Dancing Priest

Author and Novelist Glynn Young

writing

“Grace Is Where I Live” by John Leax

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From 1968 to 2009, John Leax (1943-2024) was an English professor and poet-in-residence at Houghton College in New York. He was a poet, an essayist, and the author of one novel, Nightwatch. Leax’s poetry collections include “Reaching into Silence,” “The Task of Adam,” “Sonnets and Songs,” and “Country Labors.” His non-fiction writing and essay collections include “Grace Is Where I Live,” “In Season and Out,” “Standing Ground: A Personal Story of Faith and Environmentalism,” “120 Significant Things Men Should Know…but Never Ask About,” and “Out Walking: Reflections on Our Place in the Natural World.”

I’ve read Nightwatch, which is aimed at young adult audiences. It’s a coming-of-age story, focused on a boy named Mark Baker from his young childhood to his ten years. It’s a good story with an “edge” I haven’t usually seen in young adult books. 

In 1993, Leax published Grace Is Where I Live: Writing as a Christian Vocation. It describes how he became a writer, starting with believing he would be a novelist. Early on came the discouragement of teachers and mentors, who didn’t think he was cut out to be a novelist. He turned to essays and poetry, it was there he found early acceptance and success.

While Grace Is Where I Live is not a how-to guide, it is filled with a kind of humble wisdom – wisdom learned the hard way. Leax discusses holiness and craft, stewardship and witness, and story and place – all vital considerations for a writer who is also a Christian. He includes his notes from a sabbatical journal, and then distills what he’s learned about his writing, his calling, and himself in the final four chapters.

John Leax

Of all the books on writing I’ve read, this one comes closest to my own experience. “I have a sense,” he writes, “that calling is not to be confused with being a writer – one punching out the books and making a name, being read and admired. The calling has to do with sitting here and accepting silence if necessary. The silence of not writing. The silence of keeping back my poems until I have tested them in time. The silence of having the poems rejected.” 

The last silence is the worst, he says. If you consider your work a calling, rejection can mean God is not ready for you to be heard, striking “at both my best and my worst. And I cannot separate them.”

He tells a beautiful story in these essays – a story of finding his way to what he was called to do. 

Grace Is Where I Live is long out of print; even in one or two newer editions. If you can get your hands on a copy, it is well worth the time and effort.

Top photograph by Christin Hume via Unsplash. Used with permission.

Related: 

Nightwatch by John Leax.

Research for a Novel Upended a Family Civil War Legend

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In writing Brookhaven, one of the sources I relied upon for research, book referrals, and general information about the Civil War was a web site called Emerging Civil War. Its official description is “a public history-oriented platform for sharing original scholarship related to the American Civil War.” 

Because the site is aimed at the general reading public (people like me), the articles include historical research, memory studies, travelogues, book reviews, personal narratives, essays, and photography. The writers include professors, National Park rangers, teachers, historical authors, and even general writers (like me).

I can’t say enough about how helpful the site has been to my research and my general understanding of the war and the people who fought in it. And now I’m one of their guest authors, with “Research for a Novel Upended a Civil War Legend.” 

Photograph: My great-grandparents, Samuel and Octavia Young, about 1880. The photograph was rather clumsily repaired after suffering some damage.

Two More Reviews for “Brookhaven”

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Brookhaven Full Cover-confidential

Two additional reviews of Brookhaven have been published on Amazon. 

5.0 out of 5 stars Beautifully written. Impossible to put down.

This wonder of a Civil War novel captivated me from the first page. Set ostensibly in 1915 when the only female reporter for the NEW YORK WORLD is sent south to learn details about a mysterious Confederate spy, author Glynn Young spins a family saga that details the heartache and loss not only of the war specifically but the broken relationships and twisted lives that came out of those devastating years.

What begins as a mystery to solve quickly evolves into an elderly man’s own story of the nation’s worst war. Set primarily in the town of Brookhaven, Mississippi, and the homes of a family still caught in the grasp of the war’s aftermath, the story moves back and forth between 1915 and the 1860s, taking readers on a personal tour of troop movement in the eastern border states, battles of Gettysburg and Wilderness, General Lee’s surrender, and ultimately, a very satisfying finale.

As I read, the book and its characters felt very real. Not my ancestors, certainly, but people I learned to cheer for and care about as the ways of war and the world had their effect. That turned out to be not too surprising, as the author wrote an end-of-the-book note that BROOKHAVEN was inspired by tales he heard from his own family as he was growing up.

Finally, marvel of marvels for people like me who always “want to know more” after I’ve finished a historical novel, author Young provides readers with a comprehensive bibliography at the end of the book that ranges from general Civil War books, to books about the war in Mississippi, to letters and memoirs that offer personal insights into those years.

5.0 out of 5 stars Beautifully told, fascinating in historical detail

Glynn Young has crafted a beautiful, engrossing story that shines with historical details. I’ve always loved historical fiction and Brookhaven does not disappoint. The many twists and turns in the story made this one a page-turner for me. The author’s note at the end of the book relates how the book was inspired by an old family story, which I found to be so interesting. I could tell by the way the author handled the characters with such integrity that this story holds a special place in his heart. This book kept me company over the holidays and through a winter snowstorm. It was a very good companion.

“Brookhaven” is Published!

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It’s always a milestone in a life when a new book is published. Brookhaven, a historical novel about the Civil War and what happened after, has made its appearance in the world.

It’s not a novel about battles and military strategy. Instead, it’s about the people who were involved, some directly and some indirectly (and virtually every American alive at the time was affected). 

This is the summary:

“In 1915, young reporter Elizabeth Putnam of the New York World is assigned a story on the Gray Wisp. New information has come to light about this Confederate spy in the Civil War, a figure of legend, myth, and wildly competing claims. What no knows is the man’s identity. The reporter follows leads which eventually bring her to the small Mississippi town of Brookhaven. He agrees to tell his story, a tale of North and South, loss in wartime, narrow escapes from death in battles, family survival, the poetry of Longfellow, and love. And Elizabeth soon finds her own story has forever become part of the Gray Wisp’s.”

Brookhaven is essentially two stories – that of Sam McClure, who enlisted young and finds himself enrolled as a spy, and that of Elizabeth Putnam, a young reporter trying to make her way and her name in what was a very male world of journalism.

The book includes a character list (my wife insisted I include one) and a bibliography (I read more books and did more research than I can remember). 

I’ll write more about the inspiration for the book (a movie I saw in 1959 and a family story that turned out to be more legend than fact. For now, it’s feelings of relief, satisfaction, and no-small amount of joy I’m experiencing. And if you want more information, just ask.

Brookhaven is available here on Amazon in both print and Kindle versions. 

Related:

A note from T.S. Poetry Press on the release of Brookhaven (including the author’s note).

“Christmas Oranges,” a short story – Cultivating Oaks Press.

When Fiction Seems to Predict Fact

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The Dancing Priest novels seem to be back in the fiction-becomes-fact business.

Last week, after saying he would not resign, Archbishop of Canterbury Justin Welby did, in fact, resign. This followed the release of the Makin Report, which documented the failings of the Church of England (COE) in a cover-up of an abuse scandal. The scandal went back to the 1980s when a barrister named John Smyth abused young teens at COE church camps, slipped out of England when it appeared the law was onto him, and went on to victimize more boys in Zimbabwe and South Africa.

Welby’s sin: he learned about the abuse in 2013 but failed to report it to authorities. Smyth could have been brought to justice at that time; he died in 2018.

One as-of-yet-unanswered question is if Welby was the only COE official to know. It’s unlikely that others, including people high in the hierarchy, also didn’t know. The scandal may not be over. And lest we think this type of scandal only happens to the big established denominations like the Church of England or the Roman Catholic Church, there are lessons here for all of us. A church I’ve attended had a member of the staff get involved in an inappropriate and illegal relationship; the difference was that the head pastor, as soon as he was told, called the police. That’s how it’s supposed to work, no matter how damaging it might be to an organization’s reputation. Righteousness trumps reputation, as Bernard Howard wrote for the Gospel Coalition.

In Dancing Prophet (2018), the fourth of the Dancing Priest novels, Michael Kent-Hughes has an abuse scandal thrust upon him. He’s a former COE priest and now the king, and he’s simultaneously dealing with a developing church scandal and a collapse of the government of Great London. His church nemesis is the Archbishop of Canterbury, Sebastian Rowland, who has spent considerable time covering up an abuse scandal that threatens to blow the church apart.

During the research for the book, I learned that the Archbishop of Canterbury, along with the rest of the hierarchy and the church itself, is subject to the monarch. That’s how Henry VIII set it up in the 1530s during the English Reformation. And the archbishop functions at the pleasure of the monarch. That the current prime minister, Keir Starmer, refused to back Justin Welby publicly was of less importance than the silence that was coming from King Charles. Welby’s announcement noted that King Charles has graciously accepted his resignation. That’s how it works. The Catholic pope tells God and the church; the Archbishop of Canterbury tells the king (or the king asks for it).

In Dancing Prophet, Michael tells Sebastian Rowland he must resign. Rowland at first refuses, until Michael, in the presence of the police, explains the evidence against the archbishop, all of which will be made public. It’s worth noting, too, that Michael went to the police as soon as he became aware of the activities of one priest, which would soon explode into a global crime. And Michael, when he speaks to the British people, will tell them that the Church of England may not survive. Righteousness trumps reputation.

Dancing Prophet was written long before the John Smyth scandal was known publicly. What I did know concerned a COE abuse scandal involving some priests; it had first surfaced in the news in 2012. For the novel, I adapted the abuse scandal that has rocked (and continues to rock) the Roman Catholic Church to the COE.

I’m not a prophet; I can’t and don’t predict the future. But I’ve learned that, when you’re doing research for a book like any of the Dancing Priest novels (“future history,” one reader called them), you pick up on issues, concerns, trends, and ideas that are being discussed. You read about past events and troubles. You learn how people, especially people in authority, respond to what they see as threats. And you know what humans naturally tend to do: wish it would all go away, ignore it, make it worse, try to contain it, or cover it up. It might work for a time, but it usually doesn’t work forever.

We forget that lesson: righteousness trumps reputation.

Related:

Can Fiction Predict the Future?

Did Dancing Prophet Become Prophetic?

Top photograph by Ruth Gledhill via Unsplash. Used with permission.

The Sweet Agony of Waiting

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A publisher asks to see your full manuscript. You read it three more times, trying to eradicate all typos, missing words, unclear passages, and confusing lines. You attach it to a politely professional email, which you hope disguises what you’re experiencing in equal measure: hope, fear, and anxiety.

You hit send.

And then you wait.

Waiting may be as much or more exhausting than the writing itself, but it is a fact of life in book publishing.

To continue reading, please see my post today at the ACFW Blog. 

Photograph by David Taffett via Unsplash. Used with permission.