• Skip to primary navigation
  • Skip to main content
  • Skip to footer

Dancing Priest

Author and Novelist Glynn Young

  • HOME
  • BLOG
  • BOOKS
    • Brookhaven
    • Dancing Prince
    • Dancing Prophet
    • Dancing Priest
    • A Light Shining
    • Dancing King
    • Poetry at Work
  • ABOUT
  • CONTACT

Bible

How My Novel Originated in the Family Bible

February 5, 2025 By Glynn Young Leave a Comment

When I was young child, I asked my father what the package was that sat on a shelf in his closet. It was wrapped in brown grocery bag paper and tied with twine. “That,” he said, “is the family Bible, and one day it will be yours.” 

That day came during a visit home to New Orleans about 25 years later. Apologizing for the sorry state it was in, my father thought I might find someone in St. Louis to restore it. Instead, I did the time-honored thing and put in on a closet shelf. I did find a conservation box to store it in, and I did handwrite a copy of the four pages of family records. But it sat on the shelf, just as it had sat before.

But as I studied the family records, I noticed that the entries for births, deaths, and marriages were all in the same hand, presumably that of my great-grandfather Samuel. He’d even signed his name on an inside cover page. Samuel was something of a family legend, a legend which my later research showed was almost entirely untrue. But he’d certainly written all of the entries.

To continue reading, please see my post today at the ACFW Blog.

Restoring the Family Bible – and More

September 7, 2022 By Glynn Young 1 Comment

More than 40 years ago, my father gave me the Young Family Bible. It had been given to him by his father, who’d received it from his father. The value of the book, as experts like to say, was “intrinsic,” In other words, it was zero, except for what a family member would believe.

The book as received from my father was wrapped in brown grocery-bag paper and tied with twine. It has sat on a closet shelf in my parents’ house for a long time, probably since they moved there in 1955. I have very vague memories of it from childhood. 

When my father gave it to me, I did the time-honored thing: I put it on a closet shelf. Eventually, I removed the wrapping and twine and wrapped it in acid-free paper and a box. Its value to me and the rest of the family was what it contained – four pages, inserted between the Old and New Testaments, of family births, marriages, and deaths. The earliest date was that of my great-great grandfather’s birth in 1802; the last date was in 1890. All of the events were written in the same hand – my great-grandfather’s Samuel Franklin Young. He also wrote his signature on an inside cover. 

The Bible restored

The Bible was not in good shape. The leather binding had failed. The leather was gone from the corners of the cover, exposing the frayed and decaying “boards” underneath. The sewing of the sections had failed. Spine folds were damaged. The family pages were damaged. The title page had disappeared. And there was evidence (prior to my possession) (I hope) of damage from insects, mold, and possibly rodents. 

The questions were: Could it be restored? Could we at least save the family record pages? And could I afford it?

My wife found a story in St. Louis Magazine about NS Conservation. It’s owned by Noah Smutz, and it focuses on book conservation and related services in St. Louis and the American Midwest. Noah is the real deal, and it was a real find to discover that he lived and worked right here in St. Louis, about 20 minutes from my house. 

Noah became interested in book conservation when he was a student worker at the University of Kansas Libraries. He did internships with the Smithsonian Archives and the Bodleian Library in Oxford. He received a Masters degree in book conservation from West Dean College in the United Kingdom. And he’s worked with the St. Louis Art Museum, the Nelson-Atkins Art Museum in Kansas City, the Missouri Historical Society. Saint Louis University, and the Smithsonian Libraries. 

If anyone could do something with the Young Family Bible, it was Noah. 

Last March, I took the book to Noah for an assessment. He looked over it carefully. What was encouraging was that he didn’t reject it out of hand as impossible. As he went through the book, he found something that I’d never come across before – a lock of auburn hair. My best guess is that it probably belonged to my great-grandmother, Octavia Montgomery Young. She died more than 30 years before my grandfather did and, uncommon for the time, he never remarried.

He told me what he needed to do, and he told me what he wouldn’t do, which was to restore every single page of the Bible. The cost would have been prohibitive. But he spelled out what he would do and named his price, which I thought more than fair for the work he’d be doing. His initial assessment fee ($125) applied to the overall price he’d be charging. 

A family records page

He also said he wouldn’t have it finished until about October. The COVID pandemic seemed to have prompted a lot of people to become interested in restoring family books, Bibles, and similar heirlooms. I was more than happy with his schedule.

He also said the Bible, using the King James Version text, was likely printed in the late 1860s or early 1870s. Tens of thousands of Bibles like this were printed and typically sold by door-to-door salesmen. 

Noah actually finished the work in late August. I knew we were getting close when I saw him post a few pictures on Instagram (nsconservation). What he did was amazing. It’s a bound book again. The family pages and the signature page have protected with Japanese paper. The leather cover was repaired and replaced where needed. The book was restitched; the signature page was placed where it originally belonged, at the back of the Bible (he matched the inkblots). He did a bit more work, and he constructed an acid-free storage box that fits it perfectly. 

The signature page

I’ve had time to think about this Bible and my great-grandfather. The approximate date of the book fits something else that happened in the family. His father died in 1870 (his mother had died some years before). Because of deaths in the Civil War (he lost two older brothers and a brother-in-law), he was the youngest and only surviving son. At 23 or 24 years old, he became head of the family, which included not only his young wife the firstborn child but also including two sisters-in-law, his sister, and their children. And he would have bought a family Bible with its record section because, like tens of thousands of other families in both North and South, the dead from the war needed to be remembered and memorialized, even if it was no more than writing their names in a family Bible. 

What Noah restored was more than a book. It was also a piece of family history and American history. With the publication date, the family records and the lock of hair, the book has the Biblical story to tell as well as its own. 

The Mystery Man in the Family Bible

June 15, 2022 By Glynn Young Leave a Comment

It’s a two-line reference in the family Bible, first owned by my great-grandfather. The family records section in Bibles in the 19th century was generally inserted between the Old and New Testaments, and that’s where our family recordings were. All of the entries were in the same hand, the early ones in the same ink, suggesting they were written down at the same time. A friend in book conservation judged the Bible to have been published in the 1870s.

My great-grandfather Samuel Young was born in in 1845, 1846, or 1848 – the handwriting is not clear. Other records, like those found in online genealogy sites, have 1845 and 1846. The handwriting is clear for the birth date of his wife and my great-grandmother, Octavia Montgomery. That date is 1844. The same handwriting continues after her death in 1887, which tells me it was my great-grandfather making all the entries (and his death in 1920 is not recorded).

The records are filled with Youngs – sisters, brothers, parents, and children. They begin with the birth of Samuel’s father Franklin, in 1802 in Savannah, Georgia. But there is one entry which always mystified my grandmother, my father, and other relatives, that of a Jarvis Seale. The best guess was my father’s – perhaps a distant cousin who was also a good friend? He was the only non-Young noted in the family records. But who was he?

The advent of online genealogy sites has been helpful – but not completely helpful. I tracked down Jarvis Seale and discovered he was the husband of Samuel’s oldest sister Martha. Ancestry.com says they had only one child; Family Search notes six children. Family Search turns out to be more accurate. Their oldest child, Littleton, was close in age to my great-grandfather Samuel, and I suspect they were more friends than uncle and nephew.

Still, it begs the question of why only the one in-law added to the record? Others could have easily been included; Samuel came from a relatively large family. 

Shiloh National Military Park

Jarvis died when he was 36 in 1862, and it’s the date that might be the first clue – April 6, 1862, the first day of the two-day Battle of Shiloh. When we think of the Civil War, we think of the war in the east – Robert E. Lee, Virginia, or perhaps Sherman’s march through Georgia to the sea. Shiloh, in Tennessee near the Mississippi border, was the first major battle of the entire war, engaging thousands of soldiers on both sides. And the numbers of deaths, casualties, and missing staggered people in both the North and the South. To give some idea of the impact, the North ultimately prevailed and won the battle – and newspapers all over the North, horrified at the carnage, called for the removal of the Union generals, who included both Ulysses S. Grant and William T. Sherman. 

Jarvis has one additional mystery attached to him. The genealogy sites claim he is buried in Red River County, Texas, on the Oklahoma border. There’s even a picture of a memorial stone. But I suspect that’s exactly what it is – a memorial and not a grave. The Confederate dead at Shiloh were buried by Union forces in nine mass graves, the location of three of which are still unknown. It is much more likely that Jarvis is buried in one of those mass graves, as there would have been no reason to move his body to a cemetery in Texas. Jarvis’s oldest daughter, Margaret, was 11 at the time of her father’s death, and she herself died in 1937. She was buried in Red River County, Texas. I suspect, and it’s only a suspicion, that she was the one who had the memorial stone for her father placed in the Red River Cemetery. The family wouldn’t know where at Shiloh he would have been buried, and she might have wanted to make sure he had a stone to be remembered by.

The memorial stone

I think, too, of Martha, Jarvis’s wife. She was living in Pike County, Mississippi, near Brookhaven (the county was later divided and renamed) with six children, the oldest of which was 13 in 1862. She never remarried. She died in 1884 and was buried in Mississippi. I wonder at her devastation at the news of her husband’s death, how it affected the Seale and Young families, and what my great-grandfather himself experienced. Samuel and Octavia had 10 children, eight of whom survived infancy. One of their daughters was named Martha (Martha was also the name of Octavia’s mother).

I wonder, too, about my great-grandfather. One brother had died in 1860; another (and the oldest) in 1863 in Texas. Samuel was the last living son. His father died in 1870, when Samuel was 24 or 25. I think about him becoming the family patriarch at 25 years old, with several sisters and their children and his own small but growing family to care for. And I think about his own service in the Civil War, serving as a messenger boy, and about what he must have thought about his brother-in-law being buried in a mass grave in southern Tennessee. 

And I understand why the name of Jarvis Seale was included in the Young family Bible.

One of the mass graves at Shiloh for Confederate soldiers (National Park Service)

Related:

My review of Attack at Daylight and Whip Them: The Battle of Shiloh, April 6-7, 1862, by Gregory Mertz.

Top illustration: Engraving Of Grant’s charge at Shiloh by Felix Octavius Carr Darley (1822-1888).

The Gospel According to Stephen King

May 11, 2018 By Glynn Young Leave a Comment

The Gospel According to Stephen King

Three or four times a day, I receive email notices of conversations on discussion boards and Facebook groups, usually about Christian fiction. The subjects are all over the place, from a request for help for a software application to a question about Idaho state law governing autopsies.

One recent discussion stream caught my attention, but only after it had been underway for a few days. The question was about the use of the omniscient narrator, and whether it was something a fiction writer could do and not put off an agent or a publisher. (Like a lot of questions about writing, those who know will always say don’t do it – unless you can get away with it.)

As the discussion went along, one participant appealed to Stephen King, citing his book On Writing: A Memoir of the Craft. That wasn’t so unusual in and of itself. But as soon as that comment was made, several others added their citations to King’s work. It was clear that King was seen as a significant authority on the subject.

On Writing Stephen KingA few days later, someone posted a short article on a blog about Christian fiction that asked what books on writing would readers recommend – and while there were the standard references to Strunk & White’s Elements of Style and a couple to Steven Pressfield’s The War of Art, there are far, far more to Stephen King’s On Writing. (My own favorite books on writing are John Gardner’s On Moral Fiction and Mario Vargas Llosa’s Letters to a Young Novelist.)

My own knowledge of King is limited mostly to his early works. The first novel of his that read was Salem’s Lot, and then I read Carrie, The Shining and The Stand. Of those I’ve read, I liked The Shining the best, and I still have vivid memories of one of the main characters driving up a mountain (in a big Cadillac, I think) in a fierce Colorado snowstorm.

He’s published a lot of books since then, and On Writing came out in 2000. It’s not exclusively a “how to write” book, but more of a combined personal memoir, writing manual, and how he recovered from serious injuries after being struck by an automobile while walking.

What is it about Stephen King in general and his On Writing in particular that makes him (and it) so appealing to Christian novelists and writers?  And this appeal is broader than only to the writers of Christian horror, suspense and supernatural, a genre that’s developed only in recent years and by many writers who were directly influenced by King.

One is obvious. King is a terrific writer and storyteller. He’s a master of suspense, and even if you’re not interested in writing a suspense novel, there’s much to be learned from how he constructs his novels and stories in general and suspense scenes in particular. In other words, we can appreciate his writing for the same reasons anyone can appreciate his writing.

Second, despite the horror aspects of many of his works, his stories are “clean” – you don’t find gratuitous or obligatory sex thrown into the stories like you find is so much contemporary writing. (Not long ago, I read a buy-in-the-supermarket romance novel to see what it was like, not only were the “adult” scenes written really badly, the entire novel was written badly.) (Several weeks later, it showed up on the New York Times’ paperback bestseller list, so what do I know?)

A third aspect to King’s appeal is how accessible his writing is for Christians, even with all the blood, gore, plague, ghosts, stalkers and vampires (or perhaps because of them). His writing, as varied as it is, hews to the basic story format – setting, conflict, climax and resolution. This is a format, a structure, that is familiar to us from the story of the Bible overall and the story of Christ. One can’t call King a “Christian author” is the sense that the Christian Booksellers Association would use that term, but his stories are structured like “the story” we know and his themes – good vs. evil, redemption, and the darkness within each of us – are the themes we’re intimately familiar with.

They’re the story and the themes of The Book.

Photograph by Carl Cerstrand via Unsplash. Used with permission.

Footer

GY



Meet the Man

An award-winning speechwriter and communications professional, Glynn Young is the author of three novels and the non-fiction book Poetry at Work.

 

 01_facebook 02_twitter 26_googleplus 07_GG Talk

Copyright © 2025 Glynn Young · Site by The Willingham Enterprise · Log in | Managed by Fistbump Media LLC