Civil War

“North Against South” by Lowell Johnson

November 30, 2022 By Glynn Young 1 Comment

The first thing you should know about Ludwell Johnson’s North Against South: The American Iliad 1848-1877 is that it’s controversial. First published in 1978 under the title Division and Reunion, 1848-1877, the book argues that Reconstruction was an extension of the military warfare carried out by the North during the Civil War, that Jefferson Davis was a more able leader than Abraham Lincoln, and that Robert E. Lee was a better military leader than Ulysses S. Grant.

That’s just for starters. Johnson (1927-2017) also says that the writing of Civil War history after World War II has been filtered through the lens of the Civil Rights movement of the 1950s and 1960s. It’s not that this vast multitude of history works are wrong and should be rejected, but more that readers and students need to understand the lens through which the Civil War has been seen and understood.

Johnson marshals facts and data to make his case. He tells the story of what led up to the war, how the war began and its major military battles, the critical role played by the North’s economic and manufacturing advantages, and what he describes as the three post-war “peace settlements” – President Andrew Johnson’s reconstruction plan, the reconstruction plan of the Radical Republicans, and finally the abandonment of Reconstruction.

What is perhaps most surprising in Johnson’s account is the sense of both sides being the aggressor. The North was not trying hard to avoid war while the South seemed hellbent to make one, nor were Northern armies waging a just and righteous crusade for human freedom. As the war faded in living memory, myths grew up on both sides. And the national trauma that we call the Civil War would continue to play a significant role in national politics.

Johnson was a professor of history at the College of William and Mary in Williamsburg, Virginia. He focused his studies and teaching on the American Civil War. He was also the author of Red River Campaign: Politics and Cotton in the Civil War (1958).

I don’t have the background in Civil War history to say whether Johnson was right or wrong. I would hazard an educated guess that this book likely angered many Civil War historians when it was published in 1978 (and republished in 2002). For me, the real value of North Against South is understanding that one shouldn’t simply accept the received wisdom, whatever the source, and that the past continues to matter more than we’d like to think.

Top photograph: A scene from the Battle of Gettysburg by Thure de Thulstrup via Wikimedia Commons.

Bruce Catton’s Civil War

November 21, 2022 By Glynn Young 1 Comment

Bruce Catton (1899-1978) grew up in Petoskey, Michigan, listening to the stories of old Civil War veterans. As a boy, he was enraptured by these first-hand accounts, but his own experiences in World War I led him to believe that those Civil War veterans didn’t really understand modern warfare. His memoir of growing up, which included his interactions with Civil War veterans, was published in 1972 and entitled Waiting for the Morning Train: An American Boyhood.

At some point, he realized how wrong he was. He became a journalist and worked for such newspapers as the Boston American, Cleveland News, and Cleveland Plain Dealer. He never lost interest in the Civil War, and Catton continued studying and researching the period before, during, and after the war. He read extensively on the subject, and what he noticed was how historians talked about battles and generals, without paying much attention to the experiences of soldiers.

And it wasn’t for lack of sources. Hundreds if not thousands of memoirs had been published by Civil War veterans on both sides of the conflict. Regimental histories had been written. But these accounts weren’t the Civil War most Americans were familiar with.

Catton focused on the federal Army of the Potomac and wrote three books which focused heavily on the experiences of the soldiers. The first volume in what became a trilogy was Mr. Lincoln’s Army, published in 1951. The second volume was Glory Road (1952), and the third was A Stillness at Appomattox (1954). Sales weren’t exactly robust; the nation’s appetite for Civil War history seemed to have waned.

And then A Stillness at Appomattox won the Pulitzer Prize for history, followed by a National Book Award. The resulting publicity encouraged new readers and buyers. Here was a journalist (of all things) doing what historians had paid scant attention to – the experiences of the soldier. This wasn’t reading about Robert E. Lee, Abraham Lincoln, Ulysses S. Grant, and Jefferson Davis; this was reading about the war fought by the boy next door, or your own son.

No one had written history like this before in America. Reading it gave people the impression they were firsthand witnesses, a result of its journalistic style. The series became popular and passed into publishing (and Civil War history) legend. Not only did it inspire Shelby Foote to write his multi-volume history of the Civil War, it also led to Ken Burns’ epic documentary for PBS. The series began airing in September of 1990 to 40 million television viewers. If you watched it (and I was one of those 40 million), you couldn’t forget David McCullough, the narrator, introducing the letters written by soldiers to their wives, sweethearts, and parents. Like Catton’s books, it made the Civil War profoundly personal.

The Library of America, a national publishing treasure if ever there was one, has recently combined Catton’s three volumes into one, simply entitled Catton: The Army of the Potomac Trilogy. It’s edited by Gary Gallagher, the John L. Nau III Professor of History of the American Civil War Emeritus at the University of Virginia. Gallagher includes an exceptionally fine introduction to Catton and his writing. The volume also includes maps of the battles fought by the Army of the Potomac, drawn by Rafael Palacios. Its hefty content (more than 1,100 pages of texts, plus another 100 of notes, bibliography, and index) is packaged in a relatively compact yet easily readable volume.

And it’s still a thrilling read, just like it was originally in the 1950s and through numerous editions, and just like the stories Catton heard when he was a boy in Petoskey, fascinated by the tales of Gettysburg, Chancellorsville, and so many more, all told by the now-grizzled old men who had fought them.

When You Face Too Many Ways to Open a Novel

November 16, 2022 By Glynn Young Leave a Comment

How many openings can a novel have? Let me count the ways.

I’d never experienced the problem of too many ways to open a novel. Five novels, and five fairly straightforward beginnings, meant that I never struggled over how to open a story. Somehow, I always knew, and it wasn’t an issue.

Until now.

I began to write the draft like I always had. I had an idea, and image, in my mind, and that’s how I’d start the story. I wrote it. I read it over several times. It seemed to work. I started writing beyond the opening, and I bogged down.

Something seemed slightly off, and I knew it was the opening. So, I reworked it. And reworked it. I revised it to the point where it was almost unrecognizable from the first version. It still didn’t work. I discarded it and started over. I tried something entirely different. At one point, I thought I had it, finally, only to realize I didn’t. I went back to the first and tried it again.

To continue reading, please see my post today at ACFW.

Photograph by Ankhesenamun via Unsplash. Used with permission.

“Poets of the Civil War,” edited by J.D. McClatchy

November 15, 2022 By Glynn Young Leave a Comment

If I asked you to give me the name of an American Civil War poet, you would likely say “Walt Whitman.” His poems, like “O Captain! My Captain!,” “When Lilacs Last in the Dooryard Bloom’d,” and “The Wound Dresser,” certainly catapult him to the top of the Civil War poets list.

But if I were asked to name another Civil War poet, I’d be rather stumped. Until, that is, I laid eyes on Poets of the Civil War, edited by J.D. McClatchy, published in 2005 as part of the Library of America’s American Poets Project. And I was in for a major surprise. Whitman doesn’t stand there by himself.

The list of Civil War poets includes some of the best-known writers and poets of the 19^th century. William Cullen Bryant. Ralph Waldo Emerson. Henry Wadsworth Longfellow. John Greenleaf Whittier. Herman Melville. James Russell Lowell. Bret Harte. Ambrose Bierce. Sidney Lanier.

To continue reading, please see my post today at Tweetspeak Poetry.

“Portraits of Conflict: A Photographic History of Mississippi in the Civil War”

November 9, 2022 By Glynn Young Leave a Comment

Beginning in 1990 and continuing for the next two decades, the University of Arkansas Press published a series of photographic histories of the Civil War. The volumes were developed by state, using states where a considerable portion of the war was fought. The university press included volumes on Louisiana, Tennessee, Mississippi, Alabama, Missouri, South Carolina, Texas, North Carolina, and Georgia.

Each volume is structured the same: an overall introduction to what happened to the state and its people during the war, followed by chapters on specific battles, armies, or state events. The emphasis is on the photographs, with each making extensive use of individual portraits of generals and other officers as well as enlisted men.

Each chapter begins with a narrative, and the photographs follow. An explanatory text accompanies each portrait, explaining who the person was, where they served, what battle or battles they fought, and whether they lived, survived with injuries, or died.

The volume on Mississippi is entitled Portraits of Conflict: A Photographic History of Mississippi in the Civil War. It was the third volume in the series, published in 1993. It’s a hefty volume, not quite as lavish as a coffee table book but leaning in that direction. It was written by two men. Bobby Roberts was then the director of the Central Arkansas Library System and director of the Archives at the University of Arkansas. Carl Moneyhon was a professor of history at the University of Arkansas at Little Rock, Moneyhon’s books include Republicanism in Reconstruction Texas, A Documentary History of Arkansas (co-author), and The Impact of the Civil War and Reconstruction on Arkansas.

The book is now almost 30 years old. The text is relatively up to date, which is not a surprise given how it focuses on major events and battles and well-known historical military figures. A considerable amount of information exists from which to choose; the state experienced some 17 battles, nine of which were connected to the Vicksburg campaign. The chapters in the book focus on Civil War photography in the state, Mississippi goes to war, Mississippians in the Amery of Northern Virginia and the western armies, the struggle for northeast Mississippi, Vicksburg, the home front (which often turned out to be closed to the front than home), Meridian and the battles in northern Mississippi, and after the war. Photographs of both Union and Confederate soldiers are included.

Private James Madison Moore, Company A, 14th Regiment, Mississippi Consolidated Infantry

The pictures were provided by a number of individuals and national and state agencies and organizations, including the Military History Institute, Mississippi’s State Archives, the Special Collections at Louisiana State University Library, and other sources.

It’s the portraits of the soldiers, Union and confederate, that make the volume. So many of the were young, in the late teens and early 20s. Some look more like boys in uniforms than soldiers. Some have almost haunted looks about them. But these were the soldiers who fought on both sides; the texts include whether they died or experienced amputation of an arm or leg. One notes that the man, recently promoted and on furlough to visit his family in northern Mississippi, was ambushed and murdered by bushwhackers and/or deserters. Civil order had largely collapsed across the state.

It’s a big book with a large topic, but the photographs help bring home the reality of what the war was like for the men who participated in it.

Top photograph: Members of the 9^th Mississippi Infantry at Pensacola, Florida, early in the war. Photograph by J.D. Edwards of New Orleans.

“The Limits of Loyalty” by Jarret Ruminski

October 31, 2022 By Glynn Young Leave a Comment

We often get images, based on stereotypes, stuck in our heads about history. The antebellum and Civil War periods are no exceptions. We think the South was nothing but large plantations with thousands of slaves. We also might think that every Southerner tightly embraced secession and the war and retained that embrace until surrender in 1865.

These images are two-dimensional cartoons, with more or less an element of truth. The reality was considerably different. Most Southerners were small farmers, not big plantation owners, who did have an outsized presence in issues of the days. Likely most white Southerners did support secession, but that support began to wane as early as 1862. Fewer than half of white Southerners were slaveowners. And the state of Mississippi is a good example.

In The Limits of Loyalty: Ordinary People in Civil War in Mississippi, Jarret Ruminski takes a deep look at what happened in the state over the period 1861-1865. The time in which people’s nationalist sentiments and actions were most closely tied to the Confederacy was, unsurprisingly, early on. By 1862, as parts of the state began to experience invasion and destruction (and Mississippi experienced considerable amounts of both over the course of the war), sentiment shifted. Other loyalties, like to community and family, began to take precedence over feelings about the Confederacy and even the war. For many, and especially for women left at home with children and small farms and businesses, family survival became the overriding issue.

Ruminski draws upon letters, published reports and editorials in newspapers, journals, and official records. He considers early nationalist sentiment; how Union, Confederate, and private citizens defined oaths of allegiance; the contraband trade that occurred across all socio-economic levels; the role that deserters and gangs of thieves and robbers played; the breakdown in loyalty between slaves and masters; and how all of this upheaval not only tore at the fabric of law and society but reverberated for decades after the war.

In short, in the state of Mississippi at least, and likely many other Southern states, the idea of the Confederacy, support for the war, and afterward the “Lost Cause” might have more basis in fiction and myth than in actual fact. It was one thing to support the Jefferson Davis national government. But families had to eat and survive, and if it was a choice between loyalty to the cause and the war and seeing your children starve, it wasn’t much of a contest.

Ruminski received his B.A. degree in English and his M.A. degree in American history at Youngstown State University, and his Ph.D. degree in 19^th century American history from the University of Calgary. His Ph.D. dissertation, which likely furnished a considerable portion of the research for The Limits of Loyalty, was entitled “Southern Pride and Yankee Presence: The Limits of Confederate Loyalty in Civil War Mississippi, 1860-1865.” A freelance writer and researcher, he’s published articles in Civil War History, The Journal of the Civil War Era, Journal of Southern History, American Nineteenth Century History, Ohio Valley History, Ohio History, and a variety of other historical and popular publications.

The Limits of Loyalty focuses on the lives and experiences of ordinary people during the Civil War, the people who tilled the farms, harvested the crops, operated the small stores and sawmills, and had to feed their families. It was a society coming apart at the seams in a variety of ways, and as Ruminski demonstrates in his highly readable and extensively researched account, the loyalty people felt was multifaceted, with loyalty to family and community taking increasing priority as society collapsed.

Top Photograph: Women of the Civil War, drawing by Winslow Homer.

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