Author and Novelist Glynn Young
The spring issue of Cultivating Oaks Press is online, and I have a short story, entitled “The Stamp of Generosity,” included with all the other articles that explore the topic of generosity. My story is based on an event from my own experience, when I was about 12 or 13 years old. A stamp store really did exist in that location, but it was known under another name.
You can read my story here.
You can access the entire issue here.
Photograph by Krista Bennett via Unsplash. Used with permission.
It was a year ago that the manuscript for my historical novel was attached to an email and sent to the publisher who requested it. I felt an incredible sense of relief. The thing was done. I could take a break from literally years of reading and research about the Civil War. Nine years of reading and research.
I had started this even before I’d thought about writing a historical novel. I started reading about the Civil War because I was interested in it. It was only when I stumbled across an event called Grierson’s Raid, a Union cavalry raid in 1863 that the idea for a novel arose. The raid began at the border between Mississippi and Tennessee, swept down through the state, and eventually ended at Baton Rouge in Louisiana. It was designed as a diversion for Ulysses S Grant to quietly move his Union army across the Mississippi and attack Vicksburg from the east.
My ancestors had experienced that raid. They lived in the Brookhaven, Mississippi, area, one of sites that Grierson’s raiders had visited.
I researched everything I could about the raid and the broader war. Once I knew I would be writing a novel, my research intensified. By the time I sent the email to the publisher, I was close to exhausted, at least mentally.
To continue reading, please see my post today at the ACFW Blog.
Pastor Bill Grandi is continuing to reread the Dancing Priest stories. And he’s continuing to pull lessons. He’s finished reading the third book in the series, Dancing King, and he posted twice this week about what he’s reading.
On April 14, Bill discussed the question of “Why?”. People and organizations can tell you what they do, he writes, but they have difficulty explaining why they do what they do. He cites the example of Michael Kent-Hughes’ brother Henry, who becomes a Christian largely because his Mchael accepts him for having intrinsic value – that his worth came not from money, or power or position, but from being created as a child of God. Henry had never experienced that before.
On April 15, Bill cites a conversation between Michael and Jay Lanham, the young man Michael’s interviewing to be his director of communications. Jay tells Michael that what struck him about his sermons was that Michael didn’t communicate at people as an audience, but instead he talked with them as people. Again, this reflects Michael’s belief that people have intrinsic value, that they worth talking with.
I’ve often read and hear people speak of “communication to the masses.” If there’s an expression I can’t stand, that’s it. It’s elitist, since the speaker or writer never considers themselves to be a member of the “the masses.” It’s Marxist. And it’s ultimately dehumanizing, objectifying individual people as some large bloc of humanity that has to be communicated at, with talking points at the ready.
Read Bill’s posts. And follow his blog, Living in the Shadow. He always has something worthwhile to talk with you about.
Someone once asked me if I reread my own books after they’re published. And the answer is yes. Part of the reason is research and “story-checking.” When I was writing the Dancing Priest series, I had to reread the early books to make sure I was keeping story line, characters, and settings consistent and accurate.
But I must confess that, sometimes, I reread the books simply for pleasure. Occasionally, I get so wrapped up in the stories that I forget I wrote them. I suppose that’s a good thing. Yes, I have favorite scenes in every book that I like to reread, but I do reread the books in their entirety, about once a year.
I’ve had readers tell me that they reread the Dancing Priest series, too. Last week, Bill Grandi, a pastor in Indiana, started writing about it at his blog Living in the Shadow. This is part of what he had to say about the first book, Dancing Priest; he captured the very heart of the story in just a few words:
“Glynn has weaved together a wonderful story that even a non-religious person would enjoy. Even though Michael is a fictional character, one begins to admire this young man and his passion for life. Grounded without being preachy, Dancing Priest is a wonderful story of faith, hope, caring for others, putting other’s interests before your own, and being sensitive to those around us.”
And here’s what Bill wrote about the second one, A Light Shining, after summarizing a conversation between the Anglican priest Michael Kent and a 15-year-old boy on the steps of Michael’s church in San Francisco:
“…Each one of us matters to God. He sent Jesus to die so that we could be forgiven. While a story written by Mr. Young, the conversation is heard all over the planet. Every person has value and merit. Each one matters. We are all sinners, for sure, but we still matter to God.”
It might be time to reread my books (again). Thank you, Bill Grandi.
Last week, I sat with seven or eight members of a local St. Louis book club. I was there at their invitation to discuss my historical novel Brookhaven, which they’d chosen for their monthly reading. I was there to talk about the book and answer their questions.
The hostess was more than knowledgeable about the Civil War, having an ancestor who served on the Union side. She even had his picture and other memorabilia. Her husband had an ancestor who published Origins of the Late War in 1866.
As usually happens when you talk with engaged and knowledgeable readers – really engaged readers – you’re the one who comes come away with a new understanding of your own work.
What was the inspiration for the story?
My family history, supposedly passed down from my great-grandfather Samuel Young, who was a Civil War veteran. The family story was that he was too young at the start of the war, so he became a messenger boy. At the end of the war, he had to make his way home on foot from the Eastern Theater to southern Mississippi.
What a great story!
As I discovered in the middle of writing Brookhaven, it was also untrue. Completely. I had to piece together the real story from U.S. Census records, family memories from another branch, old military records, and the family Bible. The received story was so untrue that I suspect someone was pulling someone’s leg, or the story was artfully embroidered by people who weren’t there. My father, for example, said that we came from a long line of shopkeepers who never owned slaves. The census records tell a very different story. We came from a long line of farmers who had indeed owned slaves.
Any other inspirations for the book?
In early 2022, my wife found a reference to a book conserver in St. Louis, and I turned over the family Bible to repair what could be repaired. He did a great job; he also found a lock of auburn hair in the Bible. Given that all the recorded family records were in my great-grandfather’s hand, the lock likely belonged to my great-grandmother Octavia. She died at 44; my great-grandfather never remarried even though he was 43 when she died and lived until he was 75. That lock of hair and his remaining a widower told me there was a love story here.
How long did it take to write Brookhaven?
The writing itself took about eight months, but it wasn’t a solid eight months of non-stop writing. The research took considerably longer; I started reading about the Civil War in 2016, I think inspired by the red-blue divide that was just beginning to rage in contemporary America. The emotions aroused today are not unlike the emotions aroused prior to the Civil War, although the reasons were and are considerably different.
And the story is not just about the Civil War, of course, because it’s actually set in 1915, fifty years after the war ended. So that required two research efforts, like the clothes men and women wore, the kinds of automobiles driven, what you would see at county fairs, whether indoor plumbing was available in small-town Mississippi, and a whole lot more. One historical fact I learned that becomes a small part in the story was that Brookhaven in the 19th and early 20th centuries had a large Jewish population, unusual for a small Southern town.
How do you write? Do you have a set time each day?
My wife will tell you that I’m always writing, even when I’m not. Brookhaven was written in the mornings, afternoons, and evenings. The manuscript came with me when we spent three weeks in London in 2023, and I worked on it there and on the plane both ways as well. When I’m not sitting in front of the desktop or laptop, I’m often writing and rewriting in my head, like when I take long walks.
Do you write from an outline or plan?
No. I write from an idea in my head, but not from an outline. There’s a phrase for it, “writing into the dark.” When I start writing, I don’t know how the story is going to end. One of the main characters, the young reporter Elizabeth Putnam, was a relatively late addition to the story, because I kept stumbling over the need for a reason that the story was being told 50 years later. It was another main character, Sam McClure the Civil War veteran, who looked me in the eye one day and said, “You know, you really need a reason for this story being told in 1915.” Writing into the dark mean you learn to trust your characters. I know it sounds bizarre, but that’s how I write.
Related:
Research for a Novel Upended a Family Legend.
7 Tips for the Novice Historical Writer – Learned the Hard Way.
How My Novel Originated in the Family Bible.
Relearning Civil War History to Write a Novel.
10 Great Resources for Teaching the Civil War.
Top photograph: The Brookhaven, Miss., train station about 1915.
I was drafting and researching what would become my historical novel Brookhaven, and I looked at the census records for Pike County, Mississippi. I’d been having trouble finding my ancestor Samuel Young listed anywhere in Confederate rosters. The only one clue I’d previously found was a listing for S.F. Young, who joined a Mississippi rifles unit late in the Civil War and was sent to Texas. And I thought the census record might have another name by which he was known.
I found the list of Youngs. And the family I’m looking for. There he was – Samuel F. Young, age 13. My eye traveled up the list to his father, Franklin. And the occupation listed was farmer. The same occupation was listed for Samuel’s two older brothers.
Something was wrong.
To continue reading, please see my post today at Tweetspeak Poetry.
Photograph: The 1885 (first) edition of The Personal Memoirs of Ulysses S. Grant.
An award-winning speechwriter and communications professional, Glynn Young is the author of three novels and the non-fiction book Poetry at Work.
