in 1988. And what was being taught as liberal arts was an early version of social equity and barely disguised activism. 

It’s gotten worse. By the time my oldest grandson started school, public schools weren’t even considered a possibility. He was enrolled in a classical Christian education school, and his brothers soon followed. The difference is nothing short of amazing; this is a school that cherishes the liberal arts, placing them firmly into the context of Christian faith. We’ve seen the impact, and it’s stunning.

Poet, writer, and professor Benjamin Myers is a champion of the liberal arts, at a time when STEM reigns, liberal arts are in decline, and Harvard – Harvard! – has no professors left teaching Western history. Myers has written a short but important book, An Invitation to the Liberal Arts, succinctly explaining why they are important and indeed vital to society and culture.

Benjamin Myers

Myers grounds liberal arts in the Bible and Christian tradition. He examines two fundamental questions that undergird the liberal arts – what is man, and why the West. He stresses the importance of the virtues of humility, patience, attentiveness, and selflessness.

He cites Plato in developing the historical cardinal virtues of temperance, fortitude, justice, and prudence, which the Apostle Paul amended by adding faith, hope and love. Those seven virtues are the foundation of what we know as Western civilization, and it will simply not survive without them. Myers foes on to explore the importance of the liberal arts for leadership and how what we call qualities of leadership flow directly from the virtues of Western civilization.

And his conclusion: “When you undertake a liberal arts education, you are not just doing something for yourself. You are, rather, joining a great project of cultural renewal.” In short, the study of liberal arts is an education, and it doesn’t end with a college degree. It is lifelong education.

Myers, associate professor of literature and poetry writing at Oklahoma Baptist University, served as poet laureate of Oklahoma from 2015 to 2016. He is the author of four collections, Elegy for Trains (2011), Lapse Americana (2013), Black Sunday (2019), and At the Family Book of Martyrs (2023). Elegy for Trains won the Oklahoma Book Award for Poetry, and his poetry has been published in numerous literary journals. Myers has also published A Poetic of Orthodoxy: Christian Truth as Aesthetic Foundation (2020). He received his B.A. degree from the University of the Ozarks and his M.A. and Ph.D. degrees in literature from Washington University in St. Louis.

I can’t recommend An Invitation to the Liberal Arts highly enough. As short as it is (all of 122 pages), it is packed with insight, understanding, and a love for its subject. It’s a call to action for our entire lives – a call aimed at being part of the great project of renewing the culture.

Related:

Benjamin Myers Takes on Ambiguity and Belonging.

Benjamin Myers and The Family Book of Martyrs.

Benjamin Myers and Black Sunday.

Pinocchio in Nineveh: Elegy for Trains by Benjamin Myers.

Top photograph by Susan Wilkinson via Unsplash. Used with permission.

When It’s a Thrill to be No. 2

January 1, 2026 By Glynn Young 2 Comments

During this past week, the Emerging Civil War web site has been posting its countdown of the 10 most read articles on its site in 2025. The articles are typically written by historians, national park officials, and other experts in the field of Civil War history.

Which I am decidedly not. 

But.

The site welcomes articles by guests, and you don’t need to be an expert or historian to submit one. The articles, however, are all peer-reviewed. 

In January, I submitted an article explaining how a family story told through at least generations about my ancestor’s involvement turned out to about as far from the truth as you might imagine. I’d been researching the Civil War and an ancestor’s role in it, for my novel Brookhaven, when I stumbled over what he really did and what actually happened. (The story turned out to be far better, and I stuck with it for the novel.)

My article passed the peer review committee and was duly published in January. And it turns out to have been the second-most read article on the site for 2025. 

You can read the article, “Research for a Novel Upended a Family Legend,” at the site.

Photograph: A page of the family records in the Young Bible.

“John Fremont’s 100 Days” by Gregory Wolk

December 31, 2025 By Glynn Young Leave a Comment

The name John Fremont (1813-1890) evokes images of Manifest Destiny, exploration of the western United States, the first Republican candidate for President (18560, and the separation of California from Mexico. Less well-known is his very brief role in the American Civil War. 

For slightly more than three months in 1861, he was the commander of the U.S. Army’s Western Department, stretching from Illinois to the Rocky Mountains and headquartered in St. Louis. Those three months are now detailed in John Fremont’s 100 Days: Clashes and Convictions in Civil War Missouri by Gregory Wolk and published by the Missouri Historical Society.

John Fremonts 100 Days

Wolk has a gift. He meticulously documents the 100 days of Fremont’s office, but he tells it in a storytelling way. This isn’t some dry account of dates, names, and events, but a critical time in American history brought to life.

Fremont was appointed by President Lincoln, and almost from the beginning the man faced political opposition that only grew, particularly from the influential brothers Frank and Montgomery Blair, who had strong St. Louis ties and interests and their own preferences for military leadership in the region.

As Wolk points out, Fremont often didn’t help his own cause. He received his appointment while he was in Europe. He quickly returned to New York but waited there for the arrival of his wife Jessie and their children from California (via a rail crossing in the Panama isthmus. He likely waited far too long for a President and politicians who wanted quick action. 

Once he reached St. Louis, he faced a deteriorating military situation – secessionist unrest in the northeast and southeast parts of the state (Missouri was a border slave state with a governor who almost succeeded in moving Missouri into the Confederacy), the pro-Confederacy State Guard, and Confederate forces moving up from Arkansas. The Battle of Wilson’s Creek, south of Springfield, occurred in this period, a defeat for Union forces. Critics believed Fremont had authorized too little and too late. Wolk does not that it was this battle that likely gave birth to the profession of war correspondent, with a reporter publishing the story and being almost inundated with contract offers and competitors.

Gregory Wolk

Wolk includes vignettes about some of the key players, including Fremont’s wife, Jessie Benton Fremont, daughter of Thomas Hart Benton and a force in her own right. She took her husband’s defense directly to Lincoln (the meeting didn’t go well) and was his public relations manager (long before the term was invented), defender, and chronicler. Also noted is one of the early involvements in the war by an officer named Ulysses S. Grant.

Wolk is a retired attorney, previously general counsel of Three Rivers Systems, Inc., a St. Louis-based developer of academic management software. He has been executive director of Missouri’s Civil War Heritage Foundation, a program coordinator for the Missouri Humanities Council, and currently a member of the board of directors of the National US Grant Trail Association. He previously published Friend and Foe Alike: A Tour Guide of Missouri’s Civil War (2010), which describes the 237 Civil War sites in the state. He lives with his family in Webster Groves in suburban St. Louis.

In John Fremont’s 100 Days, Wolk tells a great story. Fremont emerges as a leader who made mostly political mistakes, who didn’t perceive the Administration forces growing against him. The book also conveys the sense of one of the key reasons the North appeared to be on the road to ultimate defeat – too many politicians trying to fight battles and second-guessing from the safety of their offices in Washington, D.C. 

Related:

Kirkwood’s Grant Historian – Webster-Kirkwood Times.

“A Month in Siena” by Hisham Matar

December 10, 2025 By Glynn Young Leave a Comment

Hisham Matar won the Pulitzer Prize for biography for The Return, the story of his search for his father, who’d been kidnapped and presumably killed by the Libyan government. His first novel, In the Country of Men, won several recognitions and awards. Virtually every book he writes wins awards, including the National Book Critics Circle Award for his novel, My Friends, in 2025.

There’s one exception, and it’s a gem of a story. 

In 2014 or 2015, Matar traveled to Siena, Italy, as something of a retreat or rest. He was still recovering from the intensity of writing The Return, not to mention the number of widespread accolades it received. Siena was meant to be a respite, and it was. He describes that respite in A Month in Siena, a non-fiction work about his own life, the churches in the town, and the artwork contained in those churches and the local museum. 

“I found something in Siena for which I am yet to have a description,” he writes, but for which I have been searching, and it came at a resonant juncture: the time between having completed a book and seeing it made public; but also at that strange meeting point of two contradictory events—the bright achievement of having finished a book and the dark maturation of the likelihood, inescapable now, that I will have to spend the rest of my days without even knowing what happened to my father, how or when he died or where his remains might be.”

His father had been a Libyan diplomat who became a dissident. The family was living in exile in Cairo when agents of the Qaffadi regime in Libya kidnapped his father, who disappeared inside Libya. 

Matar finds solace in art, and specifically, the art of the Sienese School, which flourished largely in the 13th and 14thcenturies. (The National Gallery in London hosted an exhibition this year on “Siena: The Rise of Painting.”) The writer visits churches for specific paintings and spends so much time at Siena’s art museums that museum guards come to see him as something of a fixture. He could sit for an hour or more, and it was often more, simply absorbing a particular painting. Some of the artists may be familiar, like Caravaggio; others are well known in the art world but perhaps less by the general public, like Ambrogio Lorenzetti and Michelangelo Pistoletto.

Hisham Matar

It’s a small book, about 130 pages, and it includes reproductions of the paintings Matar studied. It’s also a quiet book; Matar conveys the sense of retreat and rest he was seeking through his style, the words he uses, and the stories he tells.

In addition to his numerous literary recognitions, Matar divides his time between New York and London. He teaches literature at Barnard College, Columbia University.

A Month in Siena will likely instill a similar desire that Matar had – to walk the streets of this ancient walled city, meet its people, eat its food, and explore its churches and museums. But you especially want to sit and study its art. 

Top photograph: An aerial view of Siena by Patrick Schneider via Unsplash. Used with permission.

The Christmas Nobody Wanted

December 8, 2025 By Glynn Young Leave a Comment

The Christmas issue of Cultivating Oaks Press is now online, and I have a short story, “The Christmas Nobody Wanted.” It includes essays, reflections, and even a recipe by Andrew Roycroft, Amelia Friedline, Annie Nardone, Junius Johnson, Matthew Clark, Adam Nettesheim, Marbieth Barber, Hillevi Anne Peterson, and several others. 

The theme of the issue is “Making Room to Receive,” and you can access all the posts here. 

Photograph by Jessica Fadel via Unsplash. Used with permission.

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Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of three novels and the non-fiction book Poetry at Work.

 

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