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Author and Novelist Glynn Young

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The Inspirations That Led to “Brookhaven”

December 16, 2024 By Glynn Young 4 Comments

Brookhaven has made its historical novel debut. Publication happened faster than I anticipated; I thought maybe by sometime in late January. It was a surprise to receive a message from the publisher last Thursday with the link to Amazon Kindle, followed by the paperback on Friday.

Like all stories, Brookhaven has its seeds, some going back more than 60 years. Some of those seeds are movies.

The children in our family are spread widely apart; my older brother is eight years older, and my younger brother is 10 years younger. For a decade, I was the little kid in the family. And because my father wasn’t a fan of movies, and my mother was a Hollywood director’s dream of a fan, I became my mother’s movie partner. We saw the Disney movies, of course, but we also saw a lot of others, including some that weren’t exactly the best viewing for a child.

The late 1950s and 1960 were a banner time for the movie forays by my mother and me. On one day, she took me to the Saenger Theatre in downtown New Orleans to see Last Voyage, starring Robert Stack and Dorothy Malone. It was an early version of The Poseidon Adventure, with a doomed luxury liner. My mother had a crush on Robert Stack, which I didn’t know at the time.

I cried from the tension in the movie so much that my embarrassed mother had a novel way to make it all better – we walked across Canal Street to the Joy Theatre to see Some Like It Hot. It was funny and certainly without the tension of Last Voyage. But whether it was appropriate for an 8-year-old is another matter. (She did buy me popcorn and a soda at both movies.)

A third movie we saw that year was The Horse Soldiers, a Civil War film with John Wayne and William Holden (my mother has a crush on Holden, too). That movie was a great one for a kid – a troop of Union soldiers riding through Confederate territory and creating havoc (although having Yankees as the heroes was almost over the top in 1959 New Orleans). 

Decades later, I was reading a story about Greirson’s Raid in 1863, when I realized I had seen the movie. I didn’t know in 1959 that the movie was based upon a historical event. What was more was that a bunch of Young family ancestors lived in Brookhaven, Mississippi, at the time of the raid. 

That was one inspiration for Brookhaven. A second had been my paternal grandmother, whom I dearly loved and with whom I spent a week every summer in Shreveport from the time I was 8 to when I turned 14. The visits stopped for reasons of her health, but she would live for another 16 years.

She was a storyteller. My grandfather had died when I was nine months old, so she filled my information gaps about him. She kept his workshop intact and let me explore it each time I camp; what I remember most is lots of dust, old carpentry equipment, and a considerable number of empty bottles that my teetotaling grandmother refused to answer questions about.

One thing one grandmother would talk about was the Civil War, except she referred to it by its proper name, she would say, “the War of Northern Aggression.” She bought into the Lost Cause completely. She was proud of her father-in-law, Samuel Young, who was a Civil War veteran. She said very little about her own family, so I suspect they didn’t fight in the war. 

Samuel had died in 1920 when he was 74. His wife Octavia had died at 44 in 1888 (when Samuel was 43), and Samuel had never remarried, unusual for the time.

For decades, those stories and the memories of those stories lay dormant, until an article about Grierson’s Raid began to bring them to the surface, fusing them with other stories. Little did I know that hearing my grandmother talk about “those Yankees” would help inspire a novel so many years later. 

Related:

Grierson’s Read and “The Horse Soldiers.”

When Research for Your Historical Novel Changes Your Understanding.

“The Real Horse Soldiers” by Timothy Smith.

A note from T.S. Poetry Press on the release of Brookhaven (including the author’s note).

Finding the emotion in our stories

February 1, 2018 By Glynn Young Leave a Comment

Movie theater emotion in writing

An email arrives from the other side of the world.

“I finished reading Dancing King this afternoon.  Well done, Glynn, I feel it’s the most powerful of the trilogy; I misted up too many times to count.”

This third novel of mine is simultaneously the least and most emotional of the three I’ve written. It includes no scenes that are overtly tear jerkers. But it includes scenes that make me forget I was the one who wrote them.

When I was a child, my mother took me to the movies she wanted to see. My father was not a fan of film; he liked stage theater and even acted in community theater plays. But he didn’t care for movies. My mother did; as a young teenager, she had been shaped by movies like The Wizard of Oz and Gone with the Wind when they were first publicly released in the 1930s. So now, if she wanted to see a movie, she had to drag a little boy with her. Me.

Perhaps the most memorable movie event was when she took the eight-year-old me to the Saenger Theater in downtown New Orleans to see The Last Voyage, starring Robert Stack and Dorothy Malone. A passenger liner is sinking, and rescue ships are too far away. The movie was filled with tension, and I cried through most of it.

Dancing KingWe stayed through the end of the movie, but my mother was so upset with having me sit through what was really an adult film that she walked us across Canal Street to the Joy Theater, and we saw our second movie that day – Some Like It Hot, with Jack Lemmon, Tony Curtis, and Marilyn Monroe. It was probably even more of an adult movie, but it was funny. No tears, this time.

I sat with my mother through countless movies, both in theaters and when the television networks started broadcasting them. Watching The Wizard of Oz on television with my mother became an annual ritual. We watched so many movies together that I attribute to, or blame, her for the fact that I cry at movies.

I went with a blind date to see Love Story with Ryan O’Neil and Ali McGraw when it opened. I cried; she didn’t. It was rather embarrassing. To this day, my wife brings tissues when we go to the movies. And not for her.

The scenes evoking emotion in my books usually involve crowds: the closing ceremony of the Olympics in Dancing Priest; a press conference in A Light Shining. In Dancing King, two scenes evoking emotion start quietly enough but then grow into something else – a sermon and a scene involving the Victoria Memorial near Buckingham Palace (the book’s cover photo is of the memorial). Neither of the two was part of the first draft. But during the rewriting, characters changed, the narrative changed, and both scenes emerged.

Emotion is the place, and in writing it is a place, where we connect directly and almost intimately with readers. I can’t consciously write emotion into a story I’m working on; I’ve tried, and it never works. Instead, emotion seems to emerge, slowly or quickly, during the process of telling the story. What I’m learning, and usually from my readers, is that they see it almost from the beginning of each story.

Emotion in my stories functions like a pulse rate or a heartbeat, sometimes fast and sometimes slow, but always there. Who knew what a child could learn from a movie-loving mother?

Top photograph by Jake Hills via Unsplash. Used with permission.

 

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Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of three novels and the non-fiction book Poetry at Work.

 

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