• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Dancing Priest

Author and Novelist Glynn Young

  • HOME
  • BLOG
  • BOOKS
    • Brookhaven
    • Dancing Prince
    • Dancing Prophet
    • Dancing Priest
    • A Light Shining
    • Dancing King
    • Poetry at Work
  • ABOUT
  • CONTACT

Glynn Young

Meeting with a Monthly Book Club on “Brookhaven”

April 2, 2025 By Glynn Young 4 Comments

Last week, I sat with seven or eight members of a local St. Louis book club. I was there at their invitation to discuss my historical novel Brookhaven, which they’d chosen for their monthly reading. I was there to talk about the book and answer their questions.

The hostess was more than knowledgeable about the Civil War, having an ancestor who served on the Union side. She even had his picture and other memorabilia. Her husband had an ancestor who published Origins of the Late War in 1866.

As usually happens when you talk with engaged and knowledgeable readers – really engaged readers – you’re the one who comes come away with a new understanding of your own work. 

Brookhaven

What was the inspiration for the story?

My family history, supposedly passed down from my great-grandfather Samuel Young, who was a Civil War veteran. The family story was that he was too young at the start of the war, so he became a messenger boy. At the end of the war, he had to make his way home on foot from the Eastern Theater to southern Mississippi. 

What a great story!

As I discovered in the middle of writing Brookhaven, it was also untrue. Completely. I had to piece together the real story from U.S. Census records, family memories from another branch, old military records, and the family Bible. The received story was so untrue that I suspect someone was pulling someone’s leg, or the story was artfully embroidered by people who weren’t there. My father, for example, said that we came from a long line of shopkeepers who never owned slaves. The census records tell a very different story. We came from a long line of farmers who had indeed owned slaves.

Women’s fashions in 1915

Any other inspirations for the book?

In early 2022, my wife found a reference to a book conserver in St. Louis, and I turned over the family Bible to repair what could be repaired. He did a great job; he also found a lock of auburn hair in the Bible. Given that all the recorded family records were in my great-grandfather’s hand, the lock likely belonged to my great-grandmother Octavia. She died at 44; my great-grandfather never remarried even though he was 43 when she died and lived until he was 75. That lock of hair and his remaining a widower told me there was a love story here.

How long did it take to write Brookhaven?

The writing itself took about eight months, but it wasn’t a solid eight months of non-stop writing. The research took considerably longer; I started reading about the Civil War in 2016, I think inspired by the red-blue divide that was just beginning to rage in contemporary America. The emotions aroused today are not unlike the emotions aroused prior to the Civil War, although the reasons were and are considerably different.

And the story is not just about the Civil War, of course, because it’s actually set in 1915, fifty years after the war ended. So that required two research efforts, like the clothes men and women wore, the kinds of automobiles driven, what you would see at county fairs, whether indoor plumbing was available in small-town Mississippi, and a whole lot more. One historical fact I learned that becomes a small part in the story was that Brookhaven in the 19th and early 20th centuries had a large Jewish population, unusual for a small Southern town.

Men’s fashions in 1915

How do you write? Do you have a set time each day?

My wife will tell you that I’m always writing, even when I’m not. Brookhaven was written in the mornings, afternoons, and evenings. The manuscript came with me when we spent three weeks in London in 2023, and I worked on it there and on the plane both ways as well. When I’m not sitting in front of the desktop or laptop, I’m often writing and rewriting in my head, like when I take long walks.

Do you write from an outline or plan?

No. I write from an idea in my head, but not from an outline. There’s a phrase for it, “writing into the dark.” When I start writing, I don’t know how the story is going to end. One of the main characters, the young reporter Elizabeth Putnam, was a relatively late addition to the story, because I kept stumbling over the need for a reason that the story was being told 50 years later. It was another main character, Sam McClure the Civil War veteran, who looked me in the eye one day and said, “You know, you really need a reason for this story being told in 1915.” Writing into the dark mean you learn to trust your characters. I know it sounds bizarre, but that’s how I write.

Related:

Research for a Novel Upended a Family Legend.

7 Tips for the Novice Historical Writer – Learned the Hard Way.

How My Novel Originated in the Family Bible.

Relearning Civil War History to Write a Novel.

10 Great Resources for Teaching the Civil War.

Top photograph: The Brookhaven, Miss., train station about 1915.

10 Great Resources for Teaching the Civil War

March 6, 2025 By Glynn Young Leave a Comment

I was drafting and researching what would become my historical novel Brookhaven, and I looked at the census records for Pike County, Mississippi. I’d been having trouble finding my ancestor Samuel Young listed anywhere in Confederate rosters. The only one clue I’d previously found was a listing for S.F. Young, who joined a Mississippi rifles unit late in the Civil War and was sent to Texas. And I thought the census record might have another name by which he was known.

I found the list of Youngs. And the family I’m looking for. There he was – Samuel F. Young, age 13. My eye traveled up the list to his father, Franklin. And the occupation listed was farmer. The same occupation was listed for Samuel’s two older brothers. 

Something was wrong. 

To continue reading, please see my post today at Tweetspeak Poetry.

Photograph: The 1885 (first) edition of The Personal Memoirs of Ulysses S. Grant.

Relearning Civil War History to Write a Novel

March 4, 2025 By Glynn Young Leave a Comment

This image has an empty alt attribute; its file name is Butler.jpg

I was born and grew up in New Orleans, a city saturated with French, Spanish, American, and Black American history and culture. Louisiana law wasn’t based on English common law but upon Napoleonic Code. Counties are called parishes. Mardi Gras was an official holiday.

The state was, and to some extent still is, three regions, each with a distinct accent. North Louisiana, where my father came from, resembled East Texas and Mississippi, including the southern accent. Southwest Louisiana is Cajun country and where my maternal grandfather was born and raised. And then there was New Orleans, with its own distinct accent that sounds vaguely Brooklynese. My mother and her family were all born there, and that’s where I lived with my two brothers. 

If one subject tied and unified the state of Louisiana, it was history, and specifically Civil War history. 

To continue reading, please see my post today at Tweetspeak Poetry.

Photograph: General Benjamin Butler, known as “Spoons” Butler and “Beast Butler” to the citizens of occupied New Orleans.

From a Review of “Brookhaven”

February 18, 2025 By Glynn Young Leave a Comment

From a review of “Brookhaven” by Jody Collins on Substack:

“As you know, Miss Putnam, every story has a before, a during, and an after. I think it’s how we make sense of the stories we hear, to organize them that way. Novels are like that, generally.” Sam McClure (the elder) in “Brookhaven” by @Glynn Young. Historical fiction is my new favorite genre and Glynn Young’s story, Brookhaven is the main reason why. I was a poor student of the Civil War when I was in school, so I learned a lot about particulars of a number of battles, as well as the effects of the war on the South. Young manages to weave a love story into a mystery surrounding a stealth-footed youth whose undercover intelligence (supposedly) aided Robert E. Lee and his army of Northern Virginia during the Civil War. This poet also enjoyed Young’s addition of a Henry Wadsworth Longfellow poem at the head of each chapter, making Brookhaven both a time capsule of literature and a captivating, history book-worthy tale. (from my Amazon review). If you’re a historical fiction/love story fan, I highly recommend “Brookhaven.” 

“Grace Is Where I Live” by John Leax

February 17, 2025 By Glynn Young Leave a Comment

From 1968 to 2009, John Leax (1943-2024) was an English professor and poet-in-residence at Houghton College in New York. He was a poet, an essayist, and the author of one novel, Nightwatch. Leax’s poetry collections include “Reaching into Silence,” “The Task of Adam,” “Sonnets and Songs,” and “Country Labors.” His non-fiction writing and essay collections include “Grace Is Where I Live,” “In Season and Out,” “Standing Ground: A Personal Story of Faith and Environmentalism,” “120 Significant Things Men Should Know…but Never Ask About,” and “Out Walking: Reflections on Our Place in the Natural World.”

I’ve read Nightwatch, which is aimed at young adult audiences. It’s a coming-of-age story, focused on a boy named Mark Baker from his young childhood to his ten years. It’s a good story with an “edge” I haven’t usually seen in young adult books. 

In 1993, Leax published Grace Is Where I Live: Writing as a Christian Vocation. It describes how he became a writer, starting with believing he would be a novelist. Early on came the discouragement of teachers and mentors, who didn’t think he was cut out to be a novelist. He turned to essays and poetry, it was there he found early acceptance and success.

While Grace Is Where I Live is not a how-to guide, it is filled with a kind of humble wisdom – wisdom learned the hard way. Leax discusses holiness and craft, stewardship and witness, and story and place – all vital considerations for a writer who is also a Christian. He includes his notes from a sabbatical journal, and then distills what he’s learned about his writing, his calling, and himself in the final four chapters.

John Leax

Of all the books on writing I’ve read, this one comes closest to my own experience. “I have a sense,” he writes, “that calling is not to be confused with being a writer – one punching out the books and making a name, being read and admired. The calling has to do with sitting here and accepting silence if necessary. The silence of not writing. The silence of keeping back my poems until I have tested them in time. The silence of having the poems rejected.” 

The last silence is the worst, he says. If you consider your work a calling, rejection can mean God is not ready for you to be heard, striking “at both my best and my worst. And I cannot separate them.”

He tells a beautiful story in these essays – a story of finding his way to what he was called to do. 

Grace Is Where I Live is long out of print; even in one or two newer editions. If you can get your hands on a copy, it is well worth the time and effort.

Top photograph by Christin Hume via Unsplash. Used with permission.

Related: 

Nightwatch by John Leax.

How My Novel Originated in the Family Bible

February 5, 2025 By Glynn Young Leave a Comment

When I was young child, I asked my father what the package was that sat on a shelf in his closet. It was wrapped in brown grocery bag paper and tied with twine. “That,” he said, “is the family Bible, and one day it will be yours.” 

That day came during a visit home to New Orleans about 25 years later. Apologizing for the sorry state it was in, my father thought I might find someone in St. Louis to restore it. Instead, I did the time-honored thing and put in on a closet shelf. I did find a conservation box to store it in, and I did handwrite a copy of the four pages of family records. But it sat on the shelf, just as it had sat before.

But as I studied the family records, I noticed that the entries for births, deaths, and marriages were all in the same hand, presumably that of my great-grandfather Samuel. He’d even signed his name on an inside cover page. Samuel was something of a family legend, a legend which my later research showed was almost entirely untrue. But he’d certainly written all of the entries.

To continue reading, please see my post today at the ACFW Blog.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 6
  • Page 7
  • Page 8
  • Page 9
  • Page 10
  • Interim pages omitted …
  • Page 64
  • Go to Next Page »

Footer

GY



Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of three novels and the non-fiction book Poetry at Work.

 

 01_facebook 02_twitter 26_googleplus 07_GG Talk

Copyright © 2025 Glynn Young · Site by The Willingham Enterprise · Log in | Managed by Fistbump Media LLC