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book review

“The Gettysburg Reunion of 1913” by John Hopkins

January 17, 2024 By Glynn Young 1 Comment

In July 1913, some 53,000 Civil War veterans gathered in Gettysburg, Pennsylvania to commemorate the 50th anniversary of the famous battle. Almost every veteran was, by this time, an old man, with most in the 70s. The youngest was 61; he’d been an 11-year-old drummer boy in 1863. The oldest was 110; he’d fought when he was 60.

The anniversary event didn’t happen by itself; planning had gone on for years, at least in theory. The commemoration almost didn’t happen because of what was falling through the cracks as the date got closer. But competent people intervened, and the commemoration happened.

In The World Will Never See the Like: The Gettysburg Reunion of 1913, author John Hopkins tells the story in all of its chaos, splendor, and glory. Veterans, mostly Union because those states provided at least some transportation costs, came from all over the country to find old friends and sometimes old enemies, remember, and celebrate a unified country. 

The idea was first raised in 1908 in the Pennsylvania legislature. Five years later, a host of state legislatures and the U.S. Congress had weighed in. Hopkins concisely details the planning, the organization of the event, and what happened during the four days of celebration (including 100+-degree weather and a storm). The program itself may have been the easiest part to create. Organizers had to consider food, housing, medical facilities (a number of the veterans would get ill during the celebration, and some would die), travel arrangements, and sanitary facilities. A huge tent city was erected at the site of the battle, with neighborhoods and streets. Boy Scouts were enlisted to be information and direction guides.

The participants knew they had made history in 1863 and were making history again in 1913. There would indeed never be a celebration like this on American soil. 

Hopkins also discusses the politics. How would attendees and speakers alike describe what had caused the war and led to the battle. The “Lost Cause” idea was likely at its high-water mark in the South, and it had certainly influenced Northern thinking as well. In the end, everyone agreed that the causes were less important than what had resulted – a unified country once again. In particular, the veterans were less interested in discussing and debating the causes of the Civil War, and more interested in remembering, connecting, and finding out what had happened to the men they had fought with and against. (A small group of elderly women, who had been nurses, also attended.)

John Hopkins

Hopkins, a communications and public relations professional, received his degree in political science from Williams College. He’s worked for more than three decades in higher education, nonprofit, and agency settings. For this book, he made extensive use of letters, memoirs, news reports (more than 150 journalists covered the event), and official proceedings. 

The Gettysburg Reunion of 1913 tells a story that is informative, often enlightening, and surprisingly poignant. Certain parts may move you to tears. Most of those present would be gone within a decade, and they laughed, cried, and often drank (a lot) with the men they shared the most formative moment of their lives with. The event itself might have been a defining moment in the passing of the 19th century and the arrival of the 20th.

Top photograph: Veterans arriving in the tent city for the 50th reunion of the battle.

“Little Women” by Louisa May Alcott

January 10, 2024 By Glynn Young 2 Comments

I was in 9th grade, at the time part of the middle school where I grew up. Our English teacher assigned our all-boy class two papers about authors – one English and one American. We were required to read one work by each author for our papers. She had a list of 35 English writers and 35 Americans, one for each person in our class. Our choices, however, were determined alphabetically, which meant whoever was last would get the two no one else wanted. Which meant me.

No one wanted to read a play by William Shakespeare, which meant he would be my English author. And the last American author on the list (remember this was an all-boys class) was Louisa May Alcott (1832-1888).

When my name was called, general laughter erupted. The teacher, with her soft Alabama accent in a roomful of New Orleans boys, was irate. She loved Alcott, she said, and she loved Little Women. And if any of us ever wanted to understand girls, we should read the Alcott novel. I knew what I had better read for my report.

Louisa May Alcott originally published Little Women as two books, Part 1 in 1868 and Part 2 in 1869. The story is based on the lives of Alcott’s sisters, family, and friends. A first read of Part 1 by her publisher found it boring, until he had his two daughters read it. Then he had more girls in the target audience read it. The 2,000-copy first edition sold out almost immediately.

The book has been as popular in Britain as it has in the United States, even though the setting is Civil War Massachusetts (Part 1) and Massachusetts and Europe for Part 2. G.K. Chesterton, when he read it, said it had anticipated the Realism School in literature by about 30 years.

To read it today, you also realize how it anticipated the television mini-series. It’s episodic chapters are almost ideally suited for the small screen (see the 2017 mini-series version developed by Heidi Thomas, she of Call the Midwife). The well-loved work has been adapted countless times for stage, movies, and television. It’s even been adapted as a musical and for anime.

And Little Women is well-loved with good reason. It captures of the lives of the four March sisters living between childhood and adulthood (thus the title, “little women”). The family is living through the Civil War period, with their father serving as a chaplain with the Union army. Each chapter centers on a particular sister – Meg the wise one, Jo the headstrong one with a burning passion to write, Amy the pretty and artistic one, and Beth, the youngest, most frail, and kindest of the girls. In their father’s absence, their mother Marmee presides over the family. 

For all four girls, and the next-door neighbor Theodore (“Laurie”), the story is something of a coming-of-age novel. While the story is set during the Civil War, the war itself rarely intrudes, until in Part 1 Mr. March is taken ill with pneumonia and Mrs. March travels to Washington, D.C. to care for him. Part 2 occurs after the war is over.

Louisa May Alcott

It’s a well-written, engaging story. As you read, you come to like these sisters, and you keep reading o find out what will happen to them and their mother. I have to admit, having seen the 1994 movie version, I can only identify Susan Sarandon as Mrs. March, although Emily Watson did a fine job in the 2017 BBC television series. Those two adaptations stick very closely to the original novels. 

I read the work thinking there would be more about the Civil War than I had remembered from my first reading back in high school. There’s not. The war is a distant and unrelated event in the story. Even Mrs. March rushing to her husband’s bedside is never detailed. 

But it’s still a good story. Alcott wrote well, with passion and with humor. Some of the predicaments that Jo and Amy in particular get into are close to hilarious.

For my ninth-grade papers, I read Julius Caesar and Little Women. My lack of choice ended up standing me in good stead with the teacher, who gave the class a Southern evil eye, daring anyone to laugh, when I read my paper (as we were required to do). I saw a few grins, which quickly disappeared when she turned her attention upon the miscreant. No one laughed.

Top illustration: A drawing of the March house. 

Related:

Hospital Sketches by Louisa May Alcott. 

“The Battle of Franklin” by A.S. Peterson

December 20, 2023 By Glynn Young Leave a Comment

I’ve been reading fictional treatments of the Civil War lately: Shelby Foote’s Novel Shiloh; Stephen Vincent Benet’s epic poem John Brown’s Body; Stephen Crane’s novel The Red Badge of Courage; and Hospital Sketches by Louisa May Alcott. I’ve tried to get into E.L. Doctorow’s novel The March, which should be a slam dunk given the subject is Sherman’s march through Georgia, but I’ve started and stopped three times. I’ll give it another go and either succeed or admit defeat. 

The Battle of Franklin: A Tale of a House Divided is a stage play script by A.S. Peterson. With songs (even though it’s not a musical) Patrick Thomas, the play was commissioned by Studio Tenn and produced in 2016. It was a challenge rather admirably met; depicting a battle on the theatrical stage is a difficult feat to pull off, but Peterson does it.

The Battle of Franklin was fought on Nov. 30, 1864, a few miles south of Nashville. The battlefield was the Carter House plantation. A Confederate army under John Bell Hood aimed to take Nashville (occupied by a much smaller army). If they could succeed, they’d cut supply lines to General Sherman’s army in Georgia. 

Peterson tells the battle’s story through members of the Carter family: the patriarch Fountain Carter; his son Tod Carter; his daughter Mary Alice McPhail; German immigrants Albert and Retha Lotz: Henry Carter, a slave and Tod’s friend from boyhood; and Henry’s wife Callie Carter. Non-family roles belong to a Union general and a few soldiers. Through these characters, the playwright threads the story of the war, of slavery, of immigration, of friendship, and of the patriarch’s sense of deep betrayal, first by his son enlisting and second by his slave running away to join the Union army. 

A.S. Peterson

The intensity and ferociousness of the real battle implies that there will be considerable death and destruction in the fictional one. (The actual battle, with a total of 63,000 troops engaged, resulted in almost 8,600 deaths.) One knows from the beginning that the narrator, son Tod (referred to as Mint Julep) is a ghost, but the deaths won’t stop there. What unfolds is a story in which both sides of the conflict, and the roles of master and slave, are shown fairly and true to the historical record.

Peterson is an author, playwright, editor, and speaker. His books include The Fiddler series, Wingfeather Tales, The Timely Arrival of Barnabas Bead, The Oracle of Philadelphia, In the Year of Jubilation, and The Molehill. His plays include the musical Lindenfair, The Battle of Franklin, Frankenstein, and The Hiding Place. He lives in Nashville, where he’s the executive director of The Rabbit Room and Managing Editor of Rabbit Room Press.

The Battle of Franklin is, as its subtitle implies, the story of a country and a house divided. The country, and the house, wouldn’t last in that divided state, and considerable death, destruction, and personal pain was the inevitable price of resolution.

Top illustration: A depiction of the Battle of Franklin, Nov. 30, 1864.

“John Brown’s Body” by Stephen Vincent Benet

December 6, 2023 By Glynn Young 3 Comments

It’s likely the most successful poem in American literary history, selling more than 130,000 copies. And it’s epic in length.

In 1925, the highly regarded poet Stephen Vincent Benet (1898-1943) applied for a Guggenheim Foundation grant to write a long historical poem about the Civil War. The foundation came through with a $2,500 grant that supported Benet and his family. Along with a bit of freelance writing, while he researched and wrote. They moved to Paris for him to write; it was cheaper than living in the United States. He thought the effort would take seven years; in fact, it took only two. John Brown’s Body was published in 1928, catapulting Benet into literary stardom.

John Brown

The poem contributed to Benet being the most read American poet between 1918 and his death in 1943. His other poems and short stories were widely popular as well, including the short story “The Devil and Daniel Webster.” Book One of a planned nine-volume narrative of the settlement of America, entitled Western Star, was published after his death and received the Pulitzer Prize for Poetry.

The epic of John Brown’s Body, or “cyclorama,” as Benet called it, begins with John Brown’s raid on Harper’s Ferry. Even more than the Dred Scott decision, this is the event that the poet indicates was the point of no return. The raid horrified the South and electrified the North; in Benet’s hands, national unity was not possible without a war. In the poem, this first section includes some of the most vivid and dramatic imagery of the entire poem. (And I didn’t know that Brown took hostages, including the great-grandson of George Washington.)

John Brown’s Body seems rather curious today, curious in that it isn’t a rant or filled with pious superiority and virtue signaling. It’s almost scrupulously fair to both sides in the war, depicting both historical and fictional characters as they themselves would have seen and experienced the war. His main fictional characters, Jack Ellyat of Connecticut and Clay Wingate of Georgia, are drawn to popular type, Ellyat being a yeoman Connecticut farmer and Wingate being the son of a large plantation owner in Georgia.  They and their families will experience the war in radically different ways.

Benet moves the story from the Harper Ferry’s raid to the firing on Fort Sumter, battles like Bull Run and Antietam, Gettysburg, and finally the surrender at Appomattox. In addition to the fictional characters living the story, historical characters like Abraham Lincoln, Robert E. Lee, Jefferson Davis and his cabinet, Ulysses Grant and others describe what is happening. Most of the poem covers the period up to an including Gettysburg; the last two years are rather abbreviated, focusing on Appomattox. But Benet does devote a section to Sherman’s march through Georgia to the sea.

Stephen Vincent Benet

It’s rather astonishing that Benet completed the poem in two years. It still makes for an enthralling read as he tells the story of what is (the present moment notwithstanding) the most divisive period in American history, a time when America was torn apart over four years. 

Writing years after the poet’s death, historian Bruce Catton said that if you wanted to understand the Civil War, you could read the 120 volumes of the Official Records of the War of the Rebellion, or you could read John Brown’s Bodyby Benet. Benet makes for much more concise and entertaining read.

Top illustration: A drawing of U.S. Marines storming the engine house at the Harper’s Ferry federal arsenal (National Park Service). 

“Shiloh” by Shelby Foote

November 22, 2023 By Glynn Young Leave a Comment

Shelby Foote (1916-2005) was a journalist, writer, and historian best known for his three-volume The Civil War: A Narrative, published between 1958 and 1974. His writings about the war and the South generally tilted in the direction of the Lost Cause, which means he’s as far out of favor with historians today as he can be. And yet his scholarship and depth of research were impressive.

Foote also wrote six novels, one of which was entitled Shiloh, published in 1952. As the title indicates, it was about the Battle of Shiloh, fought April 6-7, 1862, in southern Tennessee very close to the Mississippi border. It was something of a seesaw battle, in that the Confederates under Albert Sidney Johnston and P.G.T. Beauregard clearly won the first day, only to see their victory turned into defeat the second day by the Union forces under Ulysses Grant and Don Carlos Buell. There were some 24,000 casualties, the total of both sides, and Shiloh has the dubious distinction of being one of the bloodiest battles of the war.

The name “Shiloh” came from Shiloh Church located near Pittsburgh Landing on the Tennessee River (the battle is also sometimes called the Battle of Pittsburgh Landing). “Shiloh,” interestingly enough, means “peace.”

Foote’s novel is less of a traditional novel and more like seven connected short stories, each with a different narrator. The story moves back and forth between Confederate and Union perspectives. It’s told by a lieutenant and aide-de-camp to General Johnston; a captain in the 53rd Ohio; a private and rifleman in the 6th Mississippi; a private and cannoneer for the 1st Minnesota; a scout in Nathan Bedford Forrest’s cavalry; a squad with the 23rd Indiana; and then Johnston’s aide-de-camp again, listed as “unattached” because Johnston has been killed in battle. 

Shelby Foote

These men, representing both sides, take the reader through the battle and its different aspects. Palmer Metcalfe, the aide-de-camp who provides the beginning and the ending entries, gives a more strategic, step-by-step description. In fact, the first chapter reads more like history than it does a novel. But we see the attacks, the movements, the deaths, the prisoners taken, and ultimately the general carnage that produced such a high casualty rate.

In Foote’s hands, it’s the battle itself that’s the main character and the main story. It’s less about the men who fought it and more about the inevitable turnings of a great wheel of death and destruction.

The Union dead were buried in individual graves; the Confederate dead were buried in several mass, and unmarked, graves. It was here that a tradition started sometime later. Confederate mothers and wives placed flowers on their sones’ and husbands’ graves. Seeing the bare Union graves, they placed flowers on those as well. When Northern mothers and wives heard the story, the reciprocated in likewise fashion. Some good and some understanding did come from that terrible conflict.

Related:

Battle at Shiloh: The Devil’s Own Two Days – Wide Awake Films.

Top illustration: Battle of Shiloh by Thure De Thulstrup for Harper’s Magazine, via Wikimedia Commons.

“Kayaking with Lambs” by Brian Miller

November 20, 2023 By Glynn Young 3 Comments

I grew up in a rather stereotyped suburb of New Orleans. Except for the last names, which reflected the post-World War II migration out from the city center, it could have been a suburb in Chicago, Cleveland, Denver, or any other American city. Suburban kids learned early that food came from grocery stores and supermarkets. An uncle had a small farm across Lake Pontchartrain, and we visited a time or two. There’s even a picture of five-year-old me on a horse to prove it.

Decades later, I found myself working for a company in the agriculture business. I had one the best jobs imaginable – I gave money away. For years I traveled back and forth across the country, funding programs for wheat growers, corn growers, soybean producers, farm youth, farm broadcasters, and more. I’d visit farms, tour grower associations, and visit research centers. And I’d attend their conventions – in Nashville, Des Moines, Reno, Denver, San Diego, Orlando, Phoenix, and more. Once I was even forced to spend a week – on business – in Honolulu.

I was a latecomer to agriculture and farming, but once I was in it, I learned that farming is something for life. Even when you retire from it, you still pay attention.

Brian Miller came to agriculture considerably earlier. I found his blog, A South Roane Agrarian, through a site called Front Porch Republic. Miller posts weekly about weather, raising cattle, sheep, and pigs, weather, farm life, neighbors, weather, crops, life in rural East Tennessee, family (he’s a southwest Louisiana boy), weather, and more. Oh, did I mention weather? (No one in the planet is more concerned about weather than a farmer. That’s true for every culture, climate, and continent.)

To continue reading, please see my post today at Faith, Fiction, Friends.

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Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of six novels and the non-fiction book Poetry at Work.

 

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