• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Dancing Priest

Author and Novelist Glynn Young

  • HOME
  • BLOG
  • BOOKS
    • Brookhaven
    • Dancing Prince
    • Dancing Prophet
    • Dancing Priest
    • A Light Shining
    • Dancing King
    • Poetry at Work
  • ABOUT
  • CONTACT

writing

It’s Take Your Poet to Work Day

July 17, 2024 By Glynn Young Leave a Comment

Today is Take Your Poet to Work Day at Tweetspeak Poetry, and the site has a raft of resources to help you do that. The celebration of poetry and work has been going strong for more than a decade, and I’ve been an enthusiastic participant from the get-go. I even wrote a small book, Poetry at Work, on finding poetry in all aspects of work.

When I still had an office (or a cubicle), I’d pick a poet and bring him or her to work on the designated day in July. Typically, I’d bring my longstanding favorite poet, T.S. Eliot.

Ten years ago, I was preparing to give notice of my intended retirement from work, which I did in September of 2014. I officially retired in May of 2015. It was early, but it was time. Enough said.

I did some freelance work for a time and was even called back to the company for a three-month assignment in 2018. But “work,” if you define it as something like an eight-hour-a-day job, was over in 2015. 

But I still work, mostly with my own writing. And I still bring my poet to work.

For the last three to four years, that poet has been Henry Wadsworth Longfellow (see lower right-hand corner of photo). Longfellow has accompanied me on a writing project, serving as guide, resource, break from the pace, and sometimes even reality check. I read his works in three different editions – an 1898 “complete poems” edition by Houghton Mifflin, a 1944 edition published by Illustrated Modern Library, and a 2000 edition of his poems published by Library of America. I also used Nicholas Basbanes biography, Cross of Snow: A Life of Henry Wadsworth Longfellow (2020) as a resource.

As I read, researched, and wrote, Longfellow was along for the ride, so much so that, while he didn’t become a character in my story, he did become a presence and an influence on one of the principal characters. If the character recited The Courtship of Miles Standish or Poems on Slavery, I’d stand and read them aloud as well.

I was not only taking Longfellow to work, I was also putting Longfellow to work and working alongside him. I’ll have some news about the final result in some weeks, but Mr. Longfellow may be getting his due.

You don’t have to write a novel to take your poet to work. You can read a poem aloud to yourself or others. You can stick a poem on your bulletin board. You can memorize poem or recite one while you’re doing garden work. Over the years, some have gotten rather elaborate in their efforts, including doing poetry readings at work.

What I discovered was that, even simply reading a poem in the office to myself, my understanding changed because the place provided a different context. 

For resources, tips, and background on poets (including ones you can color like Longfellow), head on over to Tweetspeak Poetry and take your poet to work.

Top photograph: Henry Wadsworth Longfellow in old age.

Remembering the Journey

July 10, 2024 By Glynn Young Leave a Comment

A Brookhaven Short Story

When he looked back on that time, he could see the first days were the easiest, if also the most frightening. And more dangerous days were to follow.

Like hundreds and thousands of others, he walked home from the war, home from defeat and surrender. Glory was long gone, erased in places with names like The Wilderness, Spotsylvania Courthouse, Petersburg, and Appomattox.

The road he took began in Virginia. It ended more than 900 miles later in Mississippi, and home. The camaraderie he’d experienced with others walking home disappeared three days into the journey, when he discovered he’d been left behind. Alone, he walked the often-deserted roads, asking the occasional fellow traveler the direction and the next town.

The woods he passed through were often thick, untouched since forever, he thought, dense forests of pine, oak, and elm. When he could, he traveled through trails in the woods that followed the roads. He liked the silence of the trees and undergrowth; he also liked the safety they afforded, unlike the open road.

He also liked the shift from woods to farmers’ fields, most of which were untouched because the men were gone to war. Or gone from the war.

He’d gone about a hundred miles, he reckoned, based on what other travelers told him, when the walk changed to a ride. He’d gotten a feisty stallion and a wagon drawn by two draught horses. But there had been a tradeoff. With the wagon and the horses came a freed slave woman and her two children and a dead planter’s teenaged daughter and her young cousin. He’d probably never understand why he agreed to see them southward, but he had no regrets.

By necessity, homeward progress simultaneously quickened and slowed. The horses made for faster travel; the women and children did not. He’d quickly learned that their needs were always more complicated than his own and required frequent stops. Progress had been further slowed by rain, bandits, and measles.

He’d just turned 15, a war veteran with two years’ experience. His traveling companions made for conversation, but the responsibility for the five lives terrified him. When he felt most afraid, he’d focus on the road. The woman and the girl had no inkling of his fear; they thought him moody and melancholic.

He led them through rain and flood. He protected them from the evil roaming the roads, evil that was all too common, sometimes predators preying on people just like themselves and sometimes desperate people doing desperate things. They had all seen death and destruction, often so bad that even the children stopped talking. 

But he’d seen them all safely home.

He thought he knew the reasons for their success, the reasons they’d survived. He’d trusted the good Lord to watch over them all. And he trusted his determination to do this thing, to see the journey through.

Related:

“Christmas Oranges,” a short story at Cultivating Oaks Press.

“Encounter in the Woods,” a short story.

Top photograph by Lukasz Szmigiel via Unsplash. Used with permission.

The Unexpected Ballerina

June 19, 2024 By Glynn Young Leave a Comment

The summer issue of Cultivating Oaks Press is live online, and the theme is courage. It includes a short story I wrote, “The Unexpected Ballerina.” The issue is chock full of articles, poems, photography, and more by Annie Nardone, Junius Johnson, Maribeth Barber Albritton, Amelia Friedline, Kris Comely, Justin Lee Parker, Amy Wevodau Malskeit, Rob Jones, and more, under the general editorship of Lancia Smith. It’s a wonderful issue.

“The Storied Life” by Jared Wilson

May 22, 2024 By Glynn Young Leave a Comment

I’ve had many conversations with Christian writers about the idea of “calling,” that writing is a calling from God. Most will agree; some even will identify a specific time when they experienced the calling. 

I can’t. Writing has been a part of my life since I can remember. I was raised in a culturally Christian home, but I had been writing for almost 12 years by the time I became a Christian. I wrote my first story when I was 10; I don’t remember much about it except it was a mystery, involved a group of kids, and featured a grandfather clock that opened to a secret passage and a cave.

Jared Wilson has had a far different experience. In The Storied Life: Christian Writing as Art and Worship, he develops the idea of writing as a specific calling (a kind of ministry, for those unfamiliar with “calling”) and goes so far as the suggest a theology of writing. He tells a good story, and he’s created a solid case for writing as one of those endeavors God would see as good.

The Storied Life is divided into two parts. First, Wilson provides reflections on story. What makes writing good? Does writing have its own liturgy? (Wilson would say yes.) And then he explores writing as a spiritual act.

Part Two is how Wilson explains cultivating the spiritual life. This moves the narrative into areas more familiar to all writers – finding your voice, excellence, the promise and perils of platform, and writing as a calling. Yet even here, he retains a Christian perspective. Writing can be a vocation or an avocation (for me, it’s been both). He explains there isn’t just one kind of calling to writing; the calling can be a call to grow, to emphasize, to recognize limitations, and even to worship.

Wilson suggests that, like the characters we create in fiction, we, too, are characters in God’s story. And just like our fictional characters seem to have a mind of their own (which I’ve experienced many times in fiction), so, too, do we. The calling to be characters in God’s story, and the call to write, is “a call to be his,” he says.

Jared Wilson

Wilson is an assistant professor of Pastoral Ministry and author in residence at Midwestern Baptist Theological Seminary in Kansas City, Missouri. He also serves as staff pastor for preaching and director of the Pastoral Training Center at Liberty Baptist Church, also in Kansas City. He received a B.A. degree in English from Middle Tennessee State University and an M.A. degree in ministry service at Spurgeon College. He’s currently enrolled in the D.Min. degree program at Midwestern. 

The Storied Life is written for Christian writers. Others can read it and benefit, but it is aimed squarely at those of us among the Christian community who are called to write. Wilson offers his own experience, encouragement, and deep insights into the writing process. Christian writers need a book precisely like this one.

Top photograph by Etienne Girardet via Unsplash. Used with permission.

Do You Outline, or Do You Write into the Dark?

May 8, 2024 By Glynn Young Leave a Comment

A problem developed while I was writing my fifth novel. The problem had to do with what I conceived as a minor character – a four-year-old boy who would grow to adulthood during the story. But he wasn’t the main character; far from it, in fact. He was supposed to have a bit role.

Unfortunately, he had a different idea.

I kept floundering with the manuscript because this kid kept sticking his head in. It was as if he was demanding a bigger part of the story. I was hitting dead end after dead end, and my writing was going nowhere.

To continue reading, please see my post today at the ACFW Blog. 

Photograph by Steven Houston via Unsplash. Used with permission.

Joseph and the Grace of Forgiveness

April 25, 2024 By Glynn Young Leave a Comment

The entire spring issue of Cultivating Oaks is devoted to the theme of grace. Published are stories by Lancia Smith, Malcolm Guite, Annie Nardone, Junius Johnson, Adam Nettesheim, Amy Malskeit, Steven Garber, Corey Latta, Tom Darin Liskey, Nicole Howe, Amelia Freidline, Lara D’Entremont, and several others.

For me, reading a very familiar Bible story – the account of Joseph in the Book of Genesis – led me in an unexpected direction of grace. You can read the story, “Joseph and the Grace of Forgiveness,” at Cultivating Oaks Press. 

Photograph by Michael Olsen via Unsplash. Used with permission.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 3
  • Page 4
  • Page 5
  • Page 6
  • Page 7
  • Interim pages omitted …
  • Page 20
  • Go to Next Page »

Footer

GY



Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of six novels and the non-fiction book Poetry at Work.

 

 01_facebook 02_twitter 26_googleplus 07_GG Talk

Copyright © 2026 Glynn Young · Site by The Willingham Enterprise · Log in | Managed by Fistbump Media LLC