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Author and Novelist Glynn Young

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Journalism

The Strangest First Day on the Job I Ever Had

June 3, 2026 By Glynn Young 3 Comments

I felt more than a little apprehension. I was in morning rush hour traffic, driving to downtown St. Louis from the close-in suburb where I lived. It was something of a new experience. I hadn’t driven in rush-hour traffic since leaving Houston 25 years earlier. The apprehension wasn’t about traffic; I had stepped outside my career experience and accepted a job with St. Louis Public Schools. And I was early; the hours were 8 to 5, but I decided to be there by 7:30.

Except for nine months at a newspaper straight out of college, my career had been exclusively corporate communications: employee communications, crisis communications, media relations, environmental communications, and speechwriting. Especially speechwriting. Even for the three years I had had my own consulting business, I worked for companies, doing mostly speechwriting. 

Corporations have their moments of craziness and crisis, but they pale in comparison to urban school districts. And yet, here I was, driving to my first day on the job at the largest school district in the state of Missouri, a district that had been in crisis for years and was now in hyper-crisis. 

An outside management team has been authorized to take over and try to fix the massive problems the district faced – financial, academic, structural. The management team had been tasked with smashing an entrenched bureaucracy, and the bureaucracy – and all the outside people supporting it – was fighting back. 

I was allowing myself to walk right into it. I’d already had the strangest job interview I’d ever had, and now I would have the strangest first day on the job I’d ever had.

Photograph by Charles Deluvio via Unsplash.

I parked in the district’s garage, a short walk across a plaza from the headquarters building. I followed my instructions, introduced myself to the security team at the entrance, and accompanied one of the armed guards to a small room off the lobby, where I had my picture taken and badge created. Then I took the stairs to the second floor, where my office was said to be. Someone directed me toward the side of the building overlooking North 11th Street. The office was quite nice, just like any corporate office, and with a door. It was next to my boss’s office, but she was in an offsite meeting with all the other senior officials. 

The secretary told me that I was supposed to go to Human Resources to fill out the required forms, but she said there was something else I needed to do first. Channel 5 News had asked for an interview about the teachers’ sickout. 

“The teachers are having a sickout?” I said.

She nodded. “I think it has to do with changes to pensions. But they say it’s not a sickout, only hat a lot of teachers have called in sick.” 

I went looking for someone to give me the background and find out what the district’s response was. I found the HR department down on the first floor, but no one there admitted to knowing anything. Someone in the academic department might know something, they said. I started looking around the building. That’s when I began to see some of the changes that had arrived. 

The part of the second floor near my office was empty. There were fully equipped desks in cubicles, with tape dispensers, staplers, paper, and other office supplies, but no people. This had been the 12-member communication department. Now it was me and a half-headcount I hadn’t met yet. The people in Finance couldn’t help. No one in the academic department could say anything, because the top officials were in that offsite meeting. 

The third and top floor was entirely empty except for a broadcast studio; the technician told me he was glad to meet me, his new boss. No one had mentioned that I was responsible for the broadcast studio. I would shortly learn that I was also responsible for the photography studio and archives, housed in one of the schools that had been closed. I found out that day when the district’s photographer showed up in my office to meet his new boss.

Back on the second floor, I stopped by the secretary’s desk to ask a question everyone had been vague about. What was my discretionary budget? She rather cheerfully told me that it it had been close to $1 million, but that had been reduced to $20,000. “But don’t worry about it,” she said. “The $20,000 has already been spent.” 

The budget was zero. My job had become even more interesting.

I finally found someone who knew about the sick-leave policy and the issue, but they would not go on the record and never in front of a camera. I would soon learn that tended to be the official position of virtually everyone who worked for the school district – people universally saw the news media as one-way tickets to dismissal. The person did say the policy was that sickouts were illegal; people participating in them were subject to dismissal. I was warned that the principals would likely protect their staff and deny anyone had called in sick. I tested that with two principals. The assessment had been correct.

As my first hour on the job ended, I walked downstairs and outside to do an interview with Channel 5. Channels 2, 4, 11, and 30 followed. Then the St. Louis Post-Dispatch and the St. Louis American. The St. Louis Business Journal. The Riverfront Times. Several radio stations, including two independents. 

That morning, I learned that I had to help TV reporters find a different location around the building so that televised reports wouldn’t look the same. That, as part of his job covering the school district, the Post-Dispatch reporter possessed and monitored a police radio. (The Post-Dispatch building was half a block away.) That School Board members, administrators, principals, and teachers all leaked like sieves to the media, parents, critics, protestors, and anyone else who’d listen.

Photograph by Scott Graham via Unsplash.

In between interviews, I received my first phone call. It was from the St. Louis Mayor’s office, providing my “suggested” instructions for the day. I would discover that this would happen three or four times a week. The Mayor’s office was not connected in any official way to the school district. I suppose it’s okay to note now that I received my instructions politely and then ignored them. But I appreciated the effort.

By noon, I had a little time to go to HR and fill out my forms. I completed them in a small conference room and returned them to a secretary. It would be weeks before anyone owned up to those forms getting lost. The people involved knew the forms had been lost, but they were afraid to say anything it. I figured it out when I didn’t receive my first two paychecks.

More interviews followed. Lunch that day happened around 3 p.m. when I found a vending machine that I had to get Security to operate because there had been too many break-ins and thefts. Yes, right there in the headquarters building, presumably by people who worked there. What had been the district’s small cafeteria had been closed in one of the restructurings that had already happened.

Toward the end of the day, the secretary brought me a catalog to order office supplies. I mentioned that I’d seen the fully supplied cubicles nearby, and couldn’t I simply take some of what was there? She looked almost horrified. “But don’t you want new supplies?” she said. I said I would scavenge first, and if I needed anything else, I’d let her know. She looked at me like I was a graverobber.

By 5 p.m., I was exhausted. The administrators had all returned from the offsite meeting, and I was able to greet several of them, including the acting superintendent, the man who’d yelled at me in the interview. He had a small team of two or three people he’d brought with him; one of them would become an island of sanity in what was clearly the craziest workplace I’d ever walked into.

If I’d only known what was ahead, I might not have come back after what had been the stranngest, most hectic first day on the job I’d ever experienced.

Related: 

The Strangest Job Interview I Ever Had.

Top photograph by St. Louis Public Schools.

The Strangest Job Interview I Ever Had

May 27, 2026 By Glynn Young 1 Comment

I was cleaning out some old files when I came across a small blue address book – the kind we used before iPhones had contact lists, or even before we had iPhones. It dates from 2003. When I looked at the listings, I realized I was holding an artifact of my career.

Between October of 2003 and May of 2004, I was Director of Communications for St. Louis Public Schools. The school district, with many of the problems of an urban school district, had been in upheaval since June. A reform board had been elected, and it had promptly hired an outside management firm from New York to design and implement a total overhaul. It wasn’t a simple reorganization; instead, think Elon Musk’s Department of Governmental Efficiency without the charm.

On its first day, the outside firm discovered that the district wasn’t technically, but actually, bankrupt. Suddenly, change came. Schools were closed and consolidated. Hundreds of staff positions had been eliminated. Operations were outsourced. Chaos and protests were the watchwords. As in, daily chaos and protests.

I was distanced from all of it. I was working from home in a St. Louis suburb as a freelance consultant, having been one of many white males in their late 40s or early 50s who’d been downsized. I saw the newspaper stories, but they didn’t affect my kids, my school district, or my world.

But they soon would.

Photograph by Nicola Tolin via Unsplash.

By September, the chaos in St. Louis Public Schools had intensified. Layoffs were continuing. Board meetings had to be held in the largest school auditorium available, one that held 400. Another thousand would be outside, unable to get in. Arrests during board meetings were not uncommon.

That month, a friend called me. At least, I think he was a friend. He sent me a job posting – Director of Communications for St. Louis Public Schools. The former director had resigned, and the district was looking for a replacement. The previous position had managed a team of 12. The new position managed a team of one-half person, which provides some idea of how extensive the downsizing had been.

When I read the listing, I called the friend back. And I laughed. “You can’t be serious,” I said. But he was, explaining that the district desperately needed someone who could talk with opponents and protesters like they were real people and would be unflappable in the fact of hundreds screaming at you. He said I had that exact experience, reminding me of the time with a previous employer that I’d had corporate security keeping my house under surveillance because of threats from people associated with a Greenpeace protest. 

We talked some more. I said I’d think about it. I did. And then I did something that most people would consider stupid. I filled out the application and sent it in. I had zero experience with working for a school district.

And heard nothing. For weeks. 

I’d almost forgotten about it when a district secretary called and told me the interview was set for a day the following week at 9 a.m. I was to park in the district’s headquarters parking building and give my name to the security officers at the entrance.

And thus began the strangest job interview I have ever had.

But before the interview, another friend called and asked a strange question. Was I applying for a job in the St. Louis mayor’s office? When I said no, but I had applied for the school district job, he simply said, “Ah.” He told me that a consultant to the mayor had been calling around and connected to him, looking for background on me. The weirdest thing he’d been asked was if I attended church, and if so, which one. He happened to know, and he provided the information. 

The mayor’s office was closely, if unofficially, tied to what was happening in the school district.

The interview day arrived. I drove to downtown St. Louis and parked. I gave my name to the security officer. I was escorted to a conference room to wait. With nine other candidates for the job.

Ten of us. Not only was I the only white male in the room, but I was also the only male. I was wearing a suit. I smiled and told the others hello. No one spoke. They stared at me like I was a triceratops that had accidentally wandered in from the street. 

One by one, we were called to the interview in another nearby conference room. The intervals between each varied, from five minutes to 25. You could almost guess who was getting the most favorable reactions by the length of time that passed. 

I was the last to be called.

Photograph by Michael via Unsplash. 

Waiting in the conference room were the lead for the management team, who was serving as acting superintendent; one of the team associates; and a vice president who was the theoretical manager for the communications function. She would be my boss, if I got the job. 

For about 10 minutes, the interview questions were perfunctory. Tell us about yourself. What would you consider your greatest achievement. Your biggest failure. Your background. A couple of questions about specific things on my resume.

I could tell the acting superintendent was getting antsy. He was seated to my left, and the other two interviewers were next to each other on my right. He was fidgeting, almost like someone who couldn’t keep still (my oldest son was like that; I recognized the behavior). Suddenly, he cut off a question from across the table, stood, and almost exploded as he shouted.

“Why the hell would you want a job like this?”

The room went silent. The other two looked down, as if this was and wasn’t a surprise. 

For a moment, I said nothing. And then I said, “Because you need me.”

Whatever he expected me to say, that wasn’t it. He looked surprised and then sat down. I went on to explain that the protests were unlikely to stop, and the district needed someone who could deal with that. They needed someone who was comfortable in front of a news camera. They needed someone who understood internal as well as external communications. And they needed someone who would treat critics and protesters with respect and empathy. 

They listened, asked a few more questions, and the interview ended. I drove the 16 miles home, finding my wife waiting in the driveway. A member of the school board and former St. Louis mayor had called, and I was supposed to meet him at his office now. I turned around and headed back toward mid-town St. Louis. 

Photograph by Shaver IK via Unsplash.

The office was in a building near the St. Louis Symphony; I parked in the symphony’s parking lot and made my way to the top floor of the building next door. It was lunchtime, and the offices and desks were empty. I could hear a voice down the hall and followed the sound.

The man was on the phone and waved me into the office. He handed me a binder, indicating that I should start reading it. It was a report on the problems in the school district, and it was about two inches thick. When he finished his call, he turned to me and said, “Tomorrow, I need you with me at a meeting with a group of teachers from the high school. It’s at 4 p.m., and about a dozen people will be there.” The meeting would be at an Italian restaurant in the part of St. Louis known as the Hill, still a largely Italian American area (Joe Garigiola and Yogi Berra grew up there). He continued talking while I wondered whether the teachers’ meeting was part of the interview process.

As he talked, I began to realize that this wasn’t an interview; I was getting my first assignment. I finally asked, “I’m assuming I’m hired?”

He waved almost impatiently. “Yeah, yeah, we’ll work out the other stuff like salary. Just be there at 4.” And with that, the conversation was over.

And that is how I was hired as Director of Communication for St. Louis Public Schools. I didn’t know the official start date, my salary, benefits, or anything else. But I was hired.

Top photograph by Chelaxy Designs via Unsplash. Used with permission.

How a Book Inspired a Character

August 13, 2025 By Glynn Young Leave a Comment

I was struggling while I was writing the manuscript of what would become Brookhaven. I was up to my eyeballs in research; I had the overall story arc in my head. I knew it would be 1915, and the character of Sam McClure would be explaining his life during the Civil War.

I had one problem.

What would he be telling the story in the first place? Why would he be recounting both what he had previously told his family and what he hadn’t told them? I knew that in the 1890-1920 period, memoirs of the Civil War were a major genre of autobiography, but this wasn’t a case of Sam writing his story or dictating his story for it to be published as a memoir. The whole idea was him to tell the story not as it happened or chronologically, but how different events of the war shaped the rest of his life.

Bah, humbug. 

I happened to be reading a biography of a woman journalist. Entitled Newspaperwoman of the Ozarks: The Life and Times of Lucile Morris Upton, it has been written by Susan Croce Kelly, herself a former journalist at the now-shuttered St. Louis Globe-Democrat.

Susan and I had met (I can’t believe it’s been this long) some 45years ago, when we both worked in public relations. In fact, we were in the same speechwriting department for a few years. Another speechwriter in the group named Jim Fullinwider and I had lived through a book she was writing at the time, Route 66: The Highway and Its People. She used weekends and vacation time to travel the length of the old Route 66, at least where it still existed. 

The highway started in Chicago and end in Los Angeles, and it was the stuff of legends. It still is today. Jim and I would sit in Susan’s office on Monday mornings, listening in wonder as she told of her weekend Interviews. She’s a born storyteller, and she was telling us stories that we and most other people had never heard before. In 2014, she published her second book, Father of Route 66: The Story of Cy Avery. 

As I was struggling with myself over my own novel, I glanced at the cover of her Lucile Upton book. And I thought. If I went back about a decade in time from the photo of Lucile Upton, I would see the fashions of 1915. (I can’t explain why that thought occurred; it just did.)

Eureka! That was it. Sam McClure would be telling his story, shrouded in mystery still unsolved 50 years after the war had ended, to a newspaperwoman. And her story would turn out to be entangled with his. 

Elizabeth Putnam was born. Headstrong journalist, determined to make her way in what had been a man’s world, not intimidated by what others thought, passionate about women’s right to vote as a first step, and hoping to be sent by her New York newspaper to cover the Great War in Europe.

That’s when I rewrote the beginning of Brookhaven. And that’s when I started rewriting the entire manuscript. Because Brookhaven was never meant to be a story of only the Civil War; it was the story of how a war changed lives and a culture, and how it continued to do that. 

You might say I owe Lucile Morris Upton and Susan Kelly a debt of gratitude. They both helped me tell a story.

Related:

Newspaperwoman of the Ozarks by Susan Kelly.

Top photograph: Lucile Morris Upton about 1915. She would be about six years younger than the character of Elizabeth Putnam in Brookhaven.

The Journalists’ Prayer

October 30, 2024 By Glynn Young Leave a Comment

St. Bride’s Church in London’s Fleet Steet is known as the “Journalists’ Church.” The church and the area around it have a long history with writers, publishing, printing, and newspapers. But it’s history – the newspapers that once occupied the buildings of Fleet Street are long gone, absorbed into other newspaper or moved to other locations.

British journalism grew up here for a simple reason: the first printing press with moveable type was brought to the area in 1500, and the printing (and later the newspaper business) grew up around it. But a church had occupied the site since about 500 A.D.; the current St. Bride’s was completely rebuilt in the late 1950s to restore what had been destroyed during the German Blitz of December 1940.

A nearby building which once housed the Sunday Telegraph.

The church has seen its fair share of famous purposes. Samuel Johnson lived across Fleet Street; John Milton at one time lived in the churchyard; Samuel Pepys was baptized here; the 18th century novelist Samuel Richardson was buried here; and Charles Dickens lived for a time in the parish (we forget that Dickens started his writing career as a reporter). 

On a recent visit to London, we visited St. Bride’s and its crypt during one of the two London Open House weekends. When it was restored, it was rebuilt with all its former Christopher Wren elegance. The church’s interior is simply beautiful. 

The crypts below the church are another story altogether. Over the centuries, they had been forgotten and buried; they were rediscovered after the German bombing. You can see part of a Roman building foundation, a small medieval chapel; and the area where hundreds of people were buried (the nameplate for Samuel Richardson’s coffin is on display). 

Placed around the church proper are various plaques, listing the names of journalists killed in World War I, World II, Iraq, and other conflicts. And many of the seats have nameplates in memory of journalists; I sat in the one bearing the name of Malcolm Muggeridge, a journalist well worth knowing about and reading.

What struck me most profoundly was a polished stone sheet bearing “The Journalists’ Prayer.” The words are attributed to St. Francis de Sales (1567-1622), the patron saint of Catholic writers and journalists. While St. Bride’s directs them to journalists, the words could apply to writers in general, and more generally to anyone who works. But I read those words, and I felt the gap between them and me. The prayer is something that writers, and especially Christian writers, can aspire to.

The Journalists’ Prayer

Almighty God,
strengthen and direct, we pray,
the will of all whose work it is to write what many read,
and to speak where many listen.
May we be bold in confronting evil and injustice,
and compassionate in our understanding of human weakness,
rejecting alike the half-truth that deceives, and the slanted word that corrupts.
May the power that is ours, for good or ill,
always be used with respect and integrity;
so that when all here has been written, said, and done,
we may, unashamed, meet Thee face to face,
through Jesus Christ our Lord. Amen.

Related: 

Footsteps at St. Bride’s. 

Top photo: The Journalists’ Prayer inscribed stone in St. Bride’s Church, Fleet Street. Below, the church’s famous tiered steeple of St. Bride’s, the inspiration for wedding cakes everywhere.

Footsteps at St. Bride’s

October 16, 2024 By Glynn Young 1 Comment

During a recent trip to England, we took advantage of our trip coinciding with London Open House, two successive weekends where citizens and tourists alike can view many buildings usually closed to the public, or take walking tours, or get behind the scenes views of many places that are open to the public. 

One of the places we visited was St. Bride’s Church on Fleet Street, known as “the journalists’ church.” Fleet Street as the home to Britain’s big newspapers is a memory; the newspapers and the journalists moved to other parts of the city decades ago. But St. Bride’s remains, and it’s still known as the place where journalists worshipped. 

A church has stood on this spot since the late Roman / early Briton period. It gets its name from St. Bride, or Bridget, a nun who lived in the late fifth century but who may never have visited London or England.  Several church buildings have been erected on the site. The old medieval church was destroyed in the Great Fire of 1666 and then rebuilt by Sir Christopher Wren. It was destroyed again, on December 29, 1940, during an incendiary raid by German bombers. But it was rebuilt as close to the Wren building as possible and reopened in the late 1950s.

It’s a beautiful church. We were able to descend through 2,000 years of history to see the crypt, with its old Roman wall, the nameplates found on old coffins, and two chapels, including a small medieval chapel whitewashed and made into an intimate worship space. 

I had some to time to sit in that chapel, and I did. And it was there that I thought I could hear footsteps above and around me. 

Footsteps at St. Bride’s

I hear footsteps here, overhead
and around, echoes of Celts.
and around. echoes of Celts
and Romans, Britons and
Saxons, Vikings intent on loot
and pillage. And the builders
and architects, bricklayers
and monks, whispering of
the Irish saint inspiring it
all. Footsteps become
louder, years passing,
building and tearing down,
rebuilding and reconstructing,
and footsteps running,
accompanied by screams
and the roar of fire. And more
rebuilding, with the Architect
himself stacking the spire
like tiers of wedding cake,
standing in splendor over
the newspapers of growth
and empire so pervasive they
defined generations. I hear
more footsteps, first those
running from the bombs and
then those running to fight
the fire, but above me is ruins.
Yet new architects and
new builders return, workmen,
intent on recreating what
was once there. Newspapers
move on, but the footsteps
remain. They never go away.

The Major Lesson of Five Decades of Writing

April 3, 2024 By Glynn Young Leave a Comment

Looking back at five decades of writing, I can say with certainty the major lesson I’ve learned. I was reminded of it while I was reading Writing Better Fiction by Harvey Stanbrough. This is about as no-nonsense, straightforward, this-is-how-it-is discussion of writing that I’ve ever come across. And most of it applies to non-fiction as well as fiction.

In other words, I recognize what he talks about. Fully recognize it.

The major lesson: Writers write, no matter what.

You may be sick. You may have 67 other priorities and pressing demands. You may stare dully at a blank page or screen without having a single thing to put down. You may hear the chorus of constant critics, including your own internal voices. You may watch others write something seemingly effortlessly and wonder why that never happens to you. Twice a day might be tempted to pack it all in and walk away, forever.

But it still comes down to this: writers write, no matter what.

I’d like to say it gets easier, and it does, in a sense. Like anything else, the more practiced you become, the better you get at it. What’s different about writing is that every article, every story, every poem, every novel, and every book is its own singular act of creation. Which means that, each time you write, you’re doing something altogether new.

I learned this lesson early, without realizing it. I was a reporter for my college newspaper, and I had a fair number of stories already under my belt, the result of a semester and a half of reporting. The story was the University Court deciding whether a candidate for student body president had violated the election rules. The session, held a few days before the election in a room in the student union, went late into the night. The editors were (impatiently) waiting for the story; they wanted to go home. It was a big story; the candidate was the favored winner.

The comment session ended; the court retired into deliberation. It was getting close to midnight. I found a pay phone nearby (no mobile phones in those days) and called the editor who said she hoped I had most of the story already written (this would have been by hand; no laptops in those days). The court returned and announced a non-decision. The candidate was outraged and demanded a yes-or-no answer. Back into deliberation they went. 

LSU’s newspaper some 13 years before my time

I sat in a chair in the meeting room, writing the story by hand. I guessed what they outcome was going to be, because it was clear that the candidate had indeed violated the rules. And then we all waited. For an hour. I kept tinkering and editing the story, knowing my editors were going nuts, because I still had to type the thing. 

Right at 12:30 a.m., the court read its decision. I’d guessed right. I waited just a moment for the explosion from the candidate (now former candidate) and then ran (I did not walk) the roughly three blocks to the Journalism building. I shouted the decision at the editor and sat down to type like a crazy person. I’d type two paragraphs, and she’d grab the page from the typewriter as I typed the next two paragraphs.

Somehow a coherent story emerged. Nobody said thanks, or good job, or good story, or anything else. I watched the editing and the finishing of the front-page layout. I was asked to check the headline for accuracy. And then it was rushed off to the back shop six blocks away for typesetting. I also had to indicate what could be cut if space was too tight. I got back to my fraternity house (where I was living) about 2 a.m., only to discover half a dozen people waiting for me to return, because they wanted to know what the outcome had been.

Under horrendous deadline and pressure conditions, the writer wrote. 

And it wouldn’t be the last time.

Top photograph by Nik Shuliahin via Unsplash. Used with permission.

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Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of six novels and the non-fiction book Poetry at Work.

 

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