• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Dancing Priest

Author and Novelist Glynn Young

  • HOME
  • BLOG
  • BOOKS
    • Brookhaven
    • Dancing Prince
    • Dancing Prophet
    • Dancing Priest
    • A Light Shining
    • Dancing King
    • Poetry at Work
  • ABOUT
  • CONTACT

Fiction

The Viking Christians: The Day Valhalla Died

July 13, 2026 By Glynn Young Leave a Comment

Six years ago, I published the last novel in the Dancing Priest series, Dancing Prince. A good deal of it is set on a fictitious island named Broughby in the Orkneys, off the northern coast of Scotland. One of the characters, Erica Larsson, becomes the romantic interest of Thomas Kent-Hughes, the reclusive son of King Michael who has gone his own way and avoided the royal limelight.

Thomas, or Tommy, leads an archaeological team that discovers what looks like a Viking tomb, except that it is carved with a cross, a very Christian cross. And Erica writes a story, of novella length, entitled “Island,” which imagines how such an anomaly could have happened. Vikings destroyed churches and abbeys; they didn’t get buried as Christians. Or did they?

I read a lot about the Vikings as research for Dancing Prince. If I’d included everything I learned, it would have made another book. But I did write the story that Erica would tell, and the publisher agreed to include it as an addendum with the novel. And I explained the story and how it came to be in a post entitled “The Story of the Novella ‘Island’”. Dancing Price, like it four predecessors, is classified as “alternative contemporary history.” Island is historical fiction, and it was the first time I attempted anything in the genre.

As it turns out, considerable information exists about the Viking Christians, or how the Vikings turned to Christianity. This past weekend, I stumbled across this short video, which describes what happened rather succinctly. It’s a fascinating story.

The Viking Christians: The Day Valhalla Died.

Top illustration: “Ansgar Preaches the Christian Doctrine in Sweden” by Hugo Hamilton (1830).

Five Ways to Research Your Family History

May 7, 2026 By Glynn Young Leave a Comment

The writing of my historical novel Brookhaven took about 150 years.

I must have seen something like this before, but I can’t recall a specific example. Many novels include an acknowledgement page, cutting the people who helped or inspired the author. My historical novel Brookhaven has an author’s note explaining some of the novel’s background. But it also has something you don’t usually see in a novel – a nine-page bibliography.

I included more as a reminder to myself of where the novel come from. 

A grandmother who referred to the Civil War as the “War of Northern Aggression.” A father who told slightly mangled family stories, including one that sounded like an epic journey. A research paper in high school on what the “plantation system” really looked like. A family Bible with a mystery embedded in the birth and death records. A mountain of reading old and new American history books. An aunt who spent decades researching family history, long before the invention of the internet. Discovering I liked, as in really liked, the poems of Henry Wadsworth Longellow, once the top-selling poet and author in the United States who was dropped into the dustbin of literary criticism. 

To continue reading, please see my post today at Tweetspeak Poetry.

Photograph: A page from the records in the family Bible pre-preservation.

“The Burning Glow” by Luke H. Davis

May 6, 2026 By Glynn Young 1 Comment

Cameron Ballack is back. And he’s traipsing all over where I used to bike.

Ballack is the fictional wheelchair-bound police detective created by St. Louis-based writer Luke H. Davis. In previous books (and there’s been a gap of some years), he and his team were based in St. Charles County, Missouri, part of metropolitan St. Louis. In his new outing, entitled The Burning Glow, Ballack is now the lead detective for the Special Investigating Department, which operates across the metro St. Louis region. (St. Louis actually does have something similar that operates across jurisdictional lines called the Major Case Squad.)

What Ballack and his team are pulled into is a car bombing in the part of the city of St. Louis known as “Little Bosnia,” home to numerous immigrants who fled the war in the 1990s. The victim is a teenager, who had arrived at a spot behind an apartment complex to show his friends a body in a dumpster. The friends run off; the teenager dies when he returns to his car. The teen was Bosnian and Muslim.

The next day, another car bombing occurs – one in the parking lot of a synagogue in west St. Louis County. A Jewish couple is killed. The male victim happened to be the business partner of the man whose body was in the dumpster. Then a third car bombing is narrowly avoided, when the intended victim, another Bosnian in south St. Louis, happens to step outside his home for a cigarette after midnight and notices someone checking underneath a car. 

Luke H. Davis

And from there, the mayhem gets even wilder. Ballack is racing not only to find the killer or killers but also to solve the crimes before the FBI arrives. It culminates in a wild chase across south St. Louis. (By this time, I’m yelling at Davis to leave Ted Drewes ice cream store alone.)

Davis tells a nail-biting story. He also gets the geography exactly right. I know because I’ve biked those very same streets, and biked them a lot, including those in Little Bosnia. And I’m still trying to recover from the scene at the intersection of Chippewa and Hampton. 

Davis teaches at Westminster Christian Academy in St. Louis and chairs the Bible Department there. He’s also taught at schools in Louisiana, Florida, and Virginia. He describes himself as “Presbyterian body, Lutheran heart, Anglican blood, Orthodox spirit,” all of which have served him well in writing the Cameron Ballack mysteries. He has published three Ballack mysteries, Litany of Secrets (2013), The Broken Cross (2015), and A Shattered Peace (2017), and Joel: The Merivalkan Chronicles Book 1 (2017). He blogs at For Grace and Kingdom.

So, Ballack is back, and his fans are thrilled. The Burning Glow takes the detective into new territory, deep into eastern European history and its transplant located in St. Louis. It’s a fast-paced, gripping tale, and here’s hoping we don’t have to wait long for the next one.

Related: 

Redemption: The Church in Ancient Times by Luke H. Davis.

Reign: The Church in the Middle Ages by Luke H. Davis.

Reform: The Church at the Birth of Protestantism by Luke H. Davis.

Renewal: The Church That Expands Outward by Luke H. Davis.

Reading a Novel that Stars Your Hometown.

My review of Litany of Secrets.

My review of The Broken Cross.

My review of A Shattered Peace.

My review of Tough Issues, True Hope by Luke Davis.

Tides of Death by Luke H. Davis.

Island Games by Luke H. Davis.

The Christmas Solo – my new story at Cultivating Oaks Press

April 22, 2026 By Glynn Young Leave a Comment

I have a new story at Cultivating Oaks Press. Entitled “The Christmas Solo,” it’s a tale of a man floundering after a marriage disaster who finds his way back with a Christmas song. 

It’s inspired by a song that has a short but strange history on YouTube, of all places. Early last October, a suggested video showed up on my YouTube page. Because it used a photo of the singer Josh Groban, I thought it was a new song by him. It was called “Light of Heaven,” and after listening to it a couple of times, I realized it sounded like Groban singing but wasn’t. Then I ask myself, what is this? Something done with an AI program? Identity theft? But if it was on YouTube, shouldn’t it have been vetted or approved with a new channel?

There were a number of similar videos, most using Groban’s picture and the voice sounding like Groban’s, but not quite his. A few other videos used other well-known singers like Rihanna. 

But I liked “Light of Heaven.” I’d listen to it while I did my periodic walks. Slowly, as I listened, a story began to shape itself in my mind. A song about the Nativity could become a way of redemption for a broken man. 

That’s the story I wrote for Cultivating Oaks Press. 

I had continued to listen to “Light of Heaven” on YouTube until this past weekend. It was still available on Saturday. On Sunday, clicking on the link brought this message: “Video unavailable. This video has been removed due to a contractual obligation with a music licensor.” Not only had the video vanished, but its channel, along with all the other songs, was gone as well.

It’s a story based on a song that became a ghost. All that’s really left of the song is this story. 

Photograph by Tom Allport via Unsplash. Used with permission.

When I Discovered Latin American Literature

February 25, 2026 By Glynn Young Leave a Comment

Yesterday, I received I Gave You My Silence, the new novel by Nobel Prizewinner Mario Vargas Llosa. Vargas Llosa died last year; this is his final work, published posthumously.

When I saw the notice that it was being published. My mind moved back in time, some 40 years, to 1986. I was in a master of liberal arts program at Washington University in St. Louis, and I signed up for a fall seminar – The Latin American Novel. We would be reading novels by Garcia Marquez, Vargas Llosa, Manuel Puig (Kiss of the Spider Woman), and Carlos Fuentes, among others. The reading syllabus was challenging.

Vargas Llosa in 1986.

I don’t recall why I signed up for that particular course; others were available. My total reading experience in the Latin American novel was limited to one book – One Hundred Years of Solitude by Gabriel Garcia Marquez. Perhaps that was the reason; Latin America has a vast literature, and I’d read very little of it.

We started with One Hundred Years of Solitude. Then we turned to a Peruvian writer, Vargas Llosa. The book we read was The Green House, which I found myself fascinated by. A few weeks later, I was in Kansas City for a conference related to work, and one night I found myself in a bookstore, where I spotted Vargas Llosa’s The War of the End of the World. I was more than fascinated; it’s an incredible story based on historical fact, an Amazonian rebellion in Brazil. 

That same fall, our professor hosted Garcia Marquez and Vargas Llosa for campus visits and speeches. Our class got to see both writers up close and personal. By 1986, the writers, who both had started out on the political left, had diverged. Garcia Marquez remained on the left. Vargas Llosa had moved to a more conservative position; he would later run for president of Peru. (He lost.)

Our research paper for the course involved a literary analysis of any Latin American novel. We had a considerable number of writers and works to choose from. For some unknown reason, I decided to tackle Vargas Llosa’s Conversation in the Cathedral. It’s likely his most difficult and least accessible work. It’s a big story – 600+ pages. Set in Peru in the 1950s, it’s a story of people and relationships set against the dictatorship of the time.

I read the first 125 pages and thought I would die if I had to finish it. The most pressing problem was that I couldn’t follow it. Was this one story? Four stories? It seemed to move all over the place. I almost gave it up to work on another book when something clicked. I remembered how deeply structured Vargas Llosa’s books are. I knew if I could figure out the structure, I might grasp the novel.

I did, finally. When I saw it, I couldn’t believe how obvious it was. 

We had to present our papers in class. When I finished my presentation, the professor smiled. “You got it,” he said. “You got exactly what this book is about.” 

Vargas Llosa in 2019.

I still rate it as one of the most difficult books I’ve read. I also rate as one of the best books I’ve read. Once you figure out the structure, it’s an amazing story. (I think Vargas Llosa, like many of the Latin American “Magic Realism” authors, tried to out-Faulkner William Faulkner; Faulkner was certainly a major influence on them.)

The books Vargas Llosa published after Conversation in the Cathedral were almost all generally shorter. He definitely wrote shorter books as he got older. This new one is 246 pages. 

He changed my understanding of literature. He showed what imagination could do. The structure of my novel Brookhaven, if not a literal descendant of Conversation in the Cathedral, was certainly influenced by it. 

Yeah, I’m a fan.

In Praise of Art Museums as Sources of Inspiration

February 11, 2026 By Glynn Young Leave a Comment

I’d heard that, as you age, you often become more interested in art. What I didn’t expect was to discover how that growing interest in art would affect my fiction writing.

I wasn’t a stranger to art, but I can’t say it was a major preoccupation, either. I had two semesters of art history in college; I took two, because the same textbook was used for both, and it was more expensive than the tuition. I’m also not an artist.

I know when my connection of art to writing fiction started. It was some 50 years ago. We were young twenty-somethings living in Houston, and we saw two exhibitions at the Museum of Fine Arts. One was the works of Paul Cezanne, and it was stunning. But the one that captured me was “Master Paintings from the Hermitage and the State Russian Museum, Leningrad.” Houston was one of five cities hosting it. 

To continue reading, please see my post today at the ACFW blog.

Painting: Lumpeguin, Cigwe, Animiki, by Anselm Kiefer, from collection of the artist on display at the St. Louis Art Museum.

  • Page 1
  • Page 2
  • Go to Next Page »

Footer

GY



Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of six novels and the non-fiction book Poetry at Work.

 

 01_facebook 02_twitter 26_googleplus 07_GG Talk

Copyright © 2026 Glynn Young · Site by The Willingham Enterprise · Log in | Managed by Fistbump Media LLC