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Author and Novelist Glynn Young

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Sometimes Fiction Imitates Life

July 24, 2024 By Glynn Young 2 Comments

You read a book like A Place on Earth by Wendell Berry, and you’re reminded of your own family and where you came from. Characters like Burley Coulter and Uncle Jack seem to be almost lifted wholesale from what I remember of many of the “characters” I knew as a child.

My father’s family lived mostly in the Shreveport, Louisiana, area, with a much larger group in Brookhaven, Mississippi (it was my grandfather who would wander away from Brookhaven and settle first in central Louisiana, in a town called Jena. He was working as a surveyor for a railroad company, and he lived in a boarding house operated by my great-grandmother and his eventual mother-in-law. 

My father and his three sisters were all born in Jena but had moved to Shreveport by the late 1920s. Rubye was the oldest, followed by my Aunt Myrtle, my father, and my Aunt Ruth. There would have been an Aunt Elouise, born two years before my father, but she died the same year my father as born.

Each summer, from the time I was 8 to about 13, I would fly to Shreveport to spend a week with my grandmother. My grandfather had died when I was nine months old, so I never knew him. My grandmother lived across the street from my father’s oldest sister (and the family’s firstborn) and her husband. Aunt Rubye and Uncle Revis were responsible for some of my most vivid memories of Shreveport.

Both were “characters,” Aunt Rubye only slightly more staid than Uncle Revis. She was famous for her looks of disapproval and her biscuits. He wore a cowboy hat and drove a gigantic Dodge that was a faded pink and only slightly smaller than an ocean liner. My grandmother usually ate her lunch and dinner with them, which meant I did, too, when I visited. My visits usually coincided with harvesting the acre of vegetable gardens they had behind their small frame house. I learned to dig up potatoes, pick corn (and when to know it was ready), pick green peans (and help shell them; no body ate for free). 

The Lennon Sisters

Saturday evenings were devoted to watching the Lawrence Welk Show on television. I wasn’t a particular fan, but the best part was the running commentary on the individual acts from Uncle Revis. My favorite part was when the Lennon Sisters performed. You would hear my uncle begin to mutter until he couldn’t stand it any longer. He’s shout “Ignorant!” at the television set. “They’re ignorant1” My grandmother would smile, my Aunt Rubye would roll her eyes, and I’d go off into gales of laughter. I suspect that his commentary was for my benefit and amusement.

He’d let me tag along with him when he ran errands. He always seemed to have a pipe in his mouth, even when he wasn’t smoking it. We’d go tooling all over Shreveport in that big Dodge. I’d go with my grandmother when she had errands to run as well. She drove a black 1940 Ford that always, always was breaking down, usually in a part of town you didn’t want to break down in. I met the most interesting people because of that car’s problems.

Uncle Revis hated one thing even more than the Lennon Sisters. 

Cats. 

When I was about 10, I was sitting with him on the back steps after dinner. For whatever reason, we had no garden duties that might. It was one of those beautiful Southern summer evenings, still light. He was smoking his pipe, and he was talking about his favorite writers, of which James Michener was No. 1 on the list. Suddenly, he grabbed a rifle from behind us (which I didn’t know he had at hand) and fired off a shot at the fence between his yard and the neighbor’s house next door. A cat went flying in the air. 

The next-door neighbor loved cats, with at least a dozen and often more roaming around. If they stayed at the neighbor’s house, Uncle Revis would have been fine. But, as all of them were outdoor cats, they roamed the outdoors. And they seemed to know that Uncle Revis didn’t like them. All the more reason to visit.

Aunt Rubye came flying on to the back porch, shouting at my uncle. This might have been Shreveport in the 1960s, but firing a firearm inside the city limits was something only the police could do. But that wasn’t Aunt Rubye’s issue. 

What she was upset about was the reaction from the neighbors. As it turned out, they were their son’s in-laws. And they might, she said, breathing fire, think it was an insult aimed at them.

“Well,” Uncle Revis said, “they’d have to be pretty smart to figure that out. That won’t be a problem.”

Uncle Jack and Burley Coulter up in Port William, Kentucky would be proud. Yes, sometimes fiction does indeed imitate life.

Top photograph: My father and my Aunt Ruth in Jena, Louisiana, about 1923.

It’s Take Your Poet to Work Day

July 17, 2024 By Glynn Young Leave a Comment

Today is Take Your Poet to Work Day at Tweetspeak Poetry, and the site has a raft of resources to help you do that. The celebration of poetry and work has been going strong for more than a decade, and I’ve been an enthusiastic participant from the get-go. I even wrote a small book, Poetry at Work, on finding poetry in all aspects of work.

When I still had an office (or a cubicle), I’d pick a poet and bring him or her to work on the designated day in July. Typically, I’d bring my longstanding favorite poet, T.S. Eliot.

Ten years ago, I was preparing to give notice of my intended retirement from work, which I did in September of 2014. I officially retired in May of 2015. It was early, but it was time. Enough said.

I did some freelance work for a time and was even called back to the company for a three-month assignment in 2018. But “work,” if you define it as something like an eight-hour-a-day job, was over in 2015. 

But I still work, mostly with my own writing. And I still bring my poet to work.

For the last three to four years, that poet has been Henry Wadsworth Longfellow (see lower right-hand corner of photo). Longfellow has accompanied me on a writing project, serving as guide, resource, break from the pace, and sometimes even reality check. I read his works in three different editions – an 1898 “complete poems” edition by Houghton Mifflin, a 1944 edition published by Illustrated Modern Library, and a 2000 edition of his poems published by Library of America. I also used Nicholas Basbanes biography, Cross of Snow: A Life of Henry Wadsworth Longfellow (2020) as a resource.

As I read, researched, and wrote, Longfellow was along for the ride, so much so that, while he didn’t become a character in my story, he did become a presence and an influence on one of the principal characters. If the character recited The Courtship of Miles Standish or Poems on Slavery, I’d stand and read them aloud as well.

I was not only taking Longfellow to work, I was also putting Longfellow to work and working alongside him. I’ll have some news about the final result in some weeks, but Mr. Longfellow may be getting his due.

You don’t have to write a novel to take your poet to work. You can read a poem aloud to yourself or others. You can stick a poem on your bulletin board. You can memorize poem or recite one while you’re doing garden work. Over the years, some have gotten rather elaborate in their efforts, including doing poetry readings at work.

What I discovered was that, even simply reading a poem in the office to myself, my understanding changed because the place provided a different context. 

For resources, tips, and background on poets (including ones you can color like Longfellow), head on over to Tweetspeak Poetry and take your poet to work.

Top photograph: Henry Wadsworth Longfellow in old age.

Remembering the Journey

July 10, 2024 By Glynn Young Leave a Comment

A Brookhaven Short Story

When he looked back on that time, he could see the first days were the easiest, if also the most frightening. And more dangerous days were to follow.

Like hundreds and thousands of others, he walked home from the war, home from defeat and surrender. Glory was long gone, erased in places with names like The Wilderness, Spotsylvania Courthouse, Petersburg, and Appomattox.

The road he took began in Virginia. It ended more than 900 miles later in Mississippi, and home. The camaraderie he’d experienced with others walking home disappeared three days into the journey, when he discovered he’d been left behind. Alone, he walked the often-deserted roads, asking the occasional fellow traveler the direction and the next town.

The woods he passed through were often thick, untouched since forever, he thought, dense forests of pine, oak, and elm. When he could, he traveled through trails in the woods that followed the roads. He liked the silence of the trees and undergrowth; he also liked the safety they afforded, unlike the open road.

He also liked the shift from woods to farmers’ fields, most of which were untouched because the men were gone to war. Or gone from the war.

He’d gone about a hundred miles, he reckoned, based on what other travelers told him, when the walk changed to a ride. He’d gotten a feisty stallion and a wagon drawn by two draught horses. But there had been a tradeoff. With the wagon and the horses came a freed slave woman and her two children and a dead planter’s teenaged daughter and her young cousin. He’d probably never understand why he agreed to see them southward, but he had no regrets.

By necessity, homeward progress simultaneously quickened and slowed. The horses made for faster travel; the women and children did not. He’d quickly learned that their needs were always more complicated than his own and required frequent stops. Progress had been further slowed by rain, bandits, and measles.

He’d just turned 15, a war veteran with two years’ experience. His traveling companions made for conversation, but the responsibility for the five lives terrified him. When he felt most afraid, he’d focus on the road. The woman and the girl had no inkling of his fear; they thought him moody and melancholic.

He led them through rain and flood. He protected them from the evil roaming the roads, evil that was all too common, sometimes predators preying on people just like themselves and sometimes desperate people doing desperate things. They had all seen death and destruction, often so bad that even the children stopped talking. 

But he’d seen them all safely home.

He thought he knew the reasons for their success, the reasons they’d survived. He’d trusted the good Lord to watch over them all. And he trusted his determination to do this thing, to see the journey through.

Related:

“Christmas Oranges,” a short story at Cultivating Oaks Press.

“Encounter in the Woods,” a short story.

Top photograph by Lukasz Szmigiel via Unsplash. Used with permission.

A Year Away from Twitter / X

June 26, 2024 By Glynn Young 5 Comments

Twitter was the first social media platform I joined, way back in 2008. I was far from being an early adopter, but I was one of the first people at work to sign up.

Even that early, you could see the enormous potential for good and bad that a social media platform like Twitter could have. What we know as cancel culture developed early.

From 2008 to 2023, I had a consistent strategy in how I used the platform. I tweeted positive stuff. I didn’t engage in politics or controversies. I highlighted good things people were doing or writing. And I have to say I was steadfast from the beginning to the end.

At one point, Twitter changed its algorithm, and I discovered my account had been suspended, caught up in some automatic change (I wasn’t alone). But I had a friend who had a friend who knew someone who was a developer at Twitter, and within about two days, my account had been restored. The suspension had been a mistake by the design of a heavy-handed algorithmic change.

That was then. Elon Musk eventually bought Twitter and fired a whole bunch of people. If your account got suspended, you were going to have to deal with algorithmic bots, and a bot is never wrong. 

I was continuing on my merry way, when, on June 12 of last year, I discovered my account had been suspended. I appealed. Several times, in fact. The length of the reviews of my appeals could be measured in nanoseconds. My remaining option was to write a letter to Twitter / X headquarters in San Francisco.

And I said to myself, “No. I’m done. I am not going to waste my time on a letter that will likely be trashed before anyone reads it. I’m done with Twitter.” And I walked away.

I have not regretted my decision. Not at all. 

Here’s what has happened because of that.

I have more free time. Like up to 90 minutes a day.

The craziness that the platform has always embraced is gone, leading to a quieter life. 

I began to add links daily to my blog for interesting articles, stories, and poems that people might like to read.

My time on Facebook and Instagram has decreased as well. I haven’t increased my time on LinkedIn.

I’m writing more. I’m writing better. 

Substack has become a more important social platform for me. I don’t have a column or site on Substack, but I follow favorite authors, writers, photographers, and artists, and it’s all positive. Negative stuff can creep in, but I ignore it or unfollow the account. 

I also discovered that journalism is still being practiced in the United States, at least on Substack. 

I miss the people I regularly communicated with on Twitter, including a lot of poets. Tweetspeak Poetry, the site I write weekly for, was born on Twitter. We hosted numerous poetry slams with the use of Twitter hashtags, but that’s long in the past. You might say Tweetspeak outgrew Twitter, or it grew in a different direction (Tweetspeak is celebrating 15 years this year.)

Overall, the suspension of my Twitter account has been a good thing. I could have created a different account and started over, but I decided it wouldn’t be worth it. 

I got some of my life back, and I’m going to keep it.

Top photograph by David Paschke via Unsplash. Used with permission.

The Unexpected Ballerina

June 19, 2024 By Glynn Young Leave a Comment

The summer issue of Cultivating Oaks Press is live online, and the theme is courage. It includes a short story I wrote, “The Unexpected Ballerina.” The issue is chock full of articles, poems, photography, and more by Annie Nardone, Junius Johnson, Maribeth Barber Albritton, Amelia Friedline, Kris Comely, Justin Lee Parker, Amy Wevodau Malskeit, Rob Jones, and more, under the general editorship of Lancia Smith. It’s a wonderful issue.

How I Came to Social Media

June 19, 2024 By Glynn Young 4 Comments

It was work that originally led me to sign up for Twitter and other social media platforms. For a number of years, social media became my work. Even when I retired, I was still managing the company’s social media platforms.

From 2003 to 2004, I spent nine months working in communications for St. Louis Public Schools, which was in dire straits. Enrollment had declined to an official 40,000 from a peak of about 100,000, and the district was still operating school buildings, a headquarters building, and an administrative staff that supported a 100,000 enrollment. A management firm was hired by a reform school board to take over and do the painful stuff that had to be done. The management firm was in place all of two days when it discovered that the district was bankrupt.

The firm wielded the ax. School buildings were closed. The central administration was slashed to the bone, and even some of the bone was removed. The communications staff was reduced from 13 positions to one half of a person. 

I was hired at the tail end of the staff reductions, but more turmoil was ahead. The total communications budget was $20,000 (down from $1 million), and it had been spent by the time I arrived in October. We had a web site in dire need of overhaul. We had constituencies that had to be communicated with. Protests were daily. I wasn’t in my office five minutes when I was informed that the media had gathered, waiting for a statement on the wildcat teacher sickout. (Fifteen minutes after that, I was making a statement in front of the assembled reporters from newspapers, television, and radio.)

We did the only thing we knew to do. We went electronic, including a variety of email newsletters. They were designed carefully and with a lot of forethought. In fact, given how intensely disliked the management firm was, we prominently displayed “Not for External Distribution” at the top of the newsletter for administrative staff and school principals, knowing full well that it would be immediately forwarded to news media, friends, protest groups, and everyone else. It might have been one of the most effective communication tools the district had at the time – the internal newsletter we hoped everyone would leak.

This was the time when I discovered message boards and other kinds of communication tools that were being used by people opposed to what the district was doing (leaking worked both ways). 

Totally unrelated to what we were dealing with was a student up at Harvard who was setting up a dating site called Facebook. And a guy born and raised in the St. Louis area was working on a micro-media tool that eventually became Twitter.

I went back to the corporate world which, I discovered, was unaware of the existence of electronic communications outside pre-approved programs blessed by the IT department. I’d been hired specifically to deal with a bankruptcy issue affecting the company, but questions were arising about what people could see was happening online. When our department boss asked at a staff meeting if anyone knew what a blog was, people looked at each and shook their heads. I was more than familiar with what they were because of my experience with the school district. I explained what I knew. I became the immediate in-house expert.

Twitter launched in 2006, and I held off signing up until I could see what implications it might have for the company. In 2008, I signed up, embarking on the wild roller coaster ride that social media had already become. I joined Facebook a week later, and not long after I started my own blog, in addition to one for the company.

Next week: A Year Away from Twitter / X

Top photograph by Sara Kurfeß via Unsplash. Used with permission.

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Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of six novels and the non-fiction book Poetry at Work.

 

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