Dancing Priest

Author and Novelist Glynn Young

Writing

Christmas Oranges

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I have a new short story, “Christmas Oranges,” published today at Cultivating Oaks. It’s based on a work-in-progress, tentatively entitled Brookhaven. You can read the story here; the entire Christmas issue can be accessed here. 

The story, like the work-in-progress, is historical fiction, set in 1863 to 1865 during the Civil War, the Reconstruction period, and 1915. It is loosely (very loosely) based upon events in my own family, although the characters are entirely fictitious.

Photograph by Leonardo de Assis via Unsplash. Used with permission.

“John Brown’s Body” by Stephen Vincent Benet

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It’s likely the most successful poem in American literary history, selling more than 130,000 copies. And it’s epic in length.

In 1925, the highly regarded poet Stephen Vincent Benet (1898-1943) applied for a Guggenheim Foundation grant to write a long historical poem about the Civil War. The foundation came through with a $2,500 grant that supported Benet and his family. Along with a bit of freelance writing, while he researched and wrote. They moved to Paris for him to write; it was cheaper than living in the United States. He thought the effort would take seven years; in fact, it took only two. John Brown’s Body was published in 1928, catapulting Benet into literary stardom.

John Brown

The poem contributed to Benet being the most read American poet between 1918 and his death in 1943. His other poems and short stories were widely popular as well, including the short story “The Devil and Daniel Webster.” Book One of a planned nine-volume narrative of the settlement of America, entitled Western Star, was published after his death and received the Pulitzer Prize for Poetry.

The epic of John Brown’s Body, or “cyclorama,” as Benet called it, begins with John Brown’s raid on Harper’s Ferry. Even more than the Dred Scott decision, this is the event that the poet indicates was the point of no return. The raid horrified the South and electrified the North; in Benet’s hands, national unity was not possible without a war. In the poem, this first section includes some of the most vivid and dramatic imagery of the entire poem. (And I didn’t know that Brown took hostages, including the great-grandson of George Washington.)

John Brown’s Body seems rather curious today, curious in that it isn’t a rant or filled with pious superiority and virtue signaling. It’s almost scrupulously fair to both sides in the war, depicting both historical and fictional characters as they themselves would have seen and experienced the war. His main fictional characters, Jack Ellyat of Connecticut and Clay Wingate of Georgia, are drawn to popular type, Ellyat being a yeoman Connecticut farmer and Wingate being the son of a large plantation owner in Georgia.  They and their families will experience the war in radically different ways.

Benet moves the story from the Harper Ferry’s raid to the firing on Fort Sumter, battles like Bull Run and Antietam, Gettysburg, and finally the surrender at Appomattox. In addition to the fictional characters living the story, historical characters like Abraham Lincoln, Robert E. Lee, Jefferson Davis and his cabinet, Ulysses Grant and others describe what is happening. Most of the poem covers the period up to an including Gettysburg; the last two years are rather abbreviated, focusing on Appomattox. But Benet does devote a section to Sherman’s march through Georgia to the sea.

Stephen Vincent Benet

It’s rather astonishing that Benet completed the poem in two years. It still makes for an enthralling read as he tells the story of what is (the present moment notwithstanding) the most divisive period in American history, a time when America was torn apart over four years. 

Writing years after the poet’s death, historian Bruce Catton said that if you wanted to understand the Civil War, you could read the 120 volumes of the Official Records of the War of the Rebellion, or you could read John Brown’s Bodyby Benet. Benet makes for much more concise and entertaining read.

Top illustration: A drawing of U.S. Marines storming the engine house at the Harper’s Ferry federal arsenal (National Park Service). 

“John Ransom’s Andersonville Diary”

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Much like the Civil War itself, accounts of prison camps can seem at opposite ends of the spectrum. Some, like Camp Douglas in Chicago, are as obscure as the physical sites themselves, buried under city development. Andersonville, the camp for Union POWs in Sumter County, Georgia, has had the most notorious reputation of any camp during the conflict. And yet some Union prisoners, like James Madison Page, reported a very different experience. 

The facts are stark. Over the 13 months of its existence, some 45,000 Union soldiers were imprisoned there, and 13,000 died. 

John Ransom, an acting quartermaster sergeant for the 9th Michigan Cavalry, was captured on Nov. 6, 1863, in east Tennessee. He was first sent to Belle Island, an island in the James River adjacent to Richmond, then to a tobacco warehouse building in Richmond itself, and finally by train to Andersonville. He survived the experience, but only barely. In 1881, he published Andersonville Diary, a memoir of his experiences, using the almost daily journal he kept as the basis.

What he described is, by any measure, horrible. The Confederates, like the Union, had no experience managing prison camps. By 1864, the Confederates were already being stretched thin with food and medical supplies for their own armies, and Union prisoners were not high on the priority list. Both the food supply and the medical resources at Andersonville were bad, and it wasn’t long before prisoners began to die.

Ransom as a young soldier

Exacerbating the already dire situation were the prisoners who formed gangs, robbing and terrorizing other prisoners for food, clothing, and any objects of value. As Ransom continually mentions, it was no surprise that escape and hope for prisoner exchanges were always on prisoners’ minds.

He describes how a prison economy developed, with various prisoners provided services like letter writing to others. But it was an economy in constant upheaval as the death count rose. He noted that some prisoners became mad.

No matter how sick prisoners became, they all wanted to avoid the prison hospital, because no one survived it. Ransom himself became so sick that, he said, he wanted to die. He was kept alive by a fellow prisoner, who happened to be a full-blooded Comanche Indian. Eventually, he and other prisoners were transferred to a hospital in Savannah, where he did receive decent medical care. 

Ransom in later years

Contrary to his fellow prisoner James Madison Page, he had nothing but condemnation for Captain Henry Wirz, the camp commandant who would be hanged after the war ended. He also understood that prisoner exchanges had stopped, because Union Secretary of War Edwin Stanton opposed exchanging Southern prisoners which would likely replenish Confederate armies.

By any definition, Andersonville deserves its reputation. The scenes Ransom describes in his Andersonville Diary are not unlike the scenes of the Holocaust camps in Europe during World Wat II. Some prisoners may have fared better than others, but the death rate and prison conditions speak directly to what can only be called a horror.

Related:

The Story of Camp Douglas by David Keller.

The True Story of Andersonville Prison by James Madison Page.

Top photograph: A view of Andersonville.

“Shiloh” by Shelby Foote

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Shelby Foote (1916-2005) was a journalist, writer, and historian best known for his three-volume The Civil War: A Narrative, published between 1958 and 1974. His writings about the war and the South generally tilted in the direction of the Lost Cause, which means he’s as far out of favor with historians today as he can be. And yet his scholarship and depth of research were impressive.

Foote also wrote six novels, one of which was entitled Shiloh, published in 1952. As the title indicates, it was about the Battle of Shiloh, fought April 6-7, 1862, in southern Tennessee very close to the Mississippi border. It was something of a seesaw battle, in that the Confederates under Albert Sidney Johnston and P.G.T. Beauregard clearly won the first day, only to see their victory turned into defeat the second day by the Union forces under Ulysses Grant and Don Carlos Buell. There were some 24,000 casualties, the total of both sides, and Shiloh has the dubious distinction of being one of the bloodiest battles of the war.

The name “Shiloh” came from Shiloh Church located near Pittsburgh Landing on the Tennessee River (the battle is also sometimes called the Battle of Pittsburgh Landing). “Shiloh,” interestingly enough, means “peace.”

Foote’s novel is less of a traditional novel and more like seven connected short stories, each with a different narrator. The story moves back and forth between Confederate and Union perspectives. It’s told by a lieutenant and aide-de-camp to General Johnston; a captain in the 53rd Ohio; a private and rifleman in the 6th Mississippi; a private and cannoneer for the 1st Minnesota; a scout in Nathan Bedford Forrest’s cavalry; a squad with the 23rd Indiana; and then Johnston’s aide-de-camp again, listed as “unattached” because Johnston has been killed in battle. 

Shelby Foote

These men, representing both sides, take the reader through the battle and its different aspects. Palmer Metcalfe, the aide-de-camp who provides the beginning and the ending entries, gives a more strategic, step-by-step description. In fact, the first chapter reads more like history than it does a novel. But we see the attacks, the movements, the deaths, the prisoners taken, and ultimately the general carnage that produced such a high casualty rate.

In Foote’s hands, it’s the battle itself that’s the main character and the main story. It’s less about the men who fought it and more about the inevitable turnings of a great wheel of death and destruction.

The Union dead were buried in individual graves; the Confederate dead were buried in several mass, and unmarked, graves. It was here that a tradition started sometime later. Confederate mothers and wives placed flowers on their sones’ and husbands’ graves. Seeing the bare Union graves, they placed flowers on those as well. When Northern mothers and wives heard the story, the reciprocated in likewise fashion. Some good and some understanding did come from that terrible conflict.

Related:

Battle at Shiloh: The Devil’s Own Two Days – Wide Awake Films.

Top illustration: Battle of Shiloh by Thure De Thulstrup for Harper’s Magazine, via Wikimedia Commons.

How a Troublesome Manuscript Was Saved

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Hold on to those unfinished or problematic manuscripts. You never know when they’re due for a rebirth.

You pour everything into creating a manuscript. You type “The End.” You smile and give yourself a well-deserved pat on the back. It’s done. You finished it.

You set it aside for a few days, and then you reread it.

You see a problem, but you know it can be easily fixed. You read on. Another problem, and another theoretical fix. You plow on, right to the end, and you realize what the problem is.

The problem is the entire manuscript. It doesn’t work. It doesn’t tell the story you want told. It doesn’t tell the story the characters want told. And you think to yourself, “All that work. All that work.” 

To continue reading, please see my post today at the ACFW blog.

Photograph by Scott Graham via Unsplash Used with permission.

“Hospital Sketches” by Louisa May Alcott

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In 1862, Louisa May Alcott decided she would do her duty for the Union effort on the Civil War and volunteered to become a nurse. She eventually found herself at an army hospital in Georgetown, part of Washington, D.C. She wrote letters to her family in Massachusetts, describing her experiences. And eventually, the letters became the basis for Hospital Sketches, published in 1863.

You would expect an account of Civil War hospital experiences to be extremely serious. And for the most part, Hospital Sketches is. But it is also laugh-out-loud funny, especially in the early chapters.

Alcott turned her experiences into a fictional account. While Massachusetts is the same starting place and Washington, D.C. the destination, the account of traveling from one to the other is close to hysterical. But nothing will dampen the enthusiasm of our intrepid heroine, Nurse Tribulation Periwinkle (Alcott might have been reading too much Charles Dickens to come up with a name like that). Known affectionately to her family as Trib, she will conquer railroads, shipping lines, army bureaucracy, and hospital assignment changes as calmly as the most dedicated Stoic. Well, sort of.

An example is the sailing part of the journey. It is a brand-new ship. Nurse Periwinkle, having two close drowning calls as a child, is convinced that the ship will inevitably pick her journey as the occasion to sink. Sharing a large sleeping room with several other women, and realizing there are no life preservers, she determines that one of the ladies has the best chance for floating on the open sea, and her plan is to latch on to her when the boat sinks. The poor woman doesn’t understand why Nurse Periwinkle becomes so attached to her. 

The account of the journey to Washington is filled with anecdotes like that. Once our heroine arrives, however, she will do her duty for her country. It takes her a while to get used to the sights and smells of a Civil War hospital, not to mention the needed washing of the patients. But here the story takes a serious turn, because Nurse Periwinkle will face men dismembered, disfigured, and dying. 

Louisa May Alcott

Alcott (1832-1888) is best known for her novels and short stories. Little Women, Little Men, and Jo’s Boys are American classics. She grew up associating with Henry Wadsworth Longfellow, Henry David Thoreau, Nathaniel Hawthorne, and Ralph Waldo Emerson. Her father, Amos Bronson Alcott, was a well-known adherent of Transcendentalism. She was an abolitionist and a feminist. She also wrote numerous gothic thrillers under a pen name. 

Hospital Sketches is funny, sad, and poignant. Alcott had more latitude in adapting her letters into a fictional account rather than a non-fiction memoir, but the work still provides insights into the hospital experiences of doctors, nurses, and patients in the Civil War years.

Top photograph: A Civil War nurse, about 1864.