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Single Dads in Non-Fiction and Fiction 

November 12, 2025 By Glynn Young 1 Comment

It was only coincidental. I read Joseph Luzzi’s In a Dark Wood: A Memoir (2015) and the next in my reading pile was Unconditional: A Novel by Stephen Kogon. Both books, one non-fiction and the other fiction, told the stories of young men suddenly finding themselves single fathers.

Luzzi is a professor of Italian and teaches at Bard College in New York. In 2007, just as his lecture class was about to begin, he noticed a security guard come into the room. The message was awful; Luzzi’s wife Katherine had been in an automobile accident and was seriously injured. Katherine was also eight-and-half months pregnant. The baby, a little girl, was delivered and survived.  Katherine didn’t.

And thus began a journey of grief, the loss of his wife, navigating funeral and death arrangements, caring for a newborn, and eventually dealing with lawsuits filed against Katherine’s estate and countersuits filed against the other driver. And that on top of trying to resume a “normal” life, as if life could ever be normal after that.

Luzzi turned to the poet Dante and his Divine Comedy. Like Virgil serves as Dante’s guide in the great poem, Dante served as Luzzi’s guide. He tells a moving, heartbreaking story, a man overwhelmed by loss and grief and with the responsibility of a child. If there is a hero in this story, Luzzi might be the first to admit it was his Italian mother, who essentially moves in to care for her granddaughter.

In addition to The Divine Comedy: A Biography, Luzzi has also published Romantic Europe and the Ghost of Italy (2008), A Cinema of Poetry: The Aesthetics of the Italian Art Film (2014), My Two Italies (2014), In a Dark Wood: What Dante Taught Me About Grief, Healing, and the Mysteries of Love (2015), and Botticelli’s Secret: The Lost Drawings and the Rediscovery of the Renaissance (2022). He received his Ph.D. degree from Yale University, and he teaches literature, film, and Italian Studies. He is also the founder of the Virtual Book Club, which focuses on the world’s great books and storytelling.

Writer and filmmaker Stephen Kogon has previously published a young adult novel and two children’s stories, and Unconditional is his first aimed at adult reader. It tells the story of Matthew Russell, a 35-year-old bachelor who is a photographer for the Arizona Cardinals in Phoenix. He’s attending the retirement part of his best friend (and football team member) Kenny when he receives the telephone call that changes his life. 

The Albuquerque police explain that Matthew’s estranged brother Paul and Paul’s girlfriend have been killed in an automobile crash. Apparent suicides, they’ve left behind a premature baby girl who’s in a hospital neonatal intensive care unit. The only note they left behind read “Please take care of the baby.”

And Matthew is the only person capable of doing that. Overwhelmed with loss, not to mention having to manage his brother’s death and funeral, he has to decide what to do with Allie, his new niece. What he decides is that he will take care of her, even if it means radically changing his life.

It’s a moving tory, sometimes borderline sentimental, but that’s of little account when you become engrossed with the story. Matthew surrenders his life to fatherhood, and that includes changing jobs and putting aside his relationship with his on-again, off-again girlfriend Monica. 

Kogon previously published Max Mooth, Cyber Sleuth and the Case of the Zombie Virus and two children’s stories, Squiglet the Ryming Piglet and Squiglet the Piglet Goes on a Nature Hike. His first film, Dance Baby Dance, was released in 2018. He’s also written screenplays, comedy sketches, and comic strips. 

Related:

Dante’s Divine Comedy: A Biography by Joseph Luzzi.

Top photograph by Illia Panasenko via Unsplash. Used with permission.

“Marce Catlett: The Force of a Story” by Wendell Berry

October 22, 2025 By Glynn Young Leave a Comment

Andy Catlett, whom we first met as a boy in an earlier novel by Wendell Berry, is now an old man. As old men are wont to do, he’s looking backward – at his life, his parents’ lives, and even earlier. And what he sees, far more clearly than he would have seen in his youth, is what shaped four generations of Catletts, including himself and his own children.

It is a story, a story that happened to his grandfather, Marce Catlett, a story that happened in less than 24 hours but lasted more than a century. And it shows every sign of continuing to last. 

Marce Catlett and his good friend and neighbor Jim Stedman travel together by horse and train to Louisville. Their tobacco harvests are finished for the season. Now comes the time when the crop is auctioned in Louisville. 

Marce and Jim both have an unspoken apprehension about the auction. Both know what they need to make a profit and continue to farm. And both know there is one bidder at the auction – the agent of James Buchanan Duke, who controls a near-monopoly on the U.S. tobacco business. 

When the auction ends, both Marce and Jim leave to return home. Their profit might cover the cost of their train tickets. 

In a few short words, Marce will tell his family what happened. Fear enters the home. Fortunately for the Catletts, they won’t starve; they have livestock and some diversification of crops. But tobacco is the lion’s share of the family income. 

Even then, however, that is not the story. The story is what Marce does next. He begins to make his plans for next year’s tobacco crop. 

Wendell Berry

That resilience in the face of financial disaster, what can only be called theft by monopoly, is what propels the family forward. Marce’s youngest son Wheeler will go on to become a congressman’s aide, an attorney, and the force behind the creation of the tobacco farmers’ cooperative to ensure farmers could make a decent profit. It will propel Wheeler’s son Andy to become a professional writer and then a farmer and writer. And it will influence Andy’s own children.

That’s the heart of Marce Catlett: The Force of a Story, Berry’s most recent novel and what feels like the last. Berry’s Port William novels are not precisely autobiographical, but they are clearly shaped by Berry’s own experiences. Marce Catlett reads like a summing up, not only of the series of novels but also of Andy Catlett’s, and Wendell Berry’s, life. The front and back inside covers suggest that as well – the front being a chart showing the relationships of the Feltner, Coulter, Beechum, Wheeler, and Catlett families, and the back being a map of Port William and its environs. 

The map is just as important as the genealogy. Together, they are two sides of the same coin – family and geography. The story that lies between them is the resilience that binds them together.

Berry is a poet, novelist, essayist, environmentalist, and social critic. His fiction, both novels and stories, are centered in the area he calls Port William, Kentucky, on the Ohio River. He’s won a rather astounding number of awards, prizes, fellowships, and recognitions. He lives on a farm in Kentucky. As he should.

Related:

My review of Berry’s That Distant Land.

Wendell Berry and the Land.

My review of Berry’s Jayber Crow.

Wendell Berry and This Day: Poems at Tweetspeak Poetry.

Wendell Berry and Terrapin: Poems at Tweetspeak Poetry.

Wendell Berry’s Our Only World.

The Art of the Commonplace by Wendell Berry.

Nathan Coulter by Wendell Berry.

Andy Catlett: Early Travels by Wendell Berry.

A World Lost by Wendell Berry.

A Place on Earth by Wendell Berry.

The Memory of Old Jack by Wendell Berry.

Wendell Berry and Another Day: Sabbath Poems 2013-2023.

Remembering by Wendell Berry.

Top photograph: Broadleaf tobacco field by Rusty Watson via Unsplash. Used with permission.

Wendell Berry and the “Mad Farmer Poems” 

September 10, 2025 By Glynn Young 2 Comments

Wheat fields

It was a conversation that went much like you might expect.

“I don’t understand it,” the executive said. “They hate us. They hate what we do. They don’t even really understand what it is that we do. They don’t understand how important our products are for farmers and for the world’s food supply.”

I was sitting in the executive’s office, working with him on a speech he was to give. What he was talking about wasn’t the subject of the speech, but it was clearly on his mind. I listened to what was essentially a rant, and then I asked a question.

“Have you read Wendell Berry?”

He stared at me. “Who’s that?”

And there it was. The animosity about the company’s products, the position of the company in the marketplace, the company’s close identification with “Big Agriculture,” and the executive’s being perplexed with the activists and animosity on social media could all be summed up that that question – “who’s that?”

Wendell Berry

I answered his question. “Berry,” I said, “is the man who has articulated a very different understanding of agriculture, the idea of community, and the understanding of the land. He’s widely read and admired. You have to read his essays to understand what’s behind all the animosity and controversy. His fiction and poetry will help, too.”

The response? “I don’t have time to read that stuff.”

Now 91, Berry was born in Henry County, Kentucky, where his family had farmed for five generations. He worked as a writer for agricultural publications like Rodale Press, but he eventually returned to Henry County and worked his own farm, Lane’s Landing. 

But he continued to write. He wrote essays, poems, general interest articles, short stories and novels. He fictionalized his region of Kentucky, renaming the nearby town of Port Royal as  “Port William.” Slowly and then rapidly, his ideas of land, community, and agriculture permeated American culture, influencing people like Joel Salatin and Michael Pollan, who in turn have had a huge influence.

I generally prefer Berry’s fiction and poetry to his essays. A good place to start is with The Mad Farmer Poems, where Berry articulates his major problems with agriculture as practiced in the United States. It’s a relatively short collection, about the size of a chapbook, and it includes such poems as “The Mad Farmer Revolution,” “Manifesto: The Mad Farmer Liberation Front” (which is not as radical as it sounds) and “Prayers and Sayings of the Mad Farmer.”

The poems introduce you to a man who is, yes, angry about the state of modern agriculture, but who maintains a reverence for the land, the people who farm it, and the community the people create together. This is what Berry sees as broken and lost in America of the 21st century, and it’s difficult not see the sense he makes.

In 2007, Jason Peters, a professor at Hillsdale College, assembled and edited a collection of essays about Berry under the title Wendell Berry: Life and Work.  It’s a good introduction to Berry and his writings from people who admire his work and his beliefs and have generally been strongly influenced by him. 

The contributors include non-fiction author Sven Birkerts, novelists Barbara Kingsolver and Gene Logsdon, poets Donald Hall and John Leax, Patrick Deneen of Georgetown University, ecology writer Bill McKibben, and numerous others. They speak to Berry’s fiction, his poems, his faith, his philosophy, his deep beliefs in land and community, and related topics. And the key here is the word “related.” Berry doesn’t compartmentalize different parts of his life. It is all part of an integrated whole.

Berry received B.S. and M.A. degrees from the University of Kentucky. He was a Wallace Stegner Fellow at Stanford University and studied in Italy and France under a Guggenheim Fellowship. He taught at New York University and the University of Kentucky and served as a writer for Rodale Press. Since 1965, he and his wife have lived at Lane’s Landing. And he has a new Port William novel publishing in October – Marce Catlett: The Force of a Story.

When the executive and I had that conversation, more than a decade ago, I had read much of Berry’s poetry, two of his novels, and several of his essays – a mere drop in the bucket of what the man has published. I’ve read much more since then. And I think my answer to “Who’s that?” is even more on point now then it was back then. If you want to understand the culture – and cultural battle – of American agriculture, you have to read Wendell Berry.

Related:

My review of Berry’s That Distant Land.

Wendell Berry and the Land.

My review of Berry’s Jayber Crow.

Wendell Berry and This Day: Poems at Tweetspeak Poetry.

Wendell Berry and Terrapin: Poems at Tweetspeak Poetry.

Wendell Berry’s Our Only World.

The Art of the Commonplace by Wendell Berry.

Nathan Coulter by Wendell Berry.

Andy Catlett: Early Travels by Wendell Berry.

A World Lost by Wendell Berry.

A Place on Earth by Wendell Berry.

The Memory of Old Jack by Wendell Berry.

Poets and Poems: Wendell Berry and Another Day.

Top photograph by Megan Andrews via Unsplash. Used with permission.

“A Month in the Country” by J.L. Carr

September 3, 2025 By Glynn Young Leave a Comment

In 1980, British writer J.L. Carr (1912-1994) published a short novel. It was one of eight he would publish during his life. And it turned out to be the one that became something of a classic. Even today, it’s considered a “perfect novel.”

The novel is A Month in the Country. It has the kind of plot that wouldn’t lead you to believe it would become as famous as it has. A veteran of World War I, who specialized in art restoration before the war, has been hired to uncover a mural in a small chapel in Yorkshire, one dating to early Anglo-Saxon times. At some point in the past, perhaps during the dissolution of the monasteries and raiding of the churches by Henry VIII, the mural has been covered over. 

Now the church authorities want it restored, if possible. Thomas Birkin, the veteran is still suffering from post-traumatic stress disorder (called something else back then), largely manifested by a nervous tic in his face that he can’t control. His wife has deserted him, although she had deserted him many times before. It’s a perfect job for Birkin – away from people, away from stress, and it might just give him the time he needs to heal. 

J.L. Carr

Working near the adjacent cemetery is another veteran, Charles Moon, who’s been hired to find the bones of an ancestor of a former parishioner, who believed the burial was somewhere near the cemetery. Moon and Birkin become friends. And it will turn out that Moon is also healing from a different kind of wartime experience. 

Inevitably, Birkin finds himself being drawn into the life of the nearby village of Oxgodby. The townspeople, including the vicar’s wife, will also help Birkin heal. Rather surprisingly, nothing will quite turn out the way the reader expects, and that’s part of what gives the novel its charm. 

The book was made into a movie of the same name in 1987, starring Colin Firth as Birkin, Kenneth Branagh as Moon, Natasha Richardson as the vicar’s wife, and Patrick Malahide as the priggish vicar. 

Carr drew on his own background of growing up in Yorkshire for all his novels, including A Month in the Country. The themes of art, vanished village life, community, and healing are worked through his books. 

It’s a gem of a story, the uncovering of the mural (and the artist) a significant part of it. Life never quite works out the way you think it will, and sometimes that’s a very good thing.

“Remembering: A Novel” by Wendell Berry

August 20, 2025 By Glynn Young 1 Comment

It’s the mid-1970s. Andy Catlett is in San Francisco, a writer attending a modern agricultural conference. His family in Kentucky is likely relieved that he’s away; Andy had become very difficult to live with.

The reason: some time before, Andy and a few others were helping a neighbor on his farm. Andy was operating machinery, and almost without realizing what had happened, he lost his hand. The quick actions by the other men likely save his life; he could have bled to death.

Andy knows farm accidents happen. Now one has happened to him. He has had to learn to function with his left hand, the stump of his right arm a constant reminder of what happened. The fact is that Andy no longer feels whole; his entire life is at sea. And he doesn’t know how he’s going to make his way home again.

Remembering is the last published novel so far in the Port William noels by Wendell Berry. I say “so far” because Berry has a new one publishing Oct. 7, entitled Marce Catlett: The Force of a Story. Remembering is the story of man forced to question everything he’s believed in, discovering his own mortality, and ultimately finding redemption. It has all the classic Berry themes: community, the land, the people of the land, family, and faith.

Wendell Berry

The novel is somewhat autobiographical; Berry, too, worked as an agricultural writer for a time. And he would leave that career when he finally understood the inherent conflict between the agriculture he was raised in and what agriculture had become.

Berry is a poet, novelist, essayist, environmentalist, and social critic. His fiction, both novels and stories, are centered in the area he calls Port William, Kentucky, on the Ohio River. He’s won a rather astounding number of awards, prizes, fellowships, and recognitions. He lives on a farm in Kentucky.

Remembering is the story of a deeply troubled heart and mind, a man trying to find his way, and how healing and redemption ultimately happen. 

Related:

My review of Berry’s That Distant Land.

Wendell Berry and the Land.

My review of Berry’s Jayber Crow.

Wendell Berry and This Day: Poems at Tweetspeak Poetry.

Wendell Berry and Terrapin: Poems at Tweetspeak Poetry.

Wendell Berry’s Our Only World.

The Art of the Commonplace by Wendell Berry.

Nathan Coulter by Wendell Berry.

Andy Catlett: Early Travels by Wendell Berry.

A World Lost by Wendell Berry.

A Place on Earth by Wendell Berry.

The Memory of Old Jack by Wendell Berry.

Another Day: Sabbath Poems 2013-2023 by Wendell Berry at Tweetspeak Poetry.

“Spare Us Yet: And Other Stories” by Lucas Smith

July 23, 2025 By Glynn Young Leave a Comment

Faith meets reality. Sometimes, it doesn’t work out as you expect it to, or as you think it should.

Growing up in a culture that’s saturated Catholic (like New Orleans was), even we non-Catholics were aware of the impact and reach of the church. Ash Wednesday felt weird when you were one of the few in public school with a clean forehead. You lined up for your polio vaccine (sugar cube style) at the local Catholic school. Most of the weddings and funerals you attended were Catholic, and you typically found more food at funerals than wedding receptions. Almost all your neighborhood friends were Catholic. You took you SAT tests at the Catholic high school. Catholic was familiar; Catholic was normal.

Perhaps this is why I felt completely at home with Spare Us Yet, the collection of short stories by Lucas Smith. To call them Catholic stories would be an act of misdirection. Certainly, they all have the sense of faith, and a few even concerns priests, religious holidays, and observances. But they are not stories of faith as taught in seminary or theology textbooks as they are stories of faith lived out in day-to-day life.

A young priest prepares for Shrove Tuesday. An American tries to give away an Eisenhower dollar in Mexico, discovering that even friends may not be what they seem. People wrestle with getting the COVID vaccine. An expert marksman volunteers to be part of a firing squad chosen by the condemned felon as his method of execution. An omen of death in the form of a washerwoman appears in three visions. In a dystopian future, a man gets in trouble with villagers for teaching children about Jesus, repeating stories as he remembers them (this may be my favorite in the collection, although several are vying for that). A young boy prepares for a swim meet by having the “heat numbers” written on his arm. Priests try to manager worship during lockdown. A mother and her son take a trip to the Outback. A grandson visits his ailing grandparents, who are trying to cover for each other’s memory loss. A letter to the editor serves as an obituary. And more.

Lucas Smith

Every story in Spare Us Yet is moving; each is worth reading at least twice. The characters are people struggling to make sense of life, struggling to understand what it means to live one’s faith. You know them, you’ve met people like them, and you recognize yourself in them.

Smith is a writer and poet who is from Orange County, California and Australia, where he currently lives. His writing has been published in such literary journals as Australian Book Review, Meanjin, Quadrant, Island, Southerly, and The Rialto. He’s the co-founder and editor-in-chief of Bonfire Books in Melbourne, and in 2023 served as writer-in-residence at Wiseblood Books, which led to the writing and publication of Shape Us Yet. He writes The Sprawl of Quality at Substack.

A word about Wiseblood Books. Likely named for Flannery O’Connor’s first novel, it publishes fiction, non-fiction, and poetry. I’m most familiar with the poetry, having read some 18 of their collections over the past several years. I’ve also read several of their fiction works. Their authors include Sally Thomas, Kary Carl, Dana Gioia, James Matthew Wilson, Glenn Arbery, Marly Youmans, and many authors. The novel Hold Fast, by Spencer K.M. Brown, was one of my favorite books in all of 2024. They work with literary fiction, serious literary fiction, but it’s also readable literary fiction. I can’t recommend them enough.

Related:

Lucas Smith reads from his story “Compline.”

An Australian to English Glossary for Spare Us Yet – Luch Smith at The Sprawl of Quality.

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Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of three novels and the non-fiction book Poetry at Work.

 

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