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Author and Novelist Glynn Young

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short story

A Language Lesson

October 2, 2024 By Glynn Young Leave a Comment

I have a short story in the fall edition of Cultivating Oaks Press. The edition focuses on the theme of “fortitude,” and my story is entitled “A Language Lesson.” This is how it begins:

As the train arrived at Heidelberg Station, Sam McClure smiled to remember the first time he’d arrived here. In 1906, he’d just turned 16 and was preparing to spend his high school junior year with a family in Germany. He’d traveled by himself across the Atlantic on the H.M.S. Heimat for Hamburg, sent a telegram to Heidelberg to alert them of his arrival, and taken the train to his sponsoring family. His textbook-fluent German had been more than useful from the time he boarded the German liner in New York Harbor.

The Mittelstein family had been waiting: Dr. Aaron Mittelstein, chemistry professor at the university; his wife Ada; and their three children, Wolfgang, 18, Paul, 16, and Annaliese, 13. Wolfie was preparing to leave for university in Berlin. Paul, known as Mitti for being the middle child, was almost exactly Sam’s age and would share the same classes in Gymnasium, the German school he would attend. Annaliese would be attending Gymnasium with them.

Sam hadn’t known then what the Mittelsteins thought, but for him it had been love at first sight. That love, and what would become his deep friendship with Mitti, sustained him through a huge bout of homesickness and a steep cultural learning curve. He’d come to love this family so deeply that he returned four years later and stayed with them for a year abroad at the university.

To continue reading, please see my post at Cultivating Oaks Press. You can read all of the contributions here.

Two Short Stories by Louisa May Alcott

July 31, 2024 By Glynn Young 5 Comments

I’ve been reading stories and novels by American author Louisa May Alcott (1832-1888) to understand what the popular culture of the 1860s,1870s, and 1880s was like. I could call it research for my historical work-in-progress, and it is that, but it’s also become something more.

Alcott first gained literary notice during the Civil War. In 1863, she published Hospital Sketches, a collection of stories about a volunteer’s experiences in a Washington, D.C., convalescent hospital for wounded Union soldiers. As serious as the subject was, Alcott also treated it with sympathetic humor, and she did it the right way by making herself the object of the jokes and comical situations. 

She continued to write and publish short stories (the family needed her income). And then, in 1868 and 1869, came the two-part publication of Little Women, and international fame for Miss Alcott. (I’ve told the story here of how I came to read Little Women, not exactly voluntarily.) When she did a European tour in 1870, she was surprised to discover that she was famous in England as she was in America. Little Women was a sensation.

It’s also set during the Civil War, and the wounding of the March patriarch in battle becomes one of the significant scenes of the novel. Several of her short stories also referred to the war, set either during or shortly afterward.

A Country Christmas is one of those stories. A young woman visiting relatives gets the idea to invite two city friends to spend “a real country Christmas” with them. It’s not exactly a “city mouse and country mouse” story, but the two rather blasé city friends experience the values of family, community, hard work, and true friendship. It’s a charming story, definitely of its period, and it shows the author using a light touch to extol country values.

Kate’s Choice was published sometime later and most likely after Alcott’s European tour. A teenaged English heiress is sent to America after the deaths of her parents. Her mother had been the only daughter among several brothers in a farm family. All of the children had done well financially, but their lives had taken them away from their mother. 

According to the terms of her father’s trust, Kate is to visit each of her uncles’ families and decide which one to live with. All of them are interested in the girl – she’s charming, pretty, and extremely wealthy. But it’s only when she visits her grandmother that she makes her choice, and the lives of everyone in the family will change. It’s a sweet story and again very much of its time. 

What do these stories tell you about Alcott? She was a woman and author of her time, but she was also something more. Her female characters are strong ones; no damsels in distress are found here. Her stories are straightforward accounts and (fortunately) lack the element of “breathless prose.” G.K. Chesterton would say that she anticipated the School of Realism by about 30 years. 

Alcott also knew her audience – girls and young women. She tapped into an awareness that was growing that would eventually lead to women’s suffrage and equal rights. Her stories may be about well-to-do and middle-class girls at home, but her heroines are independent, with dreams and aspirations of their own. Likely much like Alcott herself.

Related:

Little Women by Louisa May Alcott.

Hospital Sketches by Louisa May Alcott.

Photograph: Louisa May Alcott about 1870.

The Unexpected Ballerina

June 19, 2024 By Glynn Young Leave a Comment

The summer issue of Cultivating Oaks Press is live online, and the theme is courage. It includes a short story I wrote, “The Unexpected Ballerina.” The issue is chock full of articles, poems, photography, and more by Annie Nardone, Junius Johnson, Maribeth Barber Albritton, Amelia Friedline, Kris Comely, Justin Lee Parker, Amy Wevodau Malskeit, Rob Jones, and more, under the general editorship of Lancia Smith. It’s a wonderful issue.

“A Shining” by Jon Fosse: It Does Have Punctuation, Which Helps 

April 10, 2024 By Glynn Young Leave a Comment

In 2023, Norwegian author Jon Fosse received the Nobel Prize for Literature. He’s a novelist, playwright, essayist, and author of children’s books; in fact, he’s likely better known for his theater plays than his novels. 

When I read about the Nobel, I checked Amazon to see what of his works might be available in English. At the time, there wasn’t much; the situation now is considerably different. There was a short story available in translation, A Shining, translated by Damion Searls. 

A Shining is a short story, longish as in – coming in at 43 pages in the e-book version. It tells the story of man who drives from him home with no destination in mind. He simply keeps driving until his car gets stuck in a narrow forest road. After debating what to do, he decides to try to find help in the forest.

The man moves through a series of dreamlike sequences; the shining of the title happens two or three times, when some kind of shining presence is watching him, then walking with him. He also sees his own parents. By the end, he’s in the presence of his parents and the shining presence, still walking through the forest, barefoot. (And it’s cold and snowy; he shivers from the cold several times and wishes he’d stayed in his car.)

The entire story is a metaphor for death; he never says his parents predeceased him, but they’re barefoot, too. The presence is something of a God-like guide, not directing toward any particular end or goal but just being there.

Jon Fosse

It’s an unusual story. It’s also a 43-page story with one paragraph. While the indent feature on his keyboard might have been broken, the effect of a single paragraph is essentially to compel the reader to keep reading; there’s no good place to stop or even pause. The story does have punctuation (another Nobel Prizewinner, William Faulkner, could often be bad about that), and punctuation helps.

The story is rather haunting. It builds a sense of frustration; how long is this guy going to continue to wander in the dark and not find help? The help does come, of course, but it’s not what the reader’s expecting. It’s a story about death, but it’s also a story about faith. The story may have been influenced by his own childhood when he suffered a serious accident and came close to death. He speaks of seeing “a shimmering presence.” He was raised in the Quaker and Pietest traditions, and he’s now a practicing Catholic.

His Nobel lecture is entitled “A Silent Language.” It’s available to watch on YouTube (he’s introduced in English but his lecture is Norwegian) and it can be read in English here.

Top photograph by Casey Horner via Unsplash. Used with permission.

Christmas Oranges

December 7, 2023 By Glynn Young Leave a Comment

I have a new short story, “Christmas Oranges,” published today at Cultivating Oaks. It’s based on a work-in-progress, tentatively entitled Brookhaven. You can read the story here; the entire Christmas issue can be accessed here. 

The story, like the work-in-progress, is historical fiction, set in 1863 to 1865 during the Civil War, the Reconstruction period, and 1915. It is loosely (very loosely) based upon events in my own family, although the characters are entirely fictitious.

Photograph by Leonardo de Assis via Unsplash. Used with permission.

A Leprechaun for Christmas (a short story)

December 22, 2021 By Glynn Young 1 Comment

It was the worst Christmas ever.

Eight-year-old Chris Hunter was facing the first Christmas without the person he loved most in the world, his Grandpa Malcolm O’Brien. His grandfather had died two months before from a heart attack. 

His grandparents lived in a large, two-story stucco home on East Ardennes Avenue, one of the oldest streets in Stonegate, a close-in suburb of St. Louis. Built in the 1910s, the house had tall ceilings and Frank Lloyd Wright-type mantles, lighting, and overall design. It was utterly unlike the large, contemporary ranch home his own family occupied in Woodfield, a far western St. Louis suburb some 20 miles from Stonegate and 35 miles from downtown St. Louis.

Chris loved exploring his grandparents’ house. From the attic to the basement, the home was filled with boxes, trunks, and old wardrobes full of magic. At least, that’s what his grandfather always told him. Magic was everywhere. And he’d let Chris loose to search, and sometimes join him, for the leprechaun’s pot of gold. 

Since the time when Chris was old enough to listen, his grandfather had told him stories about the leprechauns, the small little people who loved to commit mischief and kept a pot of gold at the end of a rainbow. Together, Chris and Malcolm would search the lawn for shamrocks and especially the four-leaved clovers. His grandfather would read stories about leprechauns. 

Of the three Hunter children – Ross Jr., Emma, and Chris, the youngest – it was only Chris who would listen avidly. The two older Hunter children would roll their eyes and slip away, looking for something else to do. Chris alone would stay, grinning and laughing at the Irish accent his grandfather affected when reading the stories 

“This is our secret, Chris,” his grandfather would whisper. “You and I are the only leprechauns left in St. Louis, and we have to find our pot of gold that someone’s hidden from us.” 

In looking for the gold, they’d find old clothes, books, toys, and photographs from decades earlier. Each new find prompted new stories from Grandpa Malcolm. And Chris was captivated.

Ross Jr. was older by six years, and Emma by four. Ross Jr. was tall and blond, like their father. Emma and Chris looked more like their mother’s side of the family. His father often called Chris “Little Malcolm,” which Chris wouldn’t understand until years later. The youngest Hunter strongly resembled his grandfather, with black hair and brown eyes so dark and deep they looked almost black. He didn’t know why, but Chris knew that his father and his grandfather did not get along. The boy wasn’t quite sure what to make of his father’s regular references to “Little Malcolm,” but knew his father didn’t mean it in a nice way.

The annual Christmas feast was always held at the O’Brien’s house. Chris’s mother was an only child, so the celebration would usually be his grandparents and his family. The Hunters would arrive by noon, everyone would open presents, and then they’d eat at 2 p.m. sharp. Chris’s mother and Emma would help in the kitchen, Ross Sr. and Ross Jr. would head outside to throw a football or play basketball at the hoop Grandpa Malcolm had had installed for Ross Jr. in front of the garage. Chris had once asked to play with them, but his father said that he was too little, and he could watch them.

When his father had told Chris he could watch but not play, Grandpa Malcolm had frowned.  He took Chris by the hand and led him back inside the house. “I have a story to read to you,” he’d told the boy. And that started the leprechaun stories.

Grandpa O’Brien would read from the big book of Irish folklore he kept on the shelf in his study. Except at Christmas, when he would read an original leprechaun story he’d written himself, with the main characters being Chris the Leprechaun and his sidekick Old Malcolm. And every story was about Old Malcolm always getting them into trouble, and how Chris the Leprechaun would rescue them from a fate worse than death.

Whenever Chris was at their home in Stonegate, he and his grandfather managed to find the time to explore for that mythical pot of gold, which Grandpa O’Brien insisted was hidden somewhere in the house. They never found the gold, but they would often find peppermints, candy bars, and packs of gum. Once, on Chris’s seventh birthday, they found two silver dollar coins, which Grandpa O’Brien said meant they must be getting close to the gold. “And that’s one each for Chris the Leprechaun and Old Malcolm,” he’d said.

His parents thought his grandmother, still grieving her loss, might skip the Christmas feast this year. After the funeral, she spent several days with the Hunters at their home, usually with Chris by her side. He had her smiling and even laughing when he read the Christmas stories to her, using an Irish accent like his grandfather, and told her the stories of their escapades searching for the pot of gold. 

But she insisted that the Christmas feast at her house in Stonegate would continue. The only change was that they ate at 1 p.m. and would open presents afterward. 

They arrived at 11. Ross Sr. and Ross Jr. went straight to the basketball hoop outside. Chris followed and watched them for a time, but then went inside. Emma was helping his mother and grandmother prepare the meal, so he went exploring on his own. But it wasn’t the same without his grandfather. No new leprechaun story. No searching high and low and finding something sweet to eat. No pulling of pranks on the rest of the family. The boy felt almost desolate.

They ate their dinner, with dessert being the favorite of Grandpa O’Brien and Chris – mincemeat pie with a big dollop of whipped cream on top. Then it was on to the Christmas tree and opening presents.

Even that wasn’t the same without Grandpa O’Brien. Chris liked his presents, mostly toys and books, including a set of Hardy Boys mysteries. But he could remember sitting next to his grandfather, listening to him utter a smart quip about each present. And smelling the ever-present Old Spice aftershave. 

“Well,” Grandma O’Brien said, “we’re done. Anyone for coffee or tea?”

“Wait,” said Ross Jr., sitting closest to the tree. “There’s one more.” He reached underneath and retrieved a smallish present, wrapped in a dull green paper and green ribbon. “It’s for Chris. And there’s a message. It says, ‘Look Hard.’” He handed it to his brother.

“What on earth,” Grandma O’Brien said to their mother. “I don’t remember you handing it to me when I put the presents under the tree.”

Chris’s mother shook her head. “We didn’t bring it. I’ve never seen it before.”

“It wasn’t there,” Emma said, somewhat red-faced. “I looked at all the presents before we ate. It wasn’t there.”

Ross Jr. handed the present to Chris. “Well, open it up and see what it is.”

Chris looked at the present in his hands. He handed it to his grandmother, pointing to the gift sticker. 

Grandma O’Brien gasped. “That’s Malcolm’s handwriting. I’d recognize it anywhere.” She handed the present back to Chris.

The boy carefully removed the ribbon and paper, and then he opened the plain cardboard box. 

Inside was a small metal kettle with a lid. Chris lifted it out of the box and removed the lid.

The kettle contained several chocolate coins wrapped in the gold tinfoil. Chris stared in wonder, and then grinned. “It’s the pot of gold, the one Grandpa and I were always looking for.”

He looked closely at the candy coins. He pulled out one, and then he saw something else glinting among the pieces of candy. He pulled it out and held it up between his thumb and index finger. 

“It’s a gold coin,” he said. “A real one.”

“What?” his mother said.

“Let me see it,” Ross Sr. said, and Chris handed it to him.

“It’s a $2.50 gold coin,” his father said, “with a Liberty head, dated 1842.”

“There’s another one,” Chris said, extracting a second coin. He emptied the kettle on the floor, but no other coins were mixed with the candy. 

Ross Jr. was looking at his mobile. “I googled it. People are selling them for anywhere from $2,000 to almost $100,000, depending upon the condition and where it was minted.”

“Did you say 1842, Ross?” Grandma O’Brien said.

He nodded.

“That was the year the O’Brien family came to America, fleeing the potato famine.”

The family stared at each other.

“And there are only two coins?” Ross Sr. said.

Chris examined the coins again and looked at his father. “Just two.” And then he smiled, remembering. “One for Chris the Leprechaun, and one for Old Malcolm. They always split whatever they find.”

The worst Christmas ever had become one of the best Christmases ever.

Top photograph of a leprechaun via Wikimedia Commons. Used with permission. 

Photograph of shamrock by Amy Reed via Unsplash. Used with permission.

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Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of six novels and the non-fiction book Poetry at Work.

 

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