Dancing Priest

Author and Novelist Glynn Young

Reviews

“The Canteen” by Trevor Tipton

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Family memories passed down through the generations can create fascinating stories.

Eighteen-year-old Travis Tipton and his Indiana unit find themselves lost in the mountains of eastern Tennessee. It’s late 1863; the men are cold and they’re increasingly tired of the war. They’ve become separated from the main body of Union General Burnside’s army and need to find their way back. Travis has just gone off guard duty when the Confederates attack. The few Union soldiers are killed; Travis himself is shot directly in the heart and tumbles into the nearby stream.

When he wakes, he discovers he’s still alive, protected by the canteen he’d slung across the chest; the rest of his troop are dead; he’s floating on a log downstream; and the water is freezing. He loses consciousness and later finds himself rescued by a Union-friendly mountain family, who help him recover from frostbite and exposure.

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He finds romance, but his adventures are far from over. He eventually leaves the mountain family to find Burnside’s army but soon faces another peril: Confederate bounty hunters. 

Travis’s story is told in the short novel The Canteen by Trevor Tipton. The reason the story’s fictitious hero carries the same last name as the author is because the story is based on family history and a Civil War rifle passed down through the decades. There really was a Travis Tipton from Indiana who fought in the Civil War and married a young woman he met during the war. And one of his descendants would write a novel about the war, loosely based on Travis’s history.

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Trevor Tipton

It’s a rich story, filled with anecdotes about real events during the war, including the POW camp at Camp Cahaba in Alabama, which plays a role in the story. (Designed to house 100 soldiers, the camp housed up to 3,000 Union prisoners. Not as bad as Andersonville or some of the POW camps for Confederate POWs in New York and Chicago, Cahaba had its own horror stories.)

Tipton the contemporary author taught for 43 years, using his storytelling skills to make the past become interesting and alive. He lives in northern Indiana.

I learned about The Canteen from an unusual web site / podcast / YouTube channel called American Civil War & UK History (link below). I, too, have a Civil War story passed down through the generations that eventually became a manuscript, and will soon become a published novel.  

Related:

Trevor Tipton talks about The Canteen with American Civil War & UK History.

“Ushers” by Joe Hill

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Martin Lorensen is a young man who’s been extremely lucky, or he’s extremely guilty. Twice he’s narrowly escaped death – a train wreck and a school shooting. Both times, his escape was a last-minute thing – a panic attack kept him from boarding the train and an upset stomach stopped him from entering school and returning home. In the train wreck case, he warned a mother and daughter not to board.

The FBI is interested. Very interested. To the two agents interviewing Martin, it seems like there’s a strong possibility that Martin knows what’s going to happen before it does. And perhaps he’s not the lucky bystander. Perhaps he’s the cause.

Joe Hill

Ushers is a short story by best-selling writer Joe Hill, and it’s one creepy story. You’re sucked into what may or may not be a tale of a serial killer. The story is structured in two parts – an “informal” interview of Lorensen by the agents and then a meeting in a bar between the suspect and one of the agents, where all is made clear.

Hill is the author of The Fireman, Heart-Shaped Box, and Strange Weather, among many others. Several of his stories have been adapted for movies; his Locke & Key stories became a popular series on Netflix. He’s also written several graphic novels, and he has a not terribly active blog at Hill’s House (the title possibly being a nod to Shirley Jackson and The Haunting of Hill House).

Ushers begins as a police procedural type of story and ends as something entirely different. And Hill nicely builds the tension right to the breaking point.

“The Blackbird & Other Stories” by Sally Thomas 

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A little girl tries to lead a normal life – dance revues, school – while the shadow of her mother’s illness seems everywhere. If she focuses on dancing “The Blackbird,” she’ll be fine.

A couple try to make sense of their grown son’s suicide, even if you can never really make sense of that kind of tragedy. Or you’re traveling with your grandparents, trying to escape, or deal with, a family breakup. Or a spouse dies, that “little cough” having turned into something fatal. Or your youngest child is born with a skin condition that essentially makes him allergic to sunlight, and you have to re-orient everything you know and do. Or you take refuge from your spouse’s beach house, the one in your family for three generations, the one containing memories of every childhood vacation. 

These are a few of the stories in The Blackbird & Other Stories, the new collection by Sally Thomas. Comprised of eight stories and one novella, Thomas explores life in contemporary America, where marriages flounder and fail, children die, someone you know and love is going to be on the autism spectrum, and dementia and its annihilation of memory always threatens. Underlying all the stories is the subject of faith, or lack of it, never overtly there but only a subtle presence, almost a reminder of something lost. 

But being lost doesn’t mean unimportant. In one of the stories, “Not Less Than Everything,” faith has an important part to play.

Three of the stories and the novella (“The Happy Place”) are about members of the same family, especially the mother Caroline and the daughter Amelia. You read how their lives unfold, and you ache, all the while sensing that there is something here to hold on to while life throws everything at you. These are people you know; they may even be your own family.

Sally Thomas

Thomas is a poet and fiction writer. She serves as the thesis advisor for the M.F. A. program at the University of St. Thomas in Houston. She’s published two poetry chapbooks and collection Motherland, with a second collection being published this year. Thomas served as co-editor (with Micah Mattix) of the anthology Christian Poetry in America Since 1940. Her writing and poetry have appeared in numerous publications, including Plough Quarterly, North American Anglican, Dappled Things, First Things, The New Yorker, The New Republic, Public Discourse, Southern Poetry Review, and many others. With Joseph Bottum, Thomas is the co-editor of Poems Ancient and Modern, a poetry newsletter on Substack.

The Blackbird & Other Stories is a collection that asks, how do we make our way in a broken, fallen world? Or conversely, how can we make our way without faith?

Related:

Works of Mercy by Sally Thomas.

Top photograph by Nick Fewings via Unsplash. Used with permission.

“Write & Publish Organically” by Catherine Lawton

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Sometimes I think more people write about writing than actually write. I follow several writer blogs, web sites, online magazines, and Substack listings, and just keeping up with those can be overwhelming. I’ve read and read lots of books on the subject. This is all in addition to the writing itself.

But it is a good idea to step back from time to time and think critically about what you do and how you do it. And to figure out if you can do it better. A new book on writing that is aimed at Christian writers but easily applies to all writers is Write & Publish Organically by Catherine Lawton. And it is a gem. 

Lawton uses a rhyming scheme to explain what she calls organic writing and publishing.

First is “soak.” All writers are soaked in modernity; Christian writers have to strive for being soaked in God’s presence. It’s not easy; she points out that the idea of faith has been shifting from an institutional framework to “unmediated experience.” For Christian writers, grounding in God’s presence is essential.

Second is “spoke.” Lawton details what she learned about writing rom “being practically raised in a church pew.” That understanding include the power of words, the joy of writing and publishing, the importance of being heard or getting the word out, and the value of reading and sharing books.

This is “evoke,” or letting one’s imagination awaken. That’s followed by “provoke,” or stopping playing it safe and getting out of one’s comfort zone. And fifth is “stoke,” where she describes marketing strategies for both writers and publishers.

Catherine Lawton

She includes three useful appendices – publishing models; the publishing process; and marketing for introverts, which likely describes the majority of wrtiers. 

Lawton has been writing and telling stories since childhood. She’s published fiction, poetry, essays, and non-fiction. She’s also the founder of Cladach Publishing, a Christian publisher of memoirs, fiction, non-fiction, and poetry. The firm is based in Greeley, Colorado.

Write & Publish Organically is a guide not only for young writers beginning their careers but also established writers. Particularly helpful is the idea of being centered (for Christians, that means centered in God). It’s a work filled with insights and helpful advice; Lawton works both the writing and publishing sides of the business. She’s distilled what she’s learned into a highly readable book.

And reading it is a good way to think about writing.

Note: The book will be released on Monday, Sept. 9.

Top photograph by Andrew Neel via Unsplash. Used with permission.

“Decisions of the Vicksburg Campaign” by Larry Peterson

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I’ve completed for reading and research for my Civil War novel, tentatively entitled Brookhaven. It’s been something of a relief to see the conclusion of this phase of the project, and I’ll have more to say about the next phase soon.

The Civil War is something of a publishing mini-industry; new books are coming out all the time. I think we keep examining the war, what left up to it, and what came afterward to try to understand our own times. I can say that much of what I thought I knew has undergone some serious revision.

I’m still following news of new articles and books on the conflict, and one was recently published that I couldn’t resist. Decisions of the Vicksburg Campaign: The Eighteen Critical Decisions That Defined the Operation was written by Larry Peterson and published recently by the University of Tennessee Press. And I couldn’t resist it because it was precisely the operation that framed the Civil War experience of my ancestors. 

They didn’t live in Vicksburg; they lived south of Jackson near the city of Brookhaven. If you travel on Interstate 55 between New Orleans and St. Louis, which I have many, many times, you travel through Brookhaven. 

Vicksburg was the last impediment to Union control of the Mississippi River. New Orleans had fallen in 1862, and Baton Rouge and Memphis not long after. Vicksburg was the blockade point, and it had to be taken. The siege lasted a considerable period, and it involved a number of related operations, including the capture of the state capital at Jackson and what it known as Grierson’s Raid, a cavalry maneuver that started in Tennessee, swept down the state of Mississippi, and end in Baton Rouge. It was designed to confuse and distract the Confederate Army and allow Ulysses Grant to move his troops across the river south of Vicksburg. And it worked rather spectacularly. 

Grierson’s Raid is one of the 18 critical decisions of the Vicksburg campaign. 

With each decision, Peterson explains what the situation was, what the options were, what was decided, and what were the results or impact. The decisions range from the appointment of the military commanders on both sides, failures of command, Grant’s attempted advance through central Mississippi, Union Admiral David Porter’s decision to run the Vicksburg blockade, Grant’s attack on Jackson, the Confederate mismanagement of Vicksburg’s defense, and more. The discussion for each is short and succinct; the main part of the book is only 100 pages.

Admiral Porter’s ships run the blockade.

The appendices are also well worth reading and constitute another 84 pages, including directions for a driving tour you can take of the entire campaign; he Union and Confederate Orders of Battle; and a short discussion about reinforcing Vicksburg. The book also includes notes, a bibliography, and an index.

What I found especially interesting was that Grierson’s Raid almost didn’t happen. The Union officer takseed with the decision initially postponed it because of Confederate activity and because he thought its success was questionable at best. He was eventually overridden, and the raid was authorized, taking place between April 17 and May 2. One stop made by the Union cavalry was Brookhaven, where the rail station was burned and track torn up. 

In my novel, that becomes the event that frames all of what follows.

Peterson retired from United Airlines as a Boeing 757/767 Standards Captain. He’s previously published Confederate Commander: The Remarkable Life of Brigadier General Alfred Jefferson Vaughn Jr and several volumed in the Command Decisions of the American Civil War series. 

Decisions of the Vicksburg Campaign covers an extensive amount of information, and it does so in a highly readable, compact way. You get a full sense of the major decisions, good and bad, that figured in the Union’s ultimate capture of the city. 

Top photograph: Vicksburg during the Union siege, showing the caves where many citizens lived during the bombardment.

“Works of Mercy” and Poet Robert Southwell

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On Monday, I posted a short review of the novel Works of Mercy by Sally Thomas on my Faith, Fiction, Friends blog. It is a fine novel, a little slow moving at the beginning but richly rewarding if you stick with it. I stuck with it, and I’m glad I did.

The main character, an aging housekeeper named Kirsty Sain, works for the priest in a small-town Catholic parish in North Carolina. She lives a somewhat isolated life, until circumstances force a change. But what threads through the change is the poetry of Robert Southwell (1561-1595).

Southwell, who would become a Catholic saint, was one of the Catholic martyrs in the religious wars in England in the 16th century. Yes, but was the age of Shakespeare, but it was also the age of religious war. Henry VIII began the English Reformation; his son and heir carried it onward for the few years he was king. Catholic Mary Tudor represented the reaction, and she was no slouch when it came to martyring Protestants.

When Elizabeth I ascended the throne, it was the reaction to the reaction. That Catholic Philip II of Spain attempted an invasion of England in 1588 to depose Elizabeth and restore the Catholic faith didn’t cause Elizabeth to look on her Catholic subjects kindly. But when it came to martyrdoms, she was a bit more reserved than her older sister.

English-born Robert Southwell was a Jesuit priest who had been educated in France. When he returned to his native England in 1586, he did so in secret and had to perform his priestly offices underground. He was captured in 1592, interrogated and tortured, confined to solitary confinement in the Tower fort wo years, and then transferred to Newgate Prison for his trial in 1595. He was found guilty, sentenced to death by hanging, drawn, and quartered. In 1970, Pope Paul VI canonized him.

The vast majority of his writings and poetry happened in the six years between his return to England and his imprisonment. Earlier works were composed in Latin, but his poems in England were written in English. 

In Works of Mercy, Kristy Sain, raised a Catholic, recalls her college studies, readings, and the affair with her atheist tutor, who disparaged her interest in Southwell and Catholicism. She doesn’t finish her studies, and only years later do Southwell’s poems come back to her.

Because a significant part of the story happens at Christmas, the poem that becomes a part of the story is “The Burning Babe,” which is about the Nativity. In fact, it appears that author Thomas found the novel’s title in this poem.

The Burning Babe

As I in hoary winter’s night stood shivering in the snow,
Surprised I was with sudden heat which made my heart to glow;
And lifting up a fearful eye to view what fire was near,
A pretty Babe all burning bright did in the air appear;
Who, scorched with excessive heat, such floods of tears did shed
As though his floods should quench his flames which with his tears were fed.
‘Alas!’ quoth he, ‘but newly born, in fiery heats I fry,
Yet none approach to warm their hearts or feel my fire but I.
My faultless breast the furnace is, the fuel wounding thorns,
Love is the fire, and sighs the smoke, the ashes shames and scorns;
The fuel Justice layeth on, and Mercy blows the coals,
The metal in this furnace wrought are men’s defiled souls,
For which, as now on fire I am to work them to their good,
   So will I melt into a bath, to wash them in my blood.’
   With this he vanished out of sight, and swiftly shrunk away,
   And straight I called unto mind that it was Christmas day.

It’s easy – too easy – to call Works of Mercy a “Catholic novel.” It certainly reflects a Catholic sensibility; the story is centered on a Catholic church, a Catholic housekeeper, a priest, and a number of parishioners. Yet the themes of the novel, the ideas of serving and faith, extend well beyond “Catholic fiction” and even “religious fiction.”

Intrigued by the poems, I found quite a few books on Amazon about Southwell and his poetry. The one I ended up with was simply titled Works of Robert Southwell. It includes seven of his best-known poems, including “The Burning Babe.” He’s a poet well worth knowing and reading about; his is the story of maintaining faith in a perilous place at a perilous time.