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Reviews

“The Gettysburg Reunion of 1913” by John Hopkins

January 17, 2024 By Glynn Young 1 Comment

In July 1913, some 53,000 Civil War veterans gathered in Gettysburg, Pennsylvania to commemorate the 50th anniversary of the famous battle. Almost every veteran was, by this time, an old man, with most in the 70s. The youngest was 61; he’d been an 11-year-old drummer boy in 1863. The oldest was 110; he’d fought when he was 60.

The anniversary event didn’t happen by itself; planning had gone on for years, at least in theory. The commemoration almost didn’t happen because of what was falling through the cracks as the date got closer. But competent people intervened, and the commemoration happened.

In The World Will Never See the Like: The Gettysburg Reunion of 1913, author John Hopkins tells the story in all of its chaos, splendor, and glory. Veterans, mostly Union because those states provided at least some transportation costs, came from all over the country to find old friends and sometimes old enemies, remember, and celebrate a unified country. 

The idea was first raised in 1908 in the Pennsylvania legislature. Five years later, a host of state legislatures and the U.S. Congress had weighed in. Hopkins concisely details the planning, the organization of the event, and what happened during the four days of celebration (including 100+-degree weather and a storm). The program itself may have been the easiest part to create. Organizers had to consider food, housing, medical facilities (a number of the veterans would get ill during the celebration, and some would die), travel arrangements, and sanitary facilities. A huge tent city was erected at the site of the battle, with neighborhoods and streets. Boy Scouts were enlisted to be information and direction guides.

The participants knew they had made history in 1863 and were making history again in 1913. There would indeed never be a celebration like this on American soil. 

Hopkins also discusses the politics. How would attendees and speakers alike describe what had caused the war and led to the battle. The “Lost Cause” idea was likely at its high-water mark in the South, and it had certainly influenced Northern thinking as well. In the end, everyone agreed that the causes were less important than what had resulted – a unified country once again. In particular, the veterans were less interested in discussing and debating the causes of the Civil War, and more interested in remembering, connecting, and finding out what had happened to the men they had fought with and against. (A small group of elderly women, who had been nurses, also attended.)

John Hopkins

Hopkins, a communications and public relations professional, received his degree in political science from Williams College. He’s worked for more than three decades in higher education, nonprofit, and agency settings. For this book, he made extensive use of letters, memoirs, news reports (more than 150 journalists covered the event), and official proceedings. 

The Gettysburg Reunion of 1913 tells a story that is informative, often enlightening, and surprisingly poignant. Certain parts may move you to tears. Most of those present would be gone within a decade, and they laughed, cried, and often drank (a lot) with the men they shared the most formative moment of their lives with. The event itself might have been a defining moment in the passing of the 19th century and the arrival of the 20th.

Top photograph: Veterans arriving in the tent city for the 50th reunion of the battle.

“Little Women” by Louisa May Alcott

January 10, 2024 By Glynn Young 2 Comments

I was in 9th grade, at the time part of the middle school where I grew up. Our English teacher assigned our all-boy class two papers about authors – one English and one American. We were required to read one work by each author for our papers. She had a list of 35 English writers and 35 Americans, one for each person in our class. Our choices, however, were determined alphabetically, which meant whoever was last would get the two no one else wanted. Which meant me.

No one wanted to read a play by William Shakespeare, which meant he would be my English author. And the last American author on the list (remember this was an all-boys class) was Louisa May Alcott (1832-1888).

When my name was called, general laughter erupted. The teacher, with her soft Alabama accent in a roomful of New Orleans boys, was irate. She loved Alcott, she said, and she loved Little Women. And if any of us ever wanted to understand girls, we should read the Alcott novel. I knew what I had better read for my report.

Louisa May Alcott originally published Little Women as two books, Part 1 in 1868 and Part 2 in 1869. The story is based on the lives of Alcott’s sisters, family, and friends. A first read of Part 1 by her publisher found it boring, until he had his two daughters read it. Then he had more girls in the target audience read it. The 2,000-copy first edition sold out almost immediately.

The book has been as popular in Britain as it has in the United States, even though the setting is Civil War Massachusetts (Part 1) and Massachusetts and Europe for Part 2. G.K. Chesterton, when he read it, said it had anticipated the Realism School in literature by about 30 years.

To read it today, you also realize how it anticipated the television mini-series. It’s episodic chapters are almost ideally suited for the small screen (see the 2017 mini-series version developed by Heidi Thomas, she of Call the Midwife). The well-loved work has been adapted countless times for stage, movies, and television. It’s even been adapted as a musical and for anime.

And Little Women is well-loved with good reason. It captures of the lives of the four March sisters living between childhood and adulthood (thus the title, “little women”). The family is living through the Civil War period, with their father serving as a chaplain with the Union army. Each chapter centers on a particular sister – Meg the wise one, Jo the headstrong one with a burning passion to write, Amy the pretty and artistic one, and Beth, the youngest, most frail, and kindest of the girls. In their father’s absence, their mother Marmee presides over the family. 

For all four girls, and the next-door neighbor Theodore (“Laurie”), the story is something of a coming-of-age novel. While the story is set during the Civil War, the war itself rarely intrudes, until in Part 1 Mr. March is taken ill with pneumonia and Mrs. March travels to Washington, D.C. to care for him. Part 2 occurs after the war is over.

Louisa May Alcott

It’s a well-written, engaging story. As you read, you come to like these sisters, and you keep reading o find out what will happen to them and their mother. I have to admit, having seen the 1994 movie version, I can only identify Susan Sarandon as Mrs. March, although Emily Watson did a fine job in the 2017 BBC television series. Those two adaptations stick very closely to the original novels. 

I read the work thinking there would be more about the Civil War than I had remembered from my first reading back in high school. There’s not. The war is a distant and unrelated event in the story. Even Mrs. March rushing to her husband’s bedside is never detailed. 

But it’s still a good story. Alcott wrote well, with passion and with humor. Some of the predicaments that Jo and Amy in particular get into are close to hilarious.

For my ninth-grade papers, I read Julius Caesar and Little Women. My lack of choice ended up standing me in good stead with the teacher, who gave the class a Southern evil eye, daring anyone to laugh, when I read my paper (as we were required to do). I saw a few grins, which quickly disappeared when she turned her attention upon the miscreant. No one laughed.

Top illustration: A drawing of the March house. 

Related:

Hospital Sketches by Louisa May Alcott. 

“The Stolen Train” by Robert Ashley

December 27, 2023 By Glynn Young 1 Comment

It didn’t change the course of world history, or even the Civil War. It didn’t even end in success. But the Andrews Raid, sometimes called the Great Locomotive Chase, was certainly notable in its daring and how it almost succeeded.

In 1862, with the blessing of Union military commanders, recruited 20 soldiers. Their mission: capture a Confederate locomotive called The General not far from Atlanta and take it all the way to safety behind Union lines in Tennessee. Along the way, they would tear up track, burn bridges, and do whatever they could to disrupt the Western & Atlantic Railroad Line from Atlanta to Chattanooga. That line was a key supply line for Confederate armies in Tennessee.

It almost worked. Chased by Confederate soldiers upon a train pulled by The Texas locomotive, the raiders made it to within 20 miles of Chattanooga when they had to abandon the locomotive and scatter. Some were caught and imprisoned. Eventually, the survivors were the first to receive the newly created Medal of Honor. 

In 1953, author and historian Robert Ashley published The Stolen Train, a fictional account of the raid. Most of the characters were based on real persons, including the raid’s leader, James Andrews, and the train engineers Andrews had recruited. The primary fictional character was a young, 15-year-old soldier named Johnnie Adams, who has two jobs, lookout atop the train and scrambling up telegraph poles to cut wires.

That a 15-year-old boy is the main character explains who the audience is – squarely aimed at boys in the 10-13 age bracket. I was 10 when I first read it, and even though I thought of myself as a loyal Southerner, I was thrilled by the story. And it is a thrilling story.

Lest you think a 15-year-old would have been too young to enlist, read Of Age: Boy Soldiers and Military Power in the Civil War Era by Frances Clark and Rebecca Jo Plant. They estimate that up to 10 percent of both the Union and Confederate armies were comprised of boys aged 15 and younger. Ashley’s book for boys is more factual than it might appear.

James Andrews, who led the raid

A considerable number of my classmates read The Stolen Train; it was offered by Scholastic Book Service and widely distributed across the country. Rereading it more than half a century later, it’s still a thrilling and riveting read. Despite its ultimate failure, the Andrews Raid made Southern military and railroad authorities look foolish at best and incompetent at worst. But in their defense, who would have expected a raid to begin deep with the Confederacy itself?

The paperback copy I have is from a fifth printing in 1971, with a cover price of 75 cents. I believe my copy in 1961 cost 50 cents. An Amazon Kindle edition was published in 2020 and lists for $1.99, while hardcover and paperback editions were published in 2012 and a mass market paperback edition in 1997.

It’s a good story, and especially for boys. It’s good to see that it’s available.

Top photograph: The General, on display a few hundred yards from where it was stolen in 1862, at the Southern Museum of the Civil War & Locomotive History, Kennesaw, Georgia.

“The Battle of Franklin” by A.S. Peterson

December 20, 2023 By Glynn Young Leave a Comment

I’ve been reading fictional treatments of the Civil War lately: Shelby Foote’s Novel Shiloh; Stephen Vincent Benet’s epic poem John Brown’s Body; Stephen Crane’s novel The Red Badge of Courage; and Hospital Sketches by Louisa May Alcott. I’ve tried to get into E.L. Doctorow’s novel The March, which should be a slam dunk given the subject is Sherman’s march through Georgia, but I’ve started and stopped three times. I’ll give it another go and either succeed or admit defeat. 

The Battle of Franklin: A Tale of a House Divided is a stage play script by A.S. Peterson. With songs (even though it’s not a musical) Patrick Thomas, the play was commissioned by Studio Tenn and produced in 2016. It was a challenge rather admirably met; depicting a battle on the theatrical stage is a difficult feat to pull off, but Peterson does it.

The Battle of Franklin was fought on Nov. 30, 1864, a few miles south of Nashville. The battlefield was the Carter House plantation. A Confederate army under John Bell Hood aimed to take Nashville (occupied by a much smaller army). If they could succeed, they’d cut supply lines to General Sherman’s army in Georgia. 

Peterson tells the battle’s story through members of the Carter family: the patriarch Fountain Carter; his son Tod Carter; his daughter Mary Alice McPhail; German immigrants Albert and Retha Lotz: Henry Carter, a slave and Tod’s friend from boyhood; and Henry’s wife Callie Carter. Non-family roles belong to a Union general and a few soldiers. Through these characters, the playwright threads the story of the war, of slavery, of immigration, of friendship, and of the patriarch’s sense of deep betrayal, first by his son enlisting and second by his slave running away to join the Union army. 

A.S. Peterson

The intensity and ferociousness of the real battle implies that there will be considerable death and destruction in the fictional one. (The actual battle, with a total of 63,000 troops engaged, resulted in almost 8,600 deaths.) One knows from the beginning that the narrator, son Tod (referred to as Mint Julep) is a ghost, but the deaths won’t stop there. What unfolds is a story in which both sides of the conflict, and the roles of master and slave, are shown fairly and true to the historical record.

Peterson is an author, playwright, editor, and speaker. His books include The Fiddler series, Wingfeather Tales, The Timely Arrival of Barnabas Bead, The Oracle of Philadelphia, In the Year of Jubilation, and The Molehill. His plays include the musical Lindenfair, The Battle of Franklin, Frankenstein, and The Hiding Place. He lives in Nashville, where he’s the executive director of The Rabbit Room and Managing Editor of Rabbit Room Press.

The Battle of Franklin is, as its subtitle implies, the story of a country and a house divided. The country, and the house, wouldn’t last in that divided state, and considerable death, destruction, and personal pain was the inevitable price of resolution.

Top illustration: A depiction of the Battle of Franklin, Nov. 30, 1864.

“The Red Badge of Courage” by Stephen Crane

December 13, 2023 By Glynn Young Leave a Comment

If I have one vivid memory of high school junior English class, it would be the classic coming-of-age assignment of The Red Badge of Courage by Stephen Crane. In the spring, anyone could spot a sophomore, because inevitably each and every one of us was carrying our paperback edition of the classic novel about the Civil War. It was assigned at the same time we were studying the Civil War in American history. 

Crane published the novel in 1895, two years after he’d published the book that put him on the American literary map – Maggie: A Girl of the Streets, the story of a prostitute. Crane belonged to the Naturalist, Realist, Symbolist, or Impressionist School, depending upon which critic you ask. The story of a prostitute had not been done before, at least not in a way that made Maggie something of a heroine. 

But it was The Red Badge of Courage that turned Crane into an international literary star. The novel tells the story of Henry Fleming, who lives with his mother, who enlists as a private in the Union army. His mother is deadest against him enlisting, and he does one day on his own and then tells her what he’s done.

We follow Fleming in his new army life. Crane depicts the adulation of the townspeople for his patriotism, how much of army life was characterized by waiting, rumors, and boredom, and Fleming’s fear of facing his first battle and behaving as a coward. In his first military engagement, he performs well, and the enemy is sent running in retreat. But the next day, Fleming and his squad face a renewed attack, and this time it’s Fleming and his cohorts who are running in retreat. He finds himself in dense woods, and in of the most memorable scenes in the novel, he stumbles upon the body of a soldier who died in a battle in the same place.

Still in retreat, he learns that the Union side has prevailed and won the battle. He becomes separated from his regiment, and he’s soon hearing the stories from others. The reader sees how courage and cowardice can exist in the same person at the same time. We learn about the universal complaint of all soldiers in every war – the incompetence of commanding officers. And we see that battles and a war are often won less by brilliant military strategy and tactics and more by who can hold out the longest.

Stephen Crane

What Henry Fleming experienced was life in the army during wartime, and it was (and remains) a far cry from the colorful accounts and government propaganda common to all wars. 

In addition to the first two novels, Crane (1871-1900) also published a poetry collection and another novel, based on his experience as a war correspondent during the Spanish-American War. He published several highly regarded short stories, including “The Open Boat” and “The Bride Comes to Yellow Sky.” With no actual personal war experience, he said that he drew inspiration for The Red Badge of Courage from football games. His short but eventful life ended when he died in England from tuberculosis. 

The Red Badge of Courage is a short, intense, and essentially plotless story. It explores the psychology of solders and war, long before the subject became a popular war. It likely influenced every novel about war written after it. And it explored through fiction, the experience of the Civil War, still the deadliest war ever engaged in by America. 

Top photograph: An illustration of the First Battle of Bull Run, July 21, 1861, showing the Connecticut troops standing firm as the battle turns against them.

“Shiloh” by Shelby Foote

November 22, 2023 By Glynn Young Leave a Comment

Shelby Foote (1916-2005) was a journalist, writer, and historian best known for his three-volume The Civil War: A Narrative, published between 1958 and 1974. His writings about the war and the South generally tilted in the direction of the Lost Cause, which means he’s as far out of favor with historians today as he can be. And yet his scholarship and depth of research were impressive.

Foote also wrote six novels, one of which was entitled Shiloh, published in 1952. As the title indicates, it was about the Battle of Shiloh, fought April 6-7, 1862, in southern Tennessee very close to the Mississippi border. It was something of a seesaw battle, in that the Confederates under Albert Sidney Johnston and P.G.T. Beauregard clearly won the first day, only to see their victory turned into defeat the second day by the Union forces under Ulysses Grant and Don Carlos Buell. There were some 24,000 casualties, the total of both sides, and Shiloh has the dubious distinction of being one of the bloodiest battles of the war.

The name “Shiloh” came from Shiloh Church located near Pittsburgh Landing on the Tennessee River (the battle is also sometimes called the Battle of Pittsburgh Landing). “Shiloh,” interestingly enough, means “peace.”

Foote’s novel is less of a traditional novel and more like seven connected short stories, each with a different narrator. The story moves back and forth between Confederate and Union perspectives. It’s told by a lieutenant and aide-de-camp to General Johnston; a captain in the 53rd Ohio; a private and rifleman in the 6th Mississippi; a private and cannoneer for the 1st Minnesota; a scout in Nathan Bedford Forrest’s cavalry; a squad with the 23rd Indiana; and then Johnston’s aide-de-camp again, listed as “unattached” because Johnston has been killed in battle. 

Shelby Foote

These men, representing both sides, take the reader through the battle and its different aspects. Palmer Metcalfe, the aide-de-camp who provides the beginning and the ending entries, gives a more strategic, step-by-step description. In fact, the first chapter reads more like history than it does a novel. But we see the attacks, the movements, the deaths, the prisoners taken, and ultimately the general carnage that produced such a high casualty rate.

In Foote’s hands, it’s the battle itself that’s the main character and the main story. It’s less about the men who fought it and more about the inevitable turnings of a great wheel of death and destruction.

The Union dead were buried in individual graves; the Confederate dead were buried in several mass, and unmarked, graves. It was here that a tradition started sometime later. Confederate mothers and wives placed flowers on their sones’ and husbands’ graves. Seeing the bare Union graves, they placed flowers on those as well. When Northern mothers and wives heard the story, the reciprocated in likewise fashion. Some good and some understanding did come from that terrible conflict.

Related:

Battle at Shiloh: The Devil’s Own Two Days – Wide Awake Films.

Top illustration: Battle of Shiloh by Thure De Thulstrup for Harper’s Magazine, via Wikimedia Commons.

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Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of six novels and the non-fiction book Poetry at Work.

 

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