faith

Writing to Make Faith Attractive

March 1, 2018 By Glynn Young 2 Comments

It showed up as a comment on a blog post, and it stopped me in my tracks.

“Whatever your plan is…I do hope you continue this series of books. May God direct your thoughts and plans with His plan. I loaned the books to a friend of mine to read, and her comment was after reading the first one (Dancing Priest), ‘If I wasn’t already a Christian, this book would make me want to be one.’ That is a powerful testimony. Keep writing. There is power in the written word when it directed by God.”

A comment like that leaves you surprised, almost shocked, humble, and then almost fearful.

You ask yourself, “What is it I’m doing here?”

I’ve been known to answer that question about the novels I’ve written with “I’m just telling a story.” It’s a story that was on my mind and my heart for years – almost five years – before I typed the first word. By the time I began writing it down, it was almost uncontrollable. I couldn’t type fast enough.

I came to a stop at 250,000 words. I still hadn’t poured it all out.

The Dancing Priest series is now three published books. More may come. One is in process. But I read a comment like that and I tremble.

The books haven’t exactly been blockbuster bestsellers. I’d starve in about four days if I had to live off the royalties (and the royalties would cover only food for four days). But when you hear things like “the best description of lifestyle evangelism I’ve ever read” and “that scene, that scene of Sarah’s speech in the hospital, I cried” – and you hear them from men – you know something else may be going on.

At the end of 2013, I almost stopped writing. Two novels and a non-fiction book in three years, my mother increasingly ill and reaching the end of her life, absolute craziness at work, keeping up a blog, writing two weekly columns – it all nearly did me in physically and emotionally. When Michael Kent-Hughes says in Dancing King that giving a sermon physically exhausts him, in many ways that’s me saying writing physically and emotionally exhausts me.

But after three novels, I know that I’m about more than “telling a story.” It’s that comment: “If I wasn’t already a Christian, this book would make me want to be one.” These may be “Christian novels” but they’re not really written for Christians (although Christians seem to like them). Michael and Sarah Kent-Hughes may be attractive and sometimes inspiring heroes, but it is their faith that’s the real hero of the story. It carries them through separation, through tragedy, through mistakes they make, through literal attacks on their lives, and through constant attempts to smear their reputations. If this series continues, their faith will carry them through a lot more. And they don’t emerge from all of this unscathed; Michael bears literal and figurative scars. But it is faith that inspires these characters to carry on.

It took a reader to help me understand that a good part of what I’m about is making faith attractive.

Photograph by Samantha Sophia via Unsplash. Used with permission.

The Curious Responses to Faith-Based Writing (Including My Own)

January 25, 2018 By Glynn Young Leave a Comment

I’ve published three novels, all faith-based, and I’ve had an unusual experience with all three – readers are roughly divided 50-50 between Christians and non-Christians. Equally interesting is the gender divide. I expected more women than men to read the novels simply because women tend to read more faith-based fiction than men do. And yet my readers seem split 50-50 here, too.

The element of the novels that all readers seem to respond and react to is the role that faith plays. It’s a significant role, especially in the first and third novels (the three form a trilogy). In Dancing Priest, the first novel, faith forms the central tension between the hero and the heroine – he has it, and she doesn’t. They’re in love with each other, but faith is the stumbling block – and it eventually drives them apart.

How the heroine comes to faith is a key element of the story. It’s also pretty much how I came to faith – I fully used my own experience to create hers, including an initial rejection of faith. But come to faith she does, and she finds it leaves her more open and vulnerable than ever before.

Most readers (including non-Christians) appeared to like the tension that faith creates in these stories and understand it. Some do not. One sent me a long email in which he objected to the heroine, Sarah Hughes, finding faith; he didn’t think it was necessary and he was pretty adamant about not liking it in the story. I had to point out that without her finding faith, the story would have stopped, or she would have been written out of it. The central character – Michael Kent – is a young Anglican priest, and a conservative Anglican priest, and he would have no choice but to marry a believer.

Faith plays a subtler role in the second novel, A Light Shining. Michael and his wife Sarah are caught up in religious violence, part of the larger global religious conflict we see happening today. How they respond to what happens is infused with their Christian faith, and their responses include stepping off into the unknown. They’re able to do that because of their faith.The third novel, Dancing King, continues the story of Michael and Sarah, but it’s set within the growing conflict between Michael’s faith and the institutional church.

When I wrote the first two novels, I didn’t think of myself as writing “faith-driven” stories. I was simply writing the stories I had to tell. Looking back, I can see that’s exactly what I was writing. And yet I can’t say these stories are what we associate with “Christian fiction.” They’re not. They don’t tightly fit any one genre, and that’s a problem, especially for marketing. And they’re not “crossover” stories, because the faith element is simply too strong, even if it’s not obvious. Perhaps another way of saying this is that I don’t hit people over the head with the faith element in the stories, but it’s clearly there.

While my characters talk about faith, what’s more important is what they do because of their faith. They give villains a second chance; they reach out to abandoned children; they give people (and themselves) room to doubt; they’re kind, even to people who don’t deserve kindness. Faith is more about what they do, and less about what they say. And that may be a clue to my 50-50 split between Christian and non-Christian readers.

I didn’t begin writing with these themes and ideas in mind. I never consciously decided that these are things the characters would do because faith is more about what you do rather than what you say. Instead, they came from the story I had to tell.

Photograph by Karl Frederickson via Unsplash. Used with permission.

Are You Called to Write?

December 19, 2017 By Glynn Young Leave a Comment

I follow quite a few writers on Facebook and Twitter, and I read their blog posts and articles. If a consistent theme exists in all of what writers, and especially Christian writers, say about themselves, it’s that they’re called to write. Christians writers say they’re called by God; others might refer to a muse, an urge, a belief, a feeling.

That theme of calling leaves writers like me in something of a quandary, much like the Christians who accepted faith as a child and can’t remember the exact day, time, and circumstance. I remember the exact time and place of my acceptance of faith – Jan. 26, 1973, about 8:30 p.m. in the basement of a lecture hall building at LSU. But to identify when I became a writer, or why, is not possible for me – it’s buried so far back in the mists of childhood as to be unknowable.

I read early and read often. The first book I remember buying on my own was Trixie Belden and the Secret of the Mansion, spending 59 cents at the local dime store. I was 7. My reading habit was reinforced by the Scholastic Book Club at school and indulged by parents who encouraged reading. One of the earliest memories of my mother was her reading Grimm’s Fairy Tales to me when I as two or three; I still have the book.

But many children and adults enjoy reading without becoming writers. Reading alone can’t explain it.

To continue reading, please see my post at Christian Poets & Writers.

Top photograph by Ben White via Unsplash. Used with permission.

Where “Dancing Priest” Came From

December 4, 2017 By Glynn Young Leave a Comment

In October 2002, I was flying from St. Louis to San Francisco to attend the annual meeting of the Public Relations Society of America (PRSA). I was more than an attendee; I was also an official delegate to the PRSA Assembly, which met the day before the annual meeting began. I was flying on a Friday; the assembly met on Saturday.

I don’t recall what the in-flight movie was, but whatever it was, I didn’t watch it. Instead, I flipped through the various music channels, until I happened upon this incredible tenor voice singing.

The voice belonged to the Greek singer Mario Frangoulis. I hadn’t heard of him before, but I listened as the host of the program interviewed him in between songs. He sang in multiple languages – Greek, Italian, English, French and Spanish (he’s also fluent in all five languages). I was impressed by the quality of his voice and his multilingual singing ability. The program was a promotion of his recently released album “Sometimes I Dream.”

At some point in the musical program, Frangoulis sang “Luna Rossa,” or “Red Moon.” The song as he sang it at a concert in Thessalonika in Greece is, I’m fairly certain, the version I heard on the airplane.

The song evoked an image in my mind: a priest dancing on a beach at night. And it wasn’t a Catholic priest, but an Episcopal or Anglican priest. He wasn’t dancing by himself but with others, possibly part of a tour group. They were all dancing near a large wood fire.

The in-flight program ended, but the music kept playing through my head. The album included several other songs that would later become important for the writing. It also had “Buongiorno Principessa” from the movie Life is Beautiful and “Nights in White Satin” sung with Justin Hayward of the Moody Blues (a stunning version of the song).

When we landed in San Francisco, I made my way to my downtown hotel and then went looking for a music store. I found a Border’s Bookstore nearby and rode the escalator to the music department on the fourth floor. Just as escalator arrived on the floor, straight ahead of me I saw a large display for the Frangoulis CD. I bought the CD.

I have likely listened to the CD no fewer than 250 times. Every time I heard “Luna Rossa,” the image of the priest dancing on the beach came back. I couldn’t shake the image. And then one day, the image changed. The priest and the people he was traveling with, including a young American woman, walked from the beach into a restaurant for dinner. At that moment, the idea of a novel was born.

Several songs on the CD helped to frame the novel. The title song, “Sometimes I Dream,” is the song I had in my mind as the music for a very early scene I still refer to as “The Last Tango in Edinburgh.”

But while the idea of the novel was born and began to take shape, I would not put pen to paper (or words to computer screen, to be more exact) for three more years.

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