Dancing Priest

Author and Novelist Glynn Young

Writing

The Mud Queen

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When I agreed to co-teach a Sunday School class of second graders, I had no idea of what I was going to experience. And it wasn’t the kids.

It was my co-teacher, Carl.

He recruited me. We both had our youngest children – boys – in second grade. The Sunday School class needed a teacher. We’d met in an adult Sunday School class, but we weren’t particularly close friends. 

“Look,” Carl said, “they need a teacher for the second grade. I can entertain the kids, but you’re the teacher. We have to make this fun. We can show the kids that Sunday School is fun. And so is learning about God.”

To continue reading, please see my story at Cultivating Oaks Press. This is the summer edition, and the theme is merriment.

Photograph by Matt Seymour via Unsplash. Used with permission.

“Echoes of Hemingway: An Anthology”

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In early May, I was reading A Farewell to Arms by Ernest Hemingway. Coincidentally, a writer named Harvey Stanbrough announced a writing contest for short stories inspired by any work of Hemingway’s. 

This must be a sign, I thought; I’m right in the thick of what’s known as the great love story of World War I. 

I wrote a story and submitted it. It wasn’t one of the stories chosen as top 3 (with a little prize money) but it was chosen to be in the e-book anthology, “Echoes of Hemingway.” 

The title of my story is “Sonnets to Psalms,” and it’s about what happens to the main character Frederick Henry after the war ends. The title comes from a sonnet written in 1590 by George Peal, which some literary critics believe inspired Hemingway to write his World War I story. The sonnet’s title: “A Farewell to Arms.”

Then it became a matter of fitting pieces together – the town of Montreux, Switzerland, where Frederick and Catherine lived; an abbey not too far away; and some basic research.

The anthology contains 20 stories by 13 writers (a few overachievers wrote more than one story), and it has some very fine short stories covering a surprising number of genres. My own story would be categorized as general or historical fiction.

You can find more information about the anthology at https://payhip.com/b/3ibI5, and it will be available on the various book sites July 12. It can be pre-ordered at Amazon or at Books2Read. And it’s available right now at Harvey’s web site.

I’d never done this with a short story before, and it was actually a lot of fun.

“The Collected Breece D’J Pancake”

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Up to a point, the similarities between John Kennedy Toole and Breece D’J Pancake are uncanny.

Toole (1937-1969) wrote two novels. The first was The Neon Bible, which was published a decade after the second novel, A Confederacy of Dunces. Both received repeated rejections from publishers. Toole would eventually commit suicide in 1969. His mother, Thelma, was determined to see A Confederacy of Dunces published, and she pestered publishers and writers for years, finally wearing down Walker Percy who read it and was blown away. It took Percy three years to find a publisher, and it was LSU Press. A Confederacy of Dunces was a bestseller and won the Pulitzer Prize for Fiction. 

Pancake (an unusual but real last name) wrote 12 short stories and a few fragments of others. Born in 1952 in West Virginia, he managed to graduate from Marshall University. and taught at two military academies. He enrolled in the creative program at the University of Virginia, where he sensed a “class” consciousness between those who held only a B.A. degree and those who had more advanced degrees. But Pancake was the one selling stories to The Atlantic, which made a typographic error when they printed his stories, changing his middle initials “D.J.” to D’J; he kept it. 

He killed himself in 1974 at age 26. His 12 stories represented his entire literary output, but his mother Helen was determined to see them published in book form, which they were in 1983. In 2020, the Library of America republished the 12 stories, along with fragments of other stories and his letters as The Collected Breece D’J Pancake. The introduction is by novelist and short story writer Jayne Anne Phillips, who would go on to win the 2024 Pulitzer Prize for Fiction for Night Watch. The collection also includes the 1983 introduction by James Alan McPherson, who was a director of the creative writing program at Virginia. 

The stories are absolute gems, and even the fragments are excellent. For all of the stories, Pancake drew upon his knowledge of and upbringing in West Virginia. These are the stories of the people left behind America’s growth and prosperity. A farmer trying to keep a dying farm alive. A coal miner who somehow still has work, drinks, and shoots pool. A man who encounters an underage girl working as a prostitute. The death of two teenagers that’s meant to look accidental. A snowplow driver who gives a lift to a hitchhiker. Men who fight for money while onlookers bet. A man on parole out for revenge. And more.

Breece D’J Pancake

The stories aren’t minimalist, which was a quite popular writing movement in the 1970s and early 1980s), but they are written sparingly, with no word superfluous or wasted. Pancake had an ear for authentic conversation; you know you are reading words that sounded exactly like people of the time and place spoke. 

Both Toole and Pancake died way too young. Both left an impressive if limited literary estate. Both were so good one has to wonder what else they might have written had they lived. But both left us with something important and valuable. And both are well worth reading.

Related:

“Time and Again” – short story by Breece D’J Pancake at The Short Story Project.

Top photograph: New River Gorge National Park, West Virginia, by Ryan Arnst via Unsplash. Used with permission.

The Stamp of Generosity

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The spring issue of Cultivating Oaks Press is online, and I have a short story, entitled “The Stamp of Generosity,” included with all the other articles that explore the topic of generosity. My story is based on an event from my own experience, when I was about 12 or 13 years old. A stamp store really did exist in that location, but it was known under another name. 

You can read my story here.

You can access the entire issue here.

Photograph by Krista Bennett via Unsplash. Used with permission.

Research Doesn’t Stop with Publication

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It was a year ago that the manuscript for my historical novel was attached to an email and sent to the publisher who requested it. I felt an incredible sense of relief. The thing was done. I could take a break from literally years of reading and research about the Civil War. Nine years of reading and research. 

I had started this even before I’d thought about writing a historical novel. I started reading about the Civil War because I was interested in it. It was only when I stumbled across an event called Grierson’s Raid, a Union cavalry raid in 1863 that the idea for a novel arose. The raid began at the border between Mississippi and Tennessee, swept down through the state, and eventually ended at Baton Rouge in Louisiana. It was designed as a diversion for Ulysses S Grant to quietly move his Union army across the Mississippi and attack Vicksburg from the east.

My ancestors had experienced that raid. They lived in the Brookhaven, Mississippi, area, one of sites that Grierson’s raiders had visited.

I researched everything I could about the raid and the broader war. Once I knew I would be writing a novel, my research intensified. By the time I sent the email to the publisher, I was close to exhausted, at least mentally.

To continue reading, please see my post today at the ACFW Blog.

A Reader Continues to Reread the “Dancing Priest” Stories

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Pastor Bill Grandi is continuing to reread the Dancing Priest stories. And he’s continuing to pull lessons. He’s finished reading the third book in the series, Dancing King, and he posted twice this week about what he’s reading.

On April 14, Bill discussed the question of “Why?”. People and organizations can tell you what they do, he writes, but they have difficulty explaining why they do what they do. He cites the example of Michael Kent-Hughes’ brother Henry, who becomes a Christian largely because his Mchael accepts him for having intrinsic value – that his worth came not from money, or power or position, but from being created as a child of God. Henry had never experienced that before.

On April 15, Bill cites a conversation between Michael and Jay Lanham, the young man Michael’s interviewing to be his director of communications. Jay tells Michael that what struck him about his sermons was that Michael didn’t communicate at people as an audience, but instead he talked with them as people. Again, this reflects Michael’s belief that people have intrinsic value, that they worth talking with.

I’ve often read and hear people speak of “communication to the masses.” If there’s an expression I can’t stand, that’s it. It’s elitist, since the speaker or writer never considers themselves to be a member of the “the masses.” It’s Marxist. And it’s ultimately dehumanizing, objectifying individual people as some large bloc of humanity that has to be communicated at, with talking points at the ready. 

Read Bill’s posts. And follow his blog, Living in the Shadow. He always has something worthwhile to talk with you about.