Dancing King

Dancing King Stories: The Tower of London

April 30, 2018 By Glynn Young 1 Comment

For almost a millennium, the Tower of London has stood watch over the city, a symbol of William the Conqueror who built it. Few buildings evoke such a mixture of emotions, The Tower has served as royal residence, prison, armory, mint, torture chamber, and even a menagerie of exotic animals presented to British monarchs.

In 2014, to mark the 100^thanniversary of the start of World War I, the Tower was host to one of the most remarkable art installations ever – the planting of ceramic poppies in the moat, one for each casualty of the warm until almost 900,000 had been placed by that November.

Tower of London poppies — The ceramic poppies int he Tower of London moat in 2014.

From the time of William I to Charles II in 1660, the Tower served another purpose – the start of the coronation procession for each British monarch. Charles II was the last; his brother James II, something of a closet Catholic, was supposedly crowned privately in a Catholic ceremony and then proceeded from Whitehall Palace to Westminster Abbey for the “protestant coronation.” No monarch after that did the Tower to Westminster procession.

In my novel Dancing King, Michael and Sarah Kent-Hughes return to the earlier tradition, with a procession starting from the Tower and ending at Westminster Abbey. It’s a considerably longer route than what the real British monarchs do today, riding from Buckingham Palace to the Abbey.

Right as the procession begins, Sarah asks about how the street names will change. And they do – Tower Hill, Great Tower Street, Eastcheap, Cannon Street, St. Paul’s Churchyard, Ludgate Hill, Fleet Street, and the Strand are essentially the same thoroughfare. The change in names is a kind of record of a lot of London history.

Michael reminds Sarah of what they’re returning to the earlier tradition of leaving from the Tower, and he cites two reasons.

First, the longer route affords many more people to see the king and queen in the procession. The route stretches from the Tower, through the City of London (the business district), past St. Paul’s Cathedral and then Fleet Street, past the Royal Courts of Justice, then the Strand, just skirting London’s theatre district. It continues on the Strand past Charing Cross Station to Trafalgar Square, down Whitehall to the Parliament building, and then a short turn to Westminster Abbey.

Many a time have my wife and I ridden the iconic double-decker bus along that route.

Second, Michael explains that proceeding through the business district, the theatre district, and the center of legal practice shows that the Crown recognizes the importance of these industries and professions – business, banking, law, and the theatre – to British national life. The coronation of a new king isn’t only about a new monarch; it’s a celebration of what matters and what’s important to the British nation. It’s about history and tradition, yes, but it’s also about the future.

It’s never explicitly stated, but Michael Kent-Hughes is beginning the process of becoming the “People’s King.”

Top photograph: The Tower of London as seen from the Thames River, with the White Tower in the center. Photo courtesy of Wikimedia.

Dancing King Stories: The Victoria Memorial

April 23, 2018 By Glynn Young 1 Comment

Victoria Memorial

Queen Victoria died in 1901, after the longest reign by any British monarch (a record broken only by Queen Elizabeth II). To honor her memory, a memorial was designed that same year. The central monument – what most tourists think of as the Victoria Memorial– was constructed between 1906 and 1911. The memorial was not completed until 1924.

The entire semi-circular design as constructed in front of Buckingham Palace includes the Dominion Gates (the Canada Gate, the Australia Gate, and the South and West Africa Gates); the Memorial Gardens; and the central monument, built of 2,300 tons of Carrara marble and comprised of the monument atop a staired terrace.

Victoria Memorial unveiling — The unveiling ceremony in 1911.

Many a time have I walked around those gardens and not realized they’re part of the overall Victoria Memorial. They’re planted on a seasonal basis, with summer plantings including scarlet geraniums (to match the color of the uniforms of the Queen’s Guard), spider plants, salvias, and weeping figs. Winter plantings (for spring flowering) include yellow wallflowers and red tulips – some 50,000 of them.

The memorial plan required some rerouting of the streets in front of the palace and the shortening of The Mall. Thomas Brockwas chosen to be the designer. Funding was appropriated by Parliament and Dominion nations like Canada, Australia, New Zealand, and others contributed. In 1911, Mr. Brock was knighted for his service on the memorial.

Victoria Memorial London — The author standing by the monument.

During the unveiling ceremony that year, the two senior grandsons and their families attended – King George V of Britain and Kaiser Wilhelm II of Germany. Winston Churchill was Home Secretary at the time and had the duty of carrying the speeches to be given (as opposed to giving one himself).

This is the area where crowds gather for significant events in the life of Britain – the ending of World War II in Europe, coronations, royal weddings, and the Golden and Diamond Jubilees of Queen Elizabeth. This was also the area where the 2012 parade of the British Olympic and Paralympic teams ended, following a route through the City of London, the Strand and Trafalgar Square, and The Mall. (My wife and I watched the parade on the Strand across the street from Charing Cross Station.)

The memorial area has also seen its fair share of protests, including the Million Mask March in November 2013 when the Memorial area was damaged.

View of the palace — Looking from the Victoria Monument to Buckingham Palace.

In Dancing King, the Victoria Memorial area is the setting for a critical scene, perhaps thepivotal scene of the novel. The memorial was chosen for the scene because of all the royal connections. Michael Kent-Hughes meets with protesters inside the palace, while crowds gather in front and watch the televised meeting on mobile phones and tablets. Michael doesn’t bend an inch in regard to the protesters’ demands, and his polite but firm statements are met with cheers and roars from the crowd in front.

When the meeting ends, Michael tells his security people that, while he knows the risks, he’s going outside the palace to “meet with my people.” From that point on, the story – Michael’s story and Britain’s story – changes.

Just how much it changes will be seen in book four (in process) and book five (planned).

Top photograph: a panoramic view of the gardens, monument, and Buckingham Palace.

Dancing King Stories: Christmas in Edinburgh

April 16, 2018 By Glynn Young Leave a Comment

In my novel Dancing King, Michael and Sarah Kent-Hughes have something of a break from London, when they go to Scotland for Christmas (with a slight interruption with Michael’s sermon at Southwark Cathedralin London). It’s a relatively short part in the narrative, but two important things happen.

First, Michael has a conversation in the stable with his guardian father, Ian McLaren. Ian and his wife Iris were surprised – shocked is a better word – to discover they become the guardians of a six-year-old boy. Childless themselves, they raised him as their own child, and he still calls them “Ma and Da.” And Michael gets his degree from the University of Edinburgh, which is where he meets American exchange students and twins David and Sarah Hughes in the first novel in the series, Dancing Priest.

McLarens barn — This is a converted barn (now a vacation home) but is the idea for the McLaren stable

Their home, known to the family simply as McLarens, is some 40 miles from the center of Edinburgh, positioned in a somewhat rural area that’s hilly (as a boy and teenager, Michael does considerable mountain biking on the property). Although born in southern England, Michael considers Scotland and Edinburgh as “home.”

Edinburgh is on the eastern side of Scotland. The inspiration for McLarens is actually on the western side. The address for the home and rather famous gardens of An Calais the “Isle of Seil, Argyll, and Bute,” near the village of Ellenabeich. The gardens were first established in 1930, and it took considerable renovation and blasting of the terrain to plant them. Then, as now, the gardens feature azaleas, rhododendrons, and roses.

For the Dancing Priest novels, I “borrowed” the house and gardens, moved them to east side of Scotland near Edinburgh, and expanded the size of the property. I created a barn / stable for equine veterinarian Ian, and it’s there in Dancing Kingthat he and Michael have a long talk on the morning of Christmas Eve. The scene is meant to show the closeness and tenderness in their relationship and even add a bit of humor. It was not in the first draft of the manuscript but came during the editing process; it was one of those ideas that suddenly began to spill from my head on to the page in front of me. And it turned into one of my favorite scenes in the book.

That afternoon, Ian leads Michael, his adopted sons Jason and Jim, the baby Hank, Sarah’s brother David and his son Gavin, and Michael’s best friend Tommy MacFarland on the annual McLaren Men Last-Minute Christmas Eve Shopping Expedition to downtown Edinburgh. Their first stop is Jenners Department Store.

Jenners, often called the “Harrod’s of the North,” was the largest independent department store in the U.K. until 2005, when it was bought by House of Fraser. It’s a beautiful, and old, store, with that classic Victorian architecture and a spectacular grand hall. And it’s there that Michael’s friends and family learn firsthand how life has changed for Michael and his boys. They’re recognized as soon as they step through the doors, and Michael feels the obligation to speak to the growing crowd.

What the Scotland scenes show is that Michael Kent-Hughes has the continuity of a loving family and the press of new and demanding obligations.

Top photograph: the home at An Cala Gardens. Photograph of the exterior of Jenners is by Stuart Caieand the interior by Christian Bickel, both via Wikimedia.

Dancing King Stories: Fleet Street and St. Bride’s Church

April 9, 2018 By Glynn Young 1 Comment

Fleet Street in London has been long associated with newspapers and journalists. But it’s been a long time since any newspapers were actually located there, since all moved to other part of the metropolitan area. In the fall of 2017, I walked Fleet Street and some of the side streets on a cloudy, rainy Sunday, and say only one vestige of the area’s newspaper past – fading letters on the side of a building. A few former newspaper buildings have been listed on the historic register and preserved, but no newspapers operate here today.

St Brides interior — The interior of St. Bride’s

The area includes the Temple, still a part of the legal industry, notable buildings like St. Dunstan-in-the-West Church, the Samuel Johnson House, the Royal Courts of Justice at the western end of the street and the Old Bailey near the eastern end, and many more. On my visit that Sunday, I stopped long enough to take a photo of a lawyer’s gown and wig for sale at a shop.

St Brides Courtyard — The side courtyard of St. Bride’s, where Michael has a press conference

The church long associated with Fleet Street, so much so that it’s still called the “journalists’ church,” is St. Bride’s. The site may be one of the oldest church sites in London, dating back to the 7^th century. Seven church buildings have stood here; one was burned during the Great Fire of 1666 (and rebuilt by Sir Christopher Wren) and another was bombed during the German Blitz of World War II. After the war, it was rebuilt according to the Wren design.

The church contains considerable history. One of the first printing presses (and thus the origins of the newspaper business) was set up next door in 1500. The parents of Virginia Dare, the first English child born in North America, were married here. Author Samuel Richardson is buried here.

One of its distinctive features is the steeple, which looks exceedingly like a wedding cake (another connection to the church’s name). The interior is beautiful; the day and time I was there the church service had just ended and the parishioners were having a fellowship time and it was rather crowded and joyfully noisy.

The area of St. Bride’s and Fleet Street have a small role in Dancing King. St. Bride’s is one of the churches where Michael Kent-Hughes preaches a sermon. And Trevor Barry, who becomes a consulting attorney for Michael for the coronation, parliamentary law, and the history of the monarchy, has offices near the Royal Courts of Justice, between Fleet Street and the Thames, on a small street called Essex Street. Law offices actually exist on this street, which is close to the Temple tube station. Barry finds himself frequently taking the District or Circle line to the St. James’s Park station, about three blocks from Buckingham Palace.

Fleet Street Temple — Gown and wig for sales in Fleet Street

After his sermon at St. Bride’s, Michael does have a short press conference in the side courtyard with reporters, but it’s mentioned in the book only in passing. There are a number of more extensive scenes involving the news media, but those are mostly set at or near the palace. They include the BBC interview, the media present at Michael’s meeting with protestors, and others.

Essex Street Temple — Essex Street, where the attorney Trevor Barry has his law offices

The news media play an important role in Dancing King because they play an important role in British society and in the lives of the royal family. Michael’s experiences with the media reflect my own career background in communications and media relations, where I learned that your have good reporters, so-so reporters, and bad reporters, like every other profession.

Top photograph is the famous wedding-cake steeple of St. Bride’s. Photograph of the interior of St. Bride’s by Dilff via Wikimedia. Used with permission. Top photo and all other photos are by me and my trusty iPhone.

Dancing King Stories: Southwark, the Human-Scale Cathedral

April 2, 2018 By Glynn Young 3 Comments

When you visit London, especially for the first time or two, two great churches are on the must-see list – St. Paul’s Cathedral and Westminster Abbey. And with good reason. Both churches are known for their soaring architecture, structural beauty, and the fact they are filled with English and British history. Right down Victoria Street form Westminster Abbey is another monumental church – the Roman Catholic Westminster Cathedral. London is a big city with big cathedral churches.

Southwark Cathedral is another church, smaller than its more famous London relatives. But of all the churches and cathedrals I’ve seen in London and England, it may be my favorite. Size has something to do with it – it’s smaller, more human-scale, still impressive, but the human eye can take it in without being completely overwhelmed.

It’s not as well known for tourists. It’s partially location – on the South Bank near London Bridge tube and train station, it’s about a half-mile walk to the Globe Theatre and Tate Modern art museum. It’s only about two blocks from the London Bridge Experience, whose replicated blood and gore I’ve so far managed to miss. The cathedral is also adjacent (about as adjacent as you can get) to the Borough Market, full of produce, stands, food shops, and restaurants and also the site of a terrorist attack in June of 2017 (not to be confused with the Westminster Bridge attack in March of 2017).

Southwark’s official name is “the Cathedral and Collegiate Church of St. Saviour and St. Mary Overie,” the “overie” meaning “over the river.” A church has existed on the site since the 7^th century; archaeologists have identified the foundations of an Anglo-Saxon church there. It’s believed to have first been connected to a community of nuns, and later a community of priests. The first written reference to it is in the Domesday Book of 1086, William the Conqueror’s detailed assessment of land and resources.

In 1106, the church was reestablished as a priory and followed the Rule of St. Augustine. It was then that the church was dedicated to St. Mary Over the River. A hospital was established as well, and it would eventually grow and be transferred to what is now St. Thomas Hospital near Westminster Bridge and across the Thames from Parliament. (Incorporated into St. Thomas Hospital was the old Guys Hospital near Southwark Cathedral, where the poet John Keats studied to be a doctor.)

Southwark was the staging area for pilgrimages to Canterbury, and it was in this area that Geoffrey Chaucer launched the pilgrimage made famous in The Canterbury Tales.

The order at Southwark was dissolved along with orders across England by Henry VIII in 1539, part of the English Reformation and likely inspired by Henry’s desire to get his hands on the churches’ and orders’ prodigious wealth. The building was rented to the congregation and called St. Saviour’s; in 1611, the congregation purchased the church from James I. One of the notables buried in the church is William Shakespeare’s younger brother Edmond (1607).

The church officially became “Southwark Cathedral” in 1905. Today, the Diocese of Southwark encompasses a rather large area (and includes Lambeth Palace, the home of the Archbishop of Canterbury). It covers 2.5 million people and more than 300 church parishes.

Southwark Cathedral nave — This would be Michael Kent-Hughes’ view as he speaks from the pulpit

In Dancing King, Southwark Cathedral is the place where Michael Kent-Hughes begins his series of sermons at London churches, two days before Christmas Eve. The photograph here of the nave is the view Michael would have as he’s speaking to a packed church. And it is here, the next night, where almost 1,200 people will show up for a Bible study, filling the church past overflowing, beginning what will become a religious revival in the Church of England. But it will be a revival matched by intense opposition from the senior church hierarchy.

If you visit the cathedral (and it’s well worth a visit), the entry fee is a pound (a bargain compared to the big churches). You pay your fee in the gift shop, where in return you’re given a cathedral guide. You also usually warned to make sure your guide is visible when you enter the church; one of the church wardens will politely ask to see it or send you to the shop to buy one if you don’t have it. The fee doesn’t apply during church services.

Top photograph: a view of Southwark Cathedral, with one of London’s tallest office buildings, known as “The Shard,” in the background.

Dancing King Stories: St. Martin-in-the-Fields, and the Crypt

March 26, 2018 By Glynn Young Leave a Comment

Trafalgar Square in London is highlighted by three landmarks – the statue of Nelson in the square itself, the National Gallery on north side, and St. Martin-in-the-Fields Church at the northeast corner.

At ground level, you have to look up (way up) to see Nelson atop his column. The National Gallery is huge, running the entire length of the square, including both the original building and the relatively new (and contemporary) Sainsbury Wing. St. Martin’s, however, has always seemed the most striking building, perhaps because of its steeple and its architecture, which has inspired thousands of church buildings in the United States.

St Martin-in-the-Fields — The church nave

The church is named for St. Martin, born about 316 A.D. in what is now Hungary and right when Christianity was legalized in the Roman Empire by Constantine. He was originally in the Roman army but left because of his faith and settled at Poitiers in France, where he founded the first monastery in France. The monastery lasted until the French Revolution in 1789. Martin was almost kidnapped by the people of Tours to become the bishop. He refused the bishop’s lifestyle and actually lived in a cave outside Tours. He was associated with many acts of healing, including raising the dead to life. He died in 397; the day of his burial, Nov. 11, is still his feast day.

A church has existed on this spot since at least 1222, when it’s first noted in the records. As the area grew in population, an official parish was organized. By about 1544, the old church building was torn down and a new, although small, church was built in its place. In 1603, when James I became king, a considerable number of Scottish nobles settled in the Charing Cross area. The church building was too small, so James had it enlarged.

Finally, in 1720, Parliament passed an act approving the construction of a new church. The architect was James Gibbs, a friend of Sir Christopher Wren. Gibbs built the church known today. The large clear glass window, rather modern in style, behind the altar was added after World War II bombing destroyed the originally stained glass.

The church today is known for its outstanding classical music ministry, with both paid concerts inside the church and free lunchtime concerts outside in the courtyard. Below ground, in what was the church crypt, there is a restaurant, Café in the Crypt, serving lunch and dinner at generally more reasonable prices than can be found nearby (this area is close to being ground zero in London for tourists from around the world).

The café and the church are among our favorite places in London. We’ve eaten here numerous times, had our first real Victoria sponge cake here, used the crypt as a refuge from the rain, and attended concerts and lectures. St. Martin-in-the-Fields is like our home away from home. (The church also has a great shop next to the crypt, and I’ve found numerous books there.)

The church has a small reference in my second novel, A Light Shining, and then only being noted as one of the places damaged during The Violence, a jihadist uprising that happens in London and other cities in Britain. In Dancing King, Michael Kent-Hughes and his chief of staff meet with the church vicar for lunch in the crypt, and Michael commits to underwrite the rebuilding and to help with the fundraising effort. This has its origin in the historical fact that the church and the area have long been associated with Britain’s royal family (the land on which the National Gallery sits was known as the Kings Mews or stables).

If you visit London, St. Martin-in-the-Fields is a must-see, and the Victoria sponge cake in the Café in the Crypt is a must-eat.

Top photograph by Robert Cutts via Wikimedia.

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