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Author and Novelist Glynn Young

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Three Reviews for “Brookhaven”

January 2, 2025 By Glynn Young Leave a Comment

An author is always thrilled to receive a review – and doubly thrilled when it’s a positive one. My new historical novel / romance Brookhaven has (so far) three five-star reviews on Amazon; here they are.

Immensely satisfying

A quick admission, I usually have to be drug kicking and screaming to read new novels. So, when this book was placed into my hands, I’m now glad my tantrum was brief and that I settled into both read and enjoy Brookhaven. The novel is lovely, sad, joyful, redemptive, and all around a thoroughly satisfying example of entertaining storytelling. Without giving away the plot, the author artfully weaves in the awful complexity of the Civil War, along with its immediate aftermath, into the lives of the generations that came after, and all with a most satisfying conclusion.

 “Brookhaven” kept me up late wondering what would happen next!

“Brookhaven” is a retrospective novel set amidst the grim realities of the American Civil (and often not-so-civil) War and its aftermath. While Young’s descriptions of the war feel so authentic and in the moment, it is his love story—one of romantic love and, even more, love of a place and its people—that drew me in. Young’s writing is clear and concise, and he weaves together a complicated tale that is engaging, endearing, and enlightening. I don’t have a lot of time to read, but the book managed to keep me up late at night wondering what would happen next. I expect it will do the same for many other readers.

I couldn’t put it down.

I’m by no means an avid reader and I rarely read a book in a couple of days, but I couldn’t put this book down. It is very well written and the time period of the Civil War was obviously researched very well. The book will keep the reader engaged from beginning to end.

The Paperback Arrived!

December 17, 2024 By Glynn Young 6 Comments

The paperback edition of Brookhaven just arrived. I downloaded the Kindle version last Thursday, but it is something else to hold the physical book in my hands. Behind it are a few of the books (but only a few) I used for research.

“Ushers” by Joe Hill

November 6, 2024 By Glynn Young Leave a Comment

Martin Lorensen is a young man who’s been extremely lucky, or he’s extremely guilty. Twice he’s narrowly escaped death – a train wreck and a school shooting. Both times, his escape was a last-minute thing – a panic attack kept him from boarding the train and an upset stomach stopped him from entering school and returning home. In the train wreck case, he warned a mother and daughter not to board.

The FBI is interested. Very interested. To the two agents interviewing Martin, it seems like there’s a strong possibility that Martin knows what’s going to happen before it does. And perhaps he’s not the lucky bystander. Perhaps he’s the cause.

Joe Hill

Ushers is a short story by best-selling writer Joe Hill, and it’s one creepy story. You’re sucked into what may or may not be a tale of a serial killer. The story is structured in two parts – an “informal” interview of Lorensen by the agents and then a meeting in a bar between the suspect and one of the agents, where all is made clear.

Hill is the author of The Fireman, Heart-Shaped Box, and Strange Weather, among many others. Several of his stories have been adapted for movies; his Locke & Key stories became a popular series on Netflix. He’s also written several graphic novels, and he has a not terribly active blog at Hill’s House (the title possibly being a nod to Shirley Jackson and The Haunting of Hill House).

Ushers begins as a police procedural type of story and ends as something entirely different. And Hill nicely builds the tension right to the breaking point.

Sometimes Fiction Imitates Life

July 24, 2024 By Glynn Young 2 Comments

You read a book like A Place on Earth by Wendell Berry, and you’re reminded of your own family and where you came from. Characters like Burley Coulter and Uncle Jack seem to be almost lifted wholesale from what I remember of many of the “characters” I knew as a child.

My father’s family lived mostly in the Shreveport, Louisiana, area, with a much larger group in Brookhaven, Mississippi (it was my grandfather who would wander away from Brookhaven and settle first in central Louisiana, in a town called Jena. He was working as a surveyor for a railroad company, and he lived in a boarding house operated by my great-grandmother and his eventual mother-in-law. 

My father and his three sisters were all born in Jena but had moved to Shreveport by the late 1920s. Rubye was the oldest, followed by my Aunt Myrtle, my father, and my Aunt Ruth. There would have been an Aunt Elouise, born two years before my father, but she died the same year my father as born.

Each summer, from the time I was 8 to about 13, I would fly to Shreveport to spend a week with my grandmother. My grandfather had died when I was nine months old, so I never knew him. My grandmother lived across the street from my father’s oldest sister (and the family’s firstborn) and her husband. Aunt Rubye and Uncle Revis were responsible for some of my most vivid memories of Shreveport.

Both were “characters,” Aunt Rubye only slightly more staid than Uncle Revis. She was famous for her looks of disapproval and her biscuits. He wore a cowboy hat and drove a gigantic Dodge that was a faded pink and only slightly smaller than an ocean liner. My grandmother usually ate her lunch and dinner with them, which meant I did, too, when I visited. My visits usually coincided with harvesting the acre of vegetable gardens they had behind their small frame house. I learned to dig up potatoes, pick corn (and when to know it was ready), pick green peans (and help shell them; no body ate for free). 

The Lennon Sisters

Saturday evenings were devoted to watching the Lawrence Welk Show on television. I wasn’t a particular fan, but the best part was the running commentary on the individual acts from Uncle Revis. My favorite part was when the Lennon Sisters performed. You would hear my uncle begin to mutter until he couldn’t stand it any longer. He’s shout “Ignorant!” at the television set. “They’re ignorant1” My grandmother would smile, my Aunt Rubye would roll her eyes, and I’d go off into gales of laughter. I suspect that his commentary was for my benefit and amusement.

He’d let me tag along with him when he ran errands. He always seemed to have a pipe in his mouth, even when he wasn’t smoking it. We’d go tooling all over Shreveport in that big Dodge. I’d go with my grandmother when she had errands to run as well. She drove a black 1940 Ford that always, always was breaking down, usually in a part of town you didn’t want to break down in. I met the most interesting people because of that car’s problems.

Uncle Revis hated one thing even more than the Lennon Sisters. 

Cats. 

When I was about 10, I was sitting with him on the back steps after dinner. For whatever reason, we had no garden duties that might. It was one of those beautiful Southern summer evenings, still light. He was smoking his pipe, and he was talking about his favorite writers, of which James Michener was No. 1 on the list. Suddenly, he grabbed a rifle from behind us (which I didn’t know he had at hand) and fired off a shot at the fence between his yard and the neighbor’s house next door. A cat went flying in the air. 

The next-door neighbor loved cats, with at least a dozen and often more roaming around. If they stayed at the neighbor’s house, Uncle Revis would have been fine. But, as all of them were outdoor cats, they roamed the outdoors. And they seemed to know that Uncle Revis didn’t like them. All the more reason to visit.

Aunt Rubye came flying on to the back porch, shouting at my uncle. This might have been Shreveport in the 1960s, but firing a firearm inside the city limits was something only the police could do. But that wasn’t Aunt Rubye’s issue. 

What she was upset about was the reaction from the neighbors. As it turned out, they were their son’s in-laws. And they might, she said, breathing fire, think it was an insult aimed at them.

“Well,” Uncle Revis said, “they’d have to be pretty smart to figure that out. That won’t be a problem.”

Uncle Jack and Burley Coulter up in Port William, Kentucky would be proud. Yes, sometimes fiction does indeed imitate life.

Top photograph: My father and my Aunt Ruth in Jena, Louisiana, about 1923.

“Works of Mercy” and Poet Robert Southwell

June 5, 2024 By Glynn Young Leave a Comment

On Monday, I posted a short review of the novel Works of Mercy by Sally Thomas on my Faith, Fiction, Friends blog. It is a fine novel, a little slow moving at the beginning but richly rewarding if you stick with it. I stuck with it, and I’m glad I did.

The main character, an aging housekeeper named Kirsty Sain, works for the priest in a small-town Catholic parish in North Carolina. She lives a somewhat isolated life, until circumstances force a change. But what threads through the change is the poetry of Robert Southwell (1561-1595).

Southwell, who would become a Catholic saint, was one of the Catholic martyrs in the religious wars in England in the 16th century. Yes, but was the age of Shakespeare, but it was also the age of religious war. Henry VIII began the English Reformation; his son and heir carried it onward for the few years he was king. Catholic Mary Tudor represented the reaction, and she was no slouch when it came to martyring Protestants.

When Elizabeth I ascended the throne, it was the reaction to the reaction. That Catholic Philip II of Spain attempted an invasion of England in 1588 to depose Elizabeth and restore the Catholic faith didn’t cause Elizabeth to look on her Catholic subjects kindly. But when it came to martyrdoms, she was a bit more reserved than her older sister.

English-born Robert Southwell was a Jesuit priest who had been educated in France. When he returned to his native England in 1586, he did so in secret and had to perform his priestly offices underground. He was captured in 1592, interrogated and tortured, confined to solitary confinement in the Tower fort wo years, and then transferred to Newgate Prison for his trial in 1595. He was found guilty, sentenced to death by hanging, drawn, and quartered. In 1970, Pope Paul VI canonized him.

The vast majority of his writings and poetry happened in the six years between his return to England and his imprisonment. Earlier works were composed in Latin, but his poems in England were written in English. 

In Works of Mercy, Kristy Sain, raised a Catholic, recalls her college studies, readings, and the affair with her atheist tutor, who disparaged her interest in Southwell and Catholicism. She doesn’t finish her studies, and only years later do Southwell’s poems come back to her.

Because a significant part of the story happens at Christmas, the poem that becomes a part of the story is “The Burning Babe,” which is about the Nativity. In fact, it appears that author Thomas found the novel’s title in this poem.

The Burning Babe

As I in hoary winter’s night stood shivering in the snow,
Surprised I was with sudden heat which made my heart to glow;
And lifting up a fearful eye to view what fire was near,
A pretty Babe all burning bright did in the air appear;
Who, scorched with excessive heat, such floods of tears did shed
As though his floods should quench his flames which with his tears were fed.
‘Alas!’ quoth he, ‘but newly born, in fiery heats I fry,
Yet none approach to warm their hearts or feel my fire but I.
My faultless breast the furnace is, the fuel wounding thorns,
Love is the fire, and sighs the smoke, the ashes shames and scorns;
The fuel Justice layeth on, and Mercy blows the coals,
The metal in this furnace wrought are men’s defiled souls,
For which, as now on fire I am to work them to their good,
   So will I melt into a bath, to wash them in my blood.’
   With this he vanished out of sight, and swiftly shrunk away,
   And straight I called unto mind that it was Christmas day.

It’s easy – too easy – to call Works of Mercy a “Catholic novel.” It certainly reflects a Catholic sensibility; the story is centered on a Catholic church, a Catholic housekeeper, a priest, and a number of parishioners. Yet the themes of the novel, the ideas of serving and faith, extend well beyond “Catholic fiction” and even “religious fiction.”

Intrigued by the poems, I found quite a few books on Amazon about Southwell and his poetry. The one I ended up with was simply titled Works of Robert Southwell. It includes seven of his best-known poems, including “The Burning Babe.” He’s a poet well worth knowing and reading about; his is the story of maintaining faith in a perilous place at a perilous time.

Do You Outline, or Do You Write into the Dark?

May 8, 2024 By Glynn Young Leave a Comment

A problem developed while I was writing my fifth novel. The problem had to do with what I conceived as a minor character – a four-year-old boy who would grow to adulthood during the story. But he wasn’t the main character; far from it, in fact. He was supposed to have a bit role.

Unfortunately, he had a different idea.

I kept floundering with the manuscript because this kid kept sticking his head in. It was as if he was demanding a bigger part of the story. I was hitting dead end after dead end, and my writing was going nowhere.

To continue reading, please see my post today at the ACFW Blog. 

Photograph by Steven Houston via Unsplash. Used with permission.

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Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of six novels and the non-fiction book Poetry at Work.

 

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