• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Dancing Priest

Author and Novelist Glynn Young

  • HOME
  • BLOG
  • BOOKS
    • Brookhaven
    • Dancing Prince
    • Dancing Prophet
    • Dancing Priest
    • A Light Shining
    • Dancing King
    • Poetry at Work
  • ABOUT
  • CONTACT

Wendell Berry

Wendell Berry and the “Mad Farmer Poems” 

September 10, 2025 By Glynn Young 2 Comments

Wheat fields

It was a conversation that went much like you might expect.

“I don’t understand it,” the executive said. “They hate us. They hate what we do. They don’t even really understand what it is that we do. They don’t understand how important our products are for farmers and for the world’s food supply.”

I was sitting in the executive’s office, working with him on a speech he was to give. What he was talking about wasn’t the subject of the speech, but it was clearly on his mind. I listened to what was essentially a rant, and then I asked a question.

“Have you read Wendell Berry?”

He stared at me. “Who’s that?”

And there it was. The animosity about the company’s products, the position of the company in the marketplace, the company’s close identification with “Big Agriculture,” and the executive’s being perplexed with the activists and animosity on social media could all be summed up that that question – “who’s that?”

Wendell Berry

I answered his question. “Berry,” I said, “is the man who has articulated a very different understanding of agriculture, the idea of community, and the understanding of the land. He’s widely read and admired. You have to read his essays to understand what’s behind all the animosity and controversy. His fiction and poetry will help, too.”

The response? “I don’t have time to read that stuff.”

Now 91, Berry was born in Henry County, Kentucky, where his family had farmed for five generations. He worked as a writer for agricultural publications like Rodale Press, but he eventually returned to Henry County and worked his own farm, Lane’s Landing. 

But he continued to write. He wrote essays, poems, general interest articles, short stories and novels. He fictionalized his region of Kentucky, renaming the nearby town of Port Royal as  “Port William.” Slowly and then rapidly, his ideas of land, community, and agriculture permeated American culture, influencing people like Joel Salatin and Michael Pollan, who in turn have had a huge influence.

I generally prefer Berry’s fiction and poetry to his essays. A good place to start is with The Mad Farmer Poems, where Berry articulates his major problems with agriculture as practiced in the United States. It’s a relatively short collection, about the size of a chapbook, and it includes such poems as “The Mad Farmer Revolution,” “Manifesto: The Mad Farmer Liberation Front” (which is not as radical as it sounds) and “Prayers and Sayings of the Mad Farmer.”

The poems introduce you to a man who is, yes, angry about the state of modern agriculture, but who maintains a reverence for the land, the people who farm it, and the community the people create together. This is what Berry sees as broken and lost in America of the 21st century, and it’s difficult not see the sense he makes.

In 2007, Jason Peters, a professor at Hillsdale College, assembled and edited a collection of essays about Berry under the title Wendell Berry: Life and Work.  It’s a good introduction to Berry and his writings from people who admire his work and his beliefs and have generally been strongly influenced by him. 

The contributors include non-fiction author Sven Birkerts, novelists Barbara Kingsolver and Gene Logsdon, poets Donald Hall and John Leax, Patrick Deneen of Georgetown University, ecology writer Bill McKibben, and numerous others. They speak to Berry’s fiction, his poems, his faith, his philosophy, his deep beliefs in land and community, and related topics. And the key here is the word “related.” Berry doesn’t compartmentalize different parts of his life. It is all part of an integrated whole.

Berry received B.S. and M.A. degrees from the University of Kentucky. He was a Wallace Stegner Fellow at Stanford University and studied in Italy and France under a Guggenheim Fellowship. He taught at New York University and the University of Kentucky and served as a writer for Rodale Press. Since 1965, he and his wife have lived at Lane’s Landing. And he has a new Port William novel publishing in October – Marce Catlett: The Force of a Story.

When the executive and I had that conversation, more than a decade ago, I had read much of Berry’s poetry, two of his novels, and several of his essays – a mere drop in the bucket of what the man has published. I’ve read much more since then. And I think my answer to “Who’s that?” is even more on point now then it was back then. If you want to understand the culture – and cultural battle – of American agriculture, you have to read Wendell Berry.

Related:

My review of Berry’s That Distant Land.

Wendell Berry and the Land.

My review of Berry’s Jayber Crow.

Wendell Berry and This Day: Poems at Tweetspeak Poetry.

Wendell Berry and Terrapin: Poems at Tweetspeak Poetry.

Wendell Berry’s Our Only World.

The Art of the Commonplace by Wendell Berry.

Nathan Coulter by Wendell Berry.

Andy Catlett: Early Travels by Wendell Berry.

A World Lost by Wendell Berry.

A Place on Earth by Wendell Berry.

The Memory of Old Jack by Wendell Berry.

Poets and Poems: Wendell Berry and Another Day.

Top photograph by Megan Andrews via Unsplash. Used with permission.

“Remembering: A Novel” by Wendell Berry

August 20, 2025 By Glynn Young 1 Comment

It’s the mid-1970s. Andy Catlett is in San Francisco, a writer attending a modern agricultural conference. His family in Kentucky is likely relieved that he’s away; Andy had become very difficult to live with.

The reason: some time before, Andy and a few others were helping a neighbor on his farm. Andy was operating machinery, and almost without realizing what had happened, he lost his hand. The quick actions by the other men likely save his life; he could have bled to death.

Andy knows farm accidents happen. Now one has happened to him. He has had to learn to function with his left hand, the stump of his right arm a constant reminder of what happened. The fact is that Andy no longer feels whole; his entire life is at sea. And he doesn’t know how he’s going to make his way home again.

Remembering is the last published novel so far in the Port William noels by Wendell Berry. I say “so far” because Berry has a new one publishing Oct. 7, entitled Marce Catlett: The Force of a Story. Remembering is the story of man forced to question everything he’s believed in, discovering his own mortality, and ultimately finding redemption. It has all the classic Berry themes: community, the land, the people of the land, family, and faith.

Wendell Berry

The novel is somewhat autobiographical; Berry, too, worked as an agricultural writer for a time. And he would leave that career when he finally understood the inherent conflict between the agriculture he was raised in and what agriculture had become.

Berry is a poet, novelist, essayist, environmentalist, and social critic. His fiction, both novels and stories, are centered in the area he calls Port William, Kentucky, on the Ohio River. He’s won a rather astounding number of awards, prizes, fellowships, and recognitions. He lives on a farm in Kentucky.

Remembering is the story of a deeply troubled heart and mind, a man trying to find his way, and how healing and redemption ultimately happen. 

Related:

My review of Berry’s That Distant Land.

Wendell Berry and the Land.

My review of Berry’s Jayber Crow.

Wendell Berry and This Day: Poems at Tweetspeak Poetry.

Wendell Berry and Terrapin: Poems at Tweetspeak Poetry.

Wendell Berry’s Our Only World.

The Art of the Commonplace by Wendell Berry.

Nathan Coulter by Wendell Berry.

Andy Catlett: Early Travels by Wendell Berry.

A World Lost by Wendell Berry.

A Place on Earth by Wendell Berry.

The Memory of Old Jack by Wendell Berry.

Another Day: Sabbath Poems 2013-2023 by Wendell Berry at Tweetspeak Poetry.

Sometimes Fiction Imitates Life

July 24, 2024 By Glynn Young 2 Comments

You read a book like A Place on Earth by Wendell Berry, and you’re reminded of your own family and where you came from. Characters like Burley Coulter and Uncle Jack seem to be almost lifted wholesale from what I remember of many of the “characters” I knew as a child.

My father’s family lived mostly in the Shreveport, Louisiana, area, with a much larger group in Brookhaven, Mississippi (it was my grandfather who would wander away from Brookhaven and settle first in central Louisiana, in a town called Jena. He was working as a surveyor for a railroad company, and he lived in a boarding house operated by my great-grandmother and his eventual mother-in-law. 

My father and his three sisters were all born in Jena but had moved to Shreveport by the late 1920s. Rubye was the oldest, followed by my Aunt Myrtle, my father, and my Aunt Ruth. There would have been an Aunt Elouise, born two years before my father, but she died the same year my father as born.

Each summer, from the time I was 8 to about 13, I would fly to Shreveport to spend a week with my grandmother. My grandfather had died when I was nine months old, so I never knew him. My grandmother lived across the street from my father’s oldest sister (and the family’s firstborn) and her husband. Aunt Rubye and Uncle Revis were responsible for some of my most vivid memories of Shreveport.

Both were “characters,” Aunt Rubye only slightly more staid than Uncle Revis. She was famous for her looks of disapproval and her biscuits. He wore a cowboy hat and drove a gigantic Dodge that was a faded pink and only slightly smaller than an ocean liner. My grandmother usually ate her lunch and dinner with them, which meant I did, too, when I visited. My visits usually coincided with harvesting the acre of vegetable gardens they had behind their small frame house. I learned to dig up potatoes, pick corn (and when to know it was ready), pick green peans (and help shell them; no body ate for free). 

The Lennon Sisters

Saturday evenings were devoted to watching the Lawrence Welk Show on television. I wasn’t a particular fan, but the best part was the running commentary on the individual acts from Uncle Revis. My favorite part was when the Lennon Sisters performed. You would hear my uncle begin to mutter until he couldn’t stand it any longer. He’s shout “Ignorant!” at the television set. “They’re ignorant1” My grandmother would smile, my Aunt Rubye would roll her eyes, and I’d go off into gales of laughter. I suspect that his commentary was for my benefit and amusement.

He’d let me tag along with him when he ran errands. He always seemed to have a pipe in his mouth, even when he wasn’t smoking it. We’d go tooling all over Shreveport in that big Dodge. I’d go with my grandmother when she had errands to run as well. She drove a black 1940 Ford that always, always was breaking down, usually in a part of town you didn’t want to break down in. I met the most interesting people because of that car’s problems.

Uncle Revis hated one thing even more than the Lennon Sisters. 

Cats. 

When I was about 10, I was sitting with him on the back steps after dinner. For whatever reason, we had no garden duties that might. It was one of those beautiful Southern summer evenings, still light. He was smoking his pipe, and he was talking about his favorite writers, of which James Michener was No. 1 on the list. Suddenly, he grabbed a rifle from behind us (which I didn’t know he had at hand) and fired off a shot at the fence between his yard and the neighbor’s house next door. A cat went flying in the air. 

The next-door neighbor loved cats, with at least a dozen and often more roaming around. If they stayed at the neighbor’s house, Uncle Revis would have been fine. But, as all of them were outdoor cats, they roamed the outdoors. And they seemed to know that Uncle Revis didn’t like them. All the more reason to visit.

Aunt Rubye came flying on to the back porch, shouting at my uncle. This might have been Shreveport in the 1960s, but firing a firearm inside the city limits was something only the police could do. But that wasn’t Aunt Rubye’s issue. 

What she was upset about was the reaction from the neighbors. As it turned out, they were their son’s in-laws. And they might, she said, breathing fire, think it was an insult aimed at them.

“Well,” Uncle Revis said, “they’d have to be pretty smart to figure that out. That won’t be a problem.”

Uncle Jack and Burley Coulter up in Port William, Kentucky would be proud. Yes, sometimes fiction does indeed imitate life.

Top photograph: My father and my Aunt Ruth in Jena, Louisiana, about 1923.

Footer

GY



Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of three novels and the non-fiction book Poetry at Work.

 

 01_facebook 02_twitter 26_googleplus 07_GG Talk

Copyright © 2025 Glynn Young · Site by The Willingham Enterprise · Log in | Managed by Fistbump Media LLC