Dancing Priest

Author and Novelist Glynn Young

ACFW

In Praise of Art Museums as Sources of Inspiration

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I’d heard that, as you age, you often become more interested in art. What I didn’t expect was to discover how that growing interest in art would affect my fiction writing.

I wasn’t a stranger to art, but I can’t say it was a major preoccupation, either. I had two semesters of art history in college; I took two, because the same textbook was used for both, and it was more expensive than the tuition. I’m also not an artist.

I know when my connection of art to writing fiction started. It was some 50 years ago. We were young twenty-somethings living in Houston, and we saw two exhibitions at the Museum of Fine Arts. One was the works of Paul Cezanne, and it was stunning. But the one that captured me was “Master Paintings from the Hermitage and the State Russian Museum, Leningrad.” Houston was one of five cities hosting it. 

To continue reading, please see my post today at the ACFW blog.

Painting: Lumpeguin, Cigwe, Animiki, by Anselm Kiefer, from collection of the artist on display at the St. Louis Art Museum.

The Value of Writing Short Stories

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In the seven months since my last novel Brookhaven was published, I’ve been focused on talking about it, writing about it, publicizing it, sending out copies, and all the usual things you do to promote your book. I haven’t done much writing of anything else or anything new. An idea for a new novel has been percolating in my mind, but nothing has seen the light of day.

Yet the desire to write is there; it seems like it’s always there. I’ve had to stifle it a bit to keep focused on marketing Brookhaven. 

I was able to scratch the writing itch by what resulted from a coincidence.

To continue reading, please see my post today at the American Christian Fiction Writers blog.

How My Novel Originated in the Family Bible

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When I was young child, I asked my father what the package was that sat on a shelf in his closet. It was wrapped in brown grocery bag paper and tied with twine. “That,” he said, “is the family Bible, and one day it will be yours.” 

That day came during a visit home to New Orleans about 25 years later. Apologizing for the sorry state it was in, my father thought I might find someone in St. Louis to restore it. Instead, I did the time-honored thing and put in on a closet shelf. I did find a conservation box to store it in, and I did handwrite a copy of the four pages of family records. But it sat on the shelf, just as it had sat before.

But as I studied the family records, I noticed that the entries for births, deaths, and marriages were all in the same hand, presumably that of my great-grandfather Samuel. He’d even signed his name on an inside cover page. Samuel was something of a family legend, a legend which my later research showed was almost entirely untrue. But he’d certainly written all of the entries.

To continue reading, please see my post today at the ACFW Blog.

How a Troublesome Manuscript Was Saved

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Hold on to those unfinished or problematic manuscripts. You never know when they’re due for a rebirth.

You pour everything into creating a manuscript. You type “The End.” You smile and give yourself a well-deserved pat on the back. It’s done. You finished it.

You set it aside for a few days, and then you reread it.

You see a problem, but you know it can be easily fixed. You read on. Another problem, and another theoretical fix. You plow on, right to the end, and you realize what the problem is.

The problem is the entire manuscript. It doesn’t work. It doesn’t tell the story you want told. It doesn’t tell the story the characters want told. And you think to yourself, “All that work. All that work.” 

To continue reading, please see my post today at the ACFW blog.

Photograph by Scott Graham via Unsplash Used with permission.

Research Can Teach You a Hard (if Useful) Lesson

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I learned a very hard lesson while writing a historical novel. I learned how hard it can be, and it’s hard for both the research you do and for the research you have to ignore. 

I’m writing a novel that takes place in two historical periods – the Civil War and its immediate aftermath, and 50 years later, during the run-up to World War I. The story was loosely based on a story handed down in the family about what had happened to my great-grandfather. The emphasis is on the word “loosely,” because the more I researched, the more I discovered that what was passed down as a family story had very little basis in fact.

Because I discovered this about 40,000 words into the manuscript, it stopped me cold. For weeks. I kept hoping I was wrong, but I learned my extended family had two oral traditions about my great-grandfather. And the version passed down to me was the wrong one, or perhaps I should say “more embellished.” It made a great story, but it was flat-out wrong.

To continue reading, please see my post today at the American Christian Fiction Writers blog.

Photograph: Some of the 1,700 Union cavalry troops who rode through Mississippi in 1863 during Grierson’s Raid. 

Why Poetry Can Make You a Better Writer

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Like most of my generation, I read poetry in English classes in high school. It wasn’t until I was a high school senior that I read poetry that stuck in my head. And it was T.S. Eliot’s “The Love Song of J. Alfred Prufrock” and “Four Quartets.” I read poetry in college as well, but my English literature professor gave brutal tests that put me off poetry for years. 

My professional career eventually led me to corporate speechwriting. I enjoyed the work, the executives I wrote for liked what I did, and I had that sense of “this is what I was meant to do.” It was a good friend, one who wasn’t a speechwriter, who suggested that if I were really serious about it, then I needed to read poetry. He sent me three books – the collected poems of T.S. Eliot, Wallace Stevens, and Dylan Thomas. He told me to read them and others on a regular basis.

And I thought, seriously? No speechwriter I knew read poetry regularly. Most then and now would read books about current events, developments in science, politics, and a lot of speeches written by others. But poetry? Really?

To continue reading, please see my post today at the American Christian Fiction Writers blog.

Photograph by Nick Fewings via Unsplash. Used with permission.